{"title":"Contemporary Pottery","description":"","products":[{"product_id":"120728-08-santo-domingo-pottery-by-noted-potter-mark-wayne-garcia","title":"Santo Domingo Pottery By Noted Potter Mark Wayne Garcia","description":"\u003cp\u003e\u003cspan\u003eca. 2012 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHand coiled clay pottery\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6\" H x 7.5\" D\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExcellent Condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn expert potter, Mark Wayne Garcia uses a micaseious clay and is noted for his strong painting and traditional forms.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877083570341,"sku":"120728-08","price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/120728-08a.jpg?v=1759963042"},{"product_id":"5001-29-iyonne-olivas-mata-ortiz-seed-jar","title":"Mata Ortiz Seed Jar By Iyonne Olivas","description":"\u003cp\u003eEarly 21st Century\u003c\/p\u003e\n\u003cp\u003e5.5\" H x 6\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled in a Deep Terra Cotta (almost chocolate) Colored Clay and Painted with Striking Geometric Designs in the Most Brilliant Ivory a Masterful Work of Art \u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition This is a Wonderful Jar\u003c\/p\u003e\n\u003cp\u003eIvonne Olivas is the Niece of Juan Quezada and has learned personally from Juan the art of pottery making. \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIyonne Olivas (born in 1982) is a highly regarded potter from this community. She began creating pottery at age 13 and is known for her precise, delicate work—especially lace-like geometric patterns, fine lines, and balanced forms. Her pieces often appear in terracotta\/red clay tones or polychrome (multi-color) with black, white, and turquoise accents. She has received awards, including recognition in the colored clay category at Mata Ortiz pottery competitions.\u003c\/p\u003e\n\u003cp\u003eMata Ortiz is a small village in the state of Chihuahua, Mexico, less than 100 miles (160 km) from the US-Mexico Border. The community, population 2,000, is one of the designated localidades (localities) in the municipality Casas Grandes, one of several such pueblos in a wide, fertile valley long inhabited by indigenous people. Mata Ortiz is located at the base of a mountain known as El Indio and on the west bank of the Rio Palanganas, a tributary of the Rio Casas Grandes. \u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877120860325,"sku":"5001-29","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p1558_i1_w1799.jpg?v=1757348138"},{"product_id":"171127-01-jemez-carved-red-polychrome-pueblo-pottery-signed-bj-fragua","title":"Jemez Pueblo Polychrome Pottery By BJ Fragua","description":"\u003cp\u003eca.  2000\u003c\/p\u003e\n\u003cp\u003e6.75\" H x 6.75\" D \u003c\/p\u003e\n\u003cp\u003eHand Coiled and Carved Red Polychrome Form and Motif Design and is Well Balanced a Particularly Fine Example with a High Red Polish Signed BJ Fragua\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp\u003eBJ Fragua - This young potter is the daughter of Juanita Fragua, one of the potters responsible for the renaissance of Jemez pottery. B J works in a style somewhat reminiscent of her mother's but it has a more contemporary feel. She is one of the best young potters to emerge from Jemez Pueblo in recent years and many awards testify to this fact. B J also has a sister, Glendora Fragua, who is a also a very talented and recognized potter and a brother, \u003cbr\u003eClifford Fragua, one of the best known Indian sculptors. She is a member of a very talented family.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877186625701,"sku":"171127-01","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p3385_i1_w900.jpg?v=1757345428"},{"product_id":"201102-19-cavan-gonzales-eagle-tail-san-ildefonso-c-1970-polychrome-pottery-jar","title":"San Ildefonso Pueblo Polychrome Pottery Jar By Cavan Gonzales","description":"\u003cp\u003eLate 20th\/Early 21st Century\u003c\/p\u003e\n\u003cp\u003e6.5\" H x 7.5\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled with a Bulbous Form with Painted Eagle Tail Geometric Design and Accented with Tad Poles Signed Cavan Gonzales \"Eagle Tail\"\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCavan Gonzales (Tse-whang, or \"Eagle Tail,\" born 1970) is a respected potter from San Ildefonso Pueblo in New Mexico. He is the great-great-grandson of the legendary potter Maria Martinez and the son of potter Barbara Gonzales. He learned traditional pottery-making from his mother and has been creating award-winning work since childhood.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"display: none; mso-hide: all;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eGonzales initially gained recognition as a painter before focusing on pottery. He studied ceramics at Alfred University and received the Presidential Scholar Award from the White House in 1988. He is widely regarded as a key figure in the revival of traditional San Ildefonso polychrome pottery, a style that uses three or more colors of clay slips for intricate painted designs on a light base, often featuring geometric patterns, feathers, clouds, tadpoles, and motifs inspired by both historic Pueblo traditions and contemporary life.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877367144613,"sku":"201102-19","price":1470.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p6319_i13_w1000.jpg?v=1757346020"},{"product_id":"22-0814-fine-hopi-pottery-by-tyra-naja-bat-wing-motif","title":"Fine Hopi Pottery by Tyra Naha Bat Wing Motif","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eSigned with Feather and Spider Motif \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eca. 2000\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: Times New Roman;\"\u003e2.75\"h x 4\"d\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: Times New Roman;\"\u003eClassic Nampeyo family design.\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eBlack, tan and red on a white slip.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003cb\u003eHopi PuebloTyra Naha (or Tyra Naha-Black, or Tyra Naha Tawawina)\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003erepresents the fourth generation in a family of well-known Hopi Pueblo potters. She is the great granddaughter of Paqua Naha; granddaughter of Helen Naha; daughter of Rainy Naha and niece of Sylvia Naha. While she is currently not as well-known as her famous elders, she is technically very proficient. Her work has been featured at shows in Santa Fe and at the Heard Museum. Tyra signs her pots with a feather and a spider glyph. The feather represents her lineage to the Naha family through her grandmother, who signed with a feather glyph. Her pottery is signed with a feather and a 3, representing being third generation of from Helen Naha. The spider represents her being Spider Clan.\u003c\/span\u003e\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877532393637,"sku":"22-0814","price":685.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0815_1_c8163264-1d57-4544-b780-436807ae31f8.jpg?v=1779517071"},{"product_id":"5211-04-large-navajo-seed-pot-by-b-sam-dine-3-75-x-16","title":"Large Navajo Seed Pot by Betty Sam  16\"","description":"\u003cp\u003eca 1998\u003c\/p\u003e\n\u003cp\u003e3.75\" x 16\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSigned \"B. Sam    Dine 98\"\u003c\/p\u003e\n\u003cp\u003eA very large jar with intricate carving, painting and with turquoise insets.\u003cbr\u003eVery minor wear on the bottom as pictured. Overall in Excellent Condition.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877559656613,"sku":"5211-04","price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9093_i1_w1000.jpg?v=1757348364"},{"product_id":"210817-03-acoma-pottery-by-carrie-chino-charlie","title":"Acoma Pueblo Pottery By Carrie Chino-Charlie","description":"\u003cp\u003eca.  8 - 2000\u003c\/p\u003e\n\u003cp\u003e5.25\" H x 6\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled Polychrome Black and White Seed Jar with a Painted Fine Line and Geometric Design Purchased at the 2000 Indian Market in Santa Fe from Carrie, who is the Daughter of Marie Chino by Carrie Chino - Charlie\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCarrie Chino Charlie (1925–2012) was a respected Acoma Pueblo potter from New Mexico, known for carrying on and innovating within the rich tradition of Acoma pottery.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"display: none; mso-hide: all;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eShe was born on December 19, 1925, to Lorenzo and Marie Z. Chino at Acoma Pueblo (also known as \"Sky City\" or Haak'u). Her mother, Marie Z. Chino, was a legendary potter who helped revive and popularize fine-line and polychrome styles. Carrie learned the art from her and began making pottery in the 1940s. She passed away on February 6, 2012.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"display: none; mso-hide: all;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eHer sisters, including Grace Chino, Vera Chino Ely, and Rose Chino Garcia, were also accomplished potters, making the Chino family one of the most influential in Acoma pottery.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877560017061,"sku":"210817-03","price":270.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9097_i1_w999.jpg?v=1757346378"},{"product_id":"210817-06-acoma-pottery-by-caroline-sarracino","title":"Acoma Pueblo Pottery By Caroline Sarracino","description":"\u003cp\u003eca. January 2001\u003c\/p\u003e\n\u003cp\u003e3\" H x 2.75\" D \u003c\/p\u003e\n\u003cp\u003eHand Coiled Polychrome Jar with Traditional Acoma Geometric Designs Representing a Sun and Water Motif Design\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp\u003ePurchased from Caroline at Colorado Indian Market 1\/2\/2001\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCaroline Sarracino is an Acoma Pueblo potter known for traditional hand-coiled and painted pottery. Acoma (Sky City) Pueblo in New Mexico is renowned for its ultra-thin-walled, lightweight pottery, often featuring fine-line black-on-white designs, geometric patterns, and sometimes polychrome elements with red accents.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877560049829,"sku":"210817-06","price":105.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9099_i16_w1000.jpg?v=1757346379"},{"product_id":"210817-09-hopi-pottery-7-x-8-by-donna-navasie-robertson","title":"Hopi Pueblo Pottery By Donna Navasie Robertson","description":"\u003cp\u003eca. 08 - 2004\u003c\/p\u003e\n\u003cp\u003e7\" H x 8\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled with Painted Black Geometric Design\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDonna Navasie Robertson (also known as Donna Robertson Navasie or \"Parrot Girl\") is a respected Hopi-Tewa potter born in 1972 on the Hopi Reservation in Arizona. She belongs to a prominent multi-generational family of Hopi potters and continues traditional techniques while producing beautiful, collectible pieces.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877560082597,"sku":"210817-09","price":365.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9101_i25_w790.jpg?v=1757346379"},{"product_id":"220804-07-hopi-pottery-seed-jar-by-vernida-polacca","title":"Hopi Pueblo Pottery Seed Jar By Vernida Polacca","description":"\u003cp\u003eca.  2000\u003c\/p\u003e\n\u003cp\u003e3.25\" H x 3.5\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled and Painted with Nampeyo Family Hopi Parrot Designs and Pit Fired and Purchased ca 2000 from the Artists and this Jar is Signed Vernida Polcca Nampyo\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eVernida Polacca Nampeyo (born 1955) is a respected Hopi-Tewa potter from the Kachina (Parrot) Clan at Hopi Pueblo. She is the great-granddaughter of the legendary Nampeyo of Hano, granddaughter of Fannie Polacca Nampeyo, and daughter of Harold and Alice Polacca. She learned the craft from her grandmother and has been creating pottery since around 1979.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"display: none; mso-hide: all;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eShe is especially known for her finely painted seed jars (also called seed pots), which are traditional Hopi forms. These are typically low, rounded vessels with a small opening at the top, historically used for storing seeds. Her work features classic Sikyatki Revival designs in black and red mineral paints on a yellow or white slip background. Common motifs include migration patterns, eagle tail feathers, corn, bat wings, and geometric elements. She hand-coils the pots using natural clay, paints with natural pigments, and fires them outdoors in the traditional Hopi manner.\u003c\/p\u003e\n\u003cp\u003e Parrott \u0026amp; Kachina Clans. Sister of Reva and Clinton Polacca, mother of potters Heidi Nodman, Jeremy and Michael Polcaca. Taught by her grandmother Fannie Nampeyo, Vernida works in the traditional methods.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877567783077,"sku":"220804-07","price":265.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9349_i1_w1000.jpg?v=1757347070"},{"product_id":"22-0406-santa-clara-pueblo-pottery-by-elija-naranjo-b-1978-2000-sphere-w-turtles-w-stand","title":"Santa Clara Pueblo Pottery By Elija Naranjo","description":"\u003cp\u003eca. 2000\u003c\/p\u003e\n\u003cp\u003e2.5\" H X 2.5\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled Sphere with Carved Turtles Motif Design with a Stand\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp\u003eElijah Naranjo Smith (b. 1978) is a son of Dolly Naranjo and a brother of Jody Naranjo. He has been working with clay since 1999. In 2003 he won the Ron \u0026amp; Susan Dubin Native American Artist Fellowship Award from the School for Advanced Research. That allowed him to study the designs in the IARC collection and work on pottery in the SAR studios. He works with traditional clays and firing methods, producing brown, black and red combination pots with sgraffito designs.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877643346085,"sku":"22-0406","price":405.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9948_i203_w1000.jpg?v=1757346586"},{"product_id":"22-1176-santa-clara-pueblo-nativity-scene-9-piece-by-dorothy-and-paul-gutierrez","title":"Santa Clara Pueblo Nativity Scene - 9 Piece -  by Dorothy and Paul Gutierrez","description":"\u003cp\u003eSanta Clara Pueblo Nativity Scene by Dorothy and Paul Gutierrez\u003cbr\u003e\n 1 1\/4\"\u003cbr\u003e\nDorothy Gutierrez (1940- ) made the figurines and her husband Paul (1940-2017) did the sanding and polishing. Dorothy and Paul Gutierrez were married in 1965 and are known for their figurative pottery. Dorothy first began making her nativity sets in 1971.\u003cbr\u003e\nFrom a Private Colorado Collection\u003cbr\u003e\n---\u003c\/p\u003e\n\n\u003cp\u003eDorothy and Paul Gutierrez\u003cbr\u003e\nSanta Clara Pueblo\u003cbr\u003e\nDorothy (Corn Maiden) and Paul (White Corn) Gutierrez were both born in 1940, he into Santa Clara Pueblo, she into the Navajo Nation. Paul's grandparents were Lela and Van Gutierrez, his father Luther (of Margaret and Luther Gutierrez). Paul began working with clay around the age of twelve while Dorothy first touched clay in day school. They were married in 1965 and had two sons, Gary and Paul, Jr.\u003c\/p\u003e\n\n\u003cp\u003eDorothy and Paul specialize in storytellers, mudheads, angels, animals, ornaments and nativities, in black and red. They were among the first at Santa Clara to make nativities.\u003c\/p\u003e\n\n\u003cp\u003eThey work as a team with Dorothy forming the figures and Paul doing the polishing and finish work. They follow the traditional methods from the first gathering of the clay through processing it, forming the pieces, polishing, defining further, then firing, praying every step of the way. As Paul once said, \"They come out different each time, with different faces. It's nice.\" Their creations range from miniatures to about 6 inches tall. Some of their nativities have up to 17 figures.\u003c\/p\u003e\n\n\u003cp\u003eDorothy and Paul earned multiple First and Second Place ribbons at shows like the Eight Northern Pueblos Arts \u0026amp; Crafts Show, Santa Fe Indian Market, Heard Museum Guild Indian Art Fair \u0026amp; Market and the Gallup InterTribal Ceremonials.\u003cbr\u003e\nExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877704982693,"sku":"22-1176","price":545.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p10595_i1_w1024.jpg?v=1757346778"},{"product_id":"22-1025-acoma-pottery-seed-jar-by-joann-chino-garcia-acoma-born-1961","title":"Acoma Pottery Seed Jar by : JoAnn Chino Garcia (Acoma, born 1961)","description":"\u003cp\u003eEarly 21st Century\u003cbr\u003e3\" x 3 3\/4\"\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877753807013,"sku":"22-1025","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p11176_i84_w1024.jpg?v=1757346734"},{"product_id":"22-0956-10-choctaw-story-keepers-and-storytellers-turtle-by-randy-chitto","title":"10\" Choctaw story keepers and storytellers Turtle by Randy Chitto","description":"\u003cp\u003eLate 20th \/ Early 21st Century\u003c\/p\u003e\n\u003cp\u003e10\" x 6\"\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eRandy (Randall) Chitto (born 1962) was born on the Choctaw Reservation in Philadelphia, Mississippi. His family relocated to Chicago under the Indian Relocation Act of 1956, where he initially pursued baseball before discovering art through a family friend's sketches. A missed scholarship led him to the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico, in the early 1980s, where a clay class ignited his passion for ceramics. Since graduating, Chitto has focused on clay sculpture, blending Choctaw storytelling with Southwestern techniques. His cheerful, animated figures have earned him awards like the Southwest Indian Art Association Fellowship and the Five Civilized Tribes Museum Heritage Award. His works are held in major collections, including the Heard Museum (Phoenix), Denver Art Museum, and National Museum of the American Indian (Washington, DC).\u003c\/p\u003e\n\u003cp\u003eChitto's turtles draw directly from Choctaw lore, particularly the story of the Trail of Tears and forced relocation in the 1830s. According to the legend, as the Choctaw people were displaced from their Mississippi homeland to Oklahoma, medicine elders entrusted sacred stories to three animals—the bear, raccoon, and turtle—to safeguard them until the people could return. The turtle, with its protective shell, embodies resilience and the enduring spirit of the nation. Chitto incorporates this by hand-building each piece from clay sourced near his studio, firing them to achieve a high sheen, and adding details like tiny medicine pouches filled with broken pottery shards (symbolizing ancestral earth carried by warriors).\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877757673637,"sku":"22-0956","price":975.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p11225_i25_w682.jpg?v=1757346722"},{"product_id":"22-0228-santa-clara-pueblo-pottery-by-margaret-garcia","title":"Santa Clara Pueblo Pottery by Margaret Garcia","description":"\u003cp\u003eSanta Clara Pueblo Pottery by Margaret Garcia\u003cbr\u003eLate 20th Century\u003c\/p\u003e\n\u003cp\u003eSize: 3\" x 3.25\"\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eMargaret Garcia of Santa Clara Pueblo is know for her black-on-black jars, bowls, engagement baskets. 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also known as Sak’Honsee (“Tobacco Flower Girl”), was a respected Hopi-Tewa potter from First Mesa (Polacca), Arizona. She belonged to the renowned Nampeyo family of potters, one of the most influential lineages in Native American pottery.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFamily Lineage\u003c\/strong\u003e\u003cbr\u003eJean continued a multi-generational tradition tracing back to the legendary potter Nampeyo of Hano (c. 1859–1942), often called the “Mother of Hopi Pottery.”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMother: Priscilla Namingha Nampeyo\u003cbr\u003eGrandmother: Rachel Namingha Nampeyo\u003cbr\u003eGreat-grandmother: Annie Healing Nampeyo\u003cbr\u003eGreat-great-grandmother: Nampeyo of Hano\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eShe had seven siblings, many of whom were also potters or Katsina (Kachina) doll carvers: Nyla Sahmie, Rachel Sahmie, Bonnie Chapella (or Bonnie Nampeyo), Randy Sahmie, Andrew Sahmie, Foster Sahmie, and Finkle Sahmie. Jean was a member of the \u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-b88u0q r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eCorn Clan\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eShe signs with a corn plant and a fish. The corn plant stalk represents the Hopi-Tewa Corn Clan of which Jean is a member. The four leaves represent her two children and her two grandchildren whom Jean mentored. Jean started potting in 1965. Her work can be found in various galleries, private collections, museums, colleges, and universities in the United States and around the world. 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Inspired by the fading tradition—once practiced by nearly every family in the pueblo during the 1930s and 1940s—Tenorio began creating pottery in the early 1990s to preserve this cultural heritage.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878034235557,"sku":"250321-09S","price":670.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14181_i13_w768.jpg?v=1757348020"},{"product_id":"250416-15-nicaraguan-pottery-bowl-by-gregorio-bracamonte-rim-hairline-crack","title":"Nicaraguan Pottery Bowl By Gregorio Bracamonte","description":"\u003cp\u003eca. 2003\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e3.125\" H x 9.5\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled Bowl with Painted Black Deer Geometric Motif Design\u003c\/p\u003e\n\u003cp\u003eIn Good Condition with Rim Hairline Crack\u003c\/p\u003e\n\u003cp\u003eGregorio Bracamonte was a master artisan born on September 3, 1949, in San Juan de Oriente, Nicaragua, a pueblo known for its indigenous pottery tradition. He played a pivotal role in reviving pre-Columbian ceramic techniques, earning recognition as a national hero and a \"Tesoro Humano de la Cultura Nicaragüense\" (Human Treasure of Nicaraguan Culture). His work focused on archaeological replicas and ceremonial clay sculptures inspired by the ancient Nicoyan heritage, particularly the Gran Nicoya region.  His ceramics used natural dyes from tree sap and earthen minerals, with black pigment cured for than 30 days\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878035906725,"sku":"250416-15","price":140.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14203_i98_w1024.jpg?v=1757348089"},{"product_id":"22-0656-wan-par-with-one-turquoise-pottery","title":"San Ildefonso Pueblo Pottery By Kathy Wan Povi Sanchez","description":"\u003c!--StartFragment --\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eLate 20th\/Early 21st Century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003e1.75\" H x 2\" D\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eTurtles with a Large Turtle Delicately Carved with the Red Spot with 1 Turquoise Stone The Larger Shell With two Baby Turtles Swimming next to Larger Under Sea Motif \"Turtles\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eFrom a Private Colorado Collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eExcellent Condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eKathy Wan \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ePovi\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Sanchez, whose Tewa name \"Wan \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ePovi\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e\" translates to “Pine Flower,” is a Tewa Elder from San Ildefonso Pueblo in New Mexico. A fourth-generation traditional blackware potter, she learned the craft from her mother, Anita Martinez, and her renowned great-grandparents, Maria and Julian Martinez, who helped revive and popularize San Ildefonso blackware pottery. Kathy is also a fluent Tewa speaker, a skill passed down by her grandparents, which connects her deeply to her cultural roots.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!--EndFragment --\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878094692517,"sku":"22-0656","price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0656_1_0119a1b4-7c43-489a-82d8-56adecae01da.jpg?v=1761861018"},{"product_id":"22-0323-santa-clara-pueblo-pottery-by-merton-sisneros","title":"Santa Clara Pueblo Pottery By Merton Sisneros","description":"\u003cp\u003eLate 20th\/Early 21st Century\u003cbr\u003eSize: 3.250\" H x 1.50\" D\u003cbr\u003eBlack on Black Pottery of a Corn Maiden\u003cbr\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eMerton Sisneros, alongside his wife Linda, is a contemporary Santa Clara Pueblo potter recognized for their black-on-black pottery, a style perfected in the 20th century by potters like Maria Martinez. This technique involves a polished black surface with matte black designs, achieved through reduction firing where oxygen is limited during the firing process, creating a distinctive blackened finish.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878095937701,"sku":"22-0323","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14873_i1_w798.jpg?v=1757346571"},{"product_id":"22-0450-san-ildefonso-pueblo-pottery-by-cavan-gonzales","title":"San Ildefonso Pueblo Pottery By Cavan Gonzales","description":"\u003cp\u003eLate 20th\/Early 21st Century\u003cbr\u003eSize: 2.250\" H x 1.625\" D\u003c\/p\u003e\n\u003cp\u003eBlack on Black Pottery Vase with Ruffled Edge\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCavan Gonzales is a potter from San Ildefonso Pueblo\u003c\/strong\u003e, known for his contributions to the polychrome pottery revival. As the great-great-grandson of the legendary Maria Martinez, he carries forward the San Ildefonso tradition of hand-coiled pottery, specializing in black-on-black, red, and polychrome styles. Born in 1970, Gonzales learned from his mother, Barbara Gonzales, and draws on techniques pioneered by Maria and Julian Martinez, such as matte designs on polished surfaces. His work often features geometric and checkerboard patterns.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878095970469,"sku":"22-0450","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14874_i1_w944.jpg?v=1757346591"},{"product_id":"22-0985-santa-clara-pueblo-pottery-by-dusty-naranjo","title":"Santa Clara Pueblo Pottery By Dusty Naranjo","description":"\u003cp\u003eLate 20th\/Early 21st Century\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2.250\" H x 2.375\" D x 2.75\" W\u003c\/p\u003e\n\u003cp\u003eBlack Pottery with Etched Design of Native American Figures\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eDusty Naranjo is a recognized artist from Santa Clara Pueblo, known for creating black pottery, a traditional craft from New Mexico. This style, popularized by Maria Martinez, features a glossy, jet-black finish achieved through a unique firing process involving smudging with organic materials.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878097051813,"sku":"22-0985","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0985_1_d21df856-44eb-466f-9fcd-476969ebe5ec.jpg?v=1761861159"},{"product_id":"22-0219-glen-nipshank-95-matte-black-vase","title":"Cree Pottery By  Glen Nipshank","description":"\u003cp\u003eca. 1995 \u003c\/p\u003e\n\u003cp\u003eMatte Black Vase, \u003c\/p\u003e\n\u003cp\u003e4\" H x 3\" D\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eGlen Nipshank is one of the few Cree potters working today. He attended the Institute of American Indian Arts where he learned to make pottery. Recently he won “Best of Pottery” at the 2011 Autry Museum Indian Market in California. Glen continues to win awards at such events and his work continues to be sought after by museums and collectors world wide.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878106292389,"sku":"22-0219","price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14977_i1_w948.jpg?v=1757346532"},{"product_id":"22-0223-a-andrea-small-pot","title":"Fine Mata Ortiz Blackware Pottery By A. Andrea","description":"\u003cp\u003eLate 20th Century\u003c\/p\u003e\n\u003cp\u003e1.25 \"x 3.375\" D\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878106357925,"sku":"22-0223","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0223_1_60419e2e-a65b-4787-951b-0dfecb46009a.jpg?v=1760589448"},{"product_id":"22-0229-denny-santa-guitierrez-93-pot","title":"Santa Clara Pueblo Pottery by  Denny Santa Guitierrez","description":"\u003cp\u003eca 1993\u003cbr\u003e3 3\/8\"  x3 3\/8\"\u003cbr\u003eAn unusual \"Melon\" or \"Gourd\" jar. \u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003eDenny Gutierrez (1942–2013)Denny Gutierrez was a skilled traditional potter from Santa Clara Pueblo in New Mexico, celebrated for his finely crafted blackware and redware vessels that exemplified the Pueblo's mastery of hand-coiled ceramics and polished finishes.  Denny began actively producing pottery in 1960, immersing himself in the Tewa traditions of his community and contributing to the Gutierrez family's broader legacy in Pueblo ceramics, alongside relatives like the renowned figurative team of Paul and Dorothy Gutierrez. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAdhering to ancestral methods, Denny sourced local clay from Santa Clara lands, hand-coiled his forms without a wheel, applied fine slips, stone-polished surfaces to a high sheen, and pit-fired outdoors to achieve the signature black and red hues through reduction techniques.  His work featured well-balanced jars, bowls, seed pots, and innovative forms like swirling and faceted melon bowls, which he developed in the 1990s, often incorporating subtle modifications to traditional motifs such as angled feathers and bear paws for a distinctive touch.  These pieces reflected the evolution of Santa Clara pottery from utilitarian storage jars to collectible art, with burnished surfaces that captured light and texture in elegant harmony. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBeyond his artistic pursuits, Denny served as Governor of Santa Clara Pueblo from 2000 to 2004, balancing leadership in community governance with his creative practice and underscoring the interconnected roles of art and culture in Tewa life.  He signed his works with etched marks like \"Denny \/ Santa Clara \/ [year]\" or \"Gutierrez,\" often including the production year, as seen on pieces from the 1990s.  Denny passed away in 2013, leaving a legacy of meticulously crafted pottery featured in collections across the Southwest and documented in key references like Gregory Schaaf's Pueblo Indian Pottery: 750 Artist Biographies, where his contributions to Santa Clara's blackware tradition are chronicled.\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878106390693,"sku":"22-0229","price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14980_i1_w1024.jpg?v=1757346539"},{"product_id":"22-0234-johanna-anthony-santa-clara-pot","title":"Santa Clara Pueblo Pottery by Johanna Herrera and Anthony Baca","description":"\u003cp\u003eEarly 21st Century \u003cbr\u003e3.23.25x4 5\/8\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003eJohanna Herrera (b. ca. 1960s), often collaborating as Johanna Herrera with her partner Anthony Baca, is a dedicated traditional potter from Santa Clara Pueblo in New Mexico, crafting high-quality blackware and redware vessels that embody the Pueblo's enduring ceramic heritage. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e Born in the mid-20th century, she grew up immersed in the Tewa traditions of Santa Clara, though not from one of the most prominent pottery families, which has allowed her to maintain a low-profile yet respected presence in the art world. Johanna learned the craft from the esteemed potter Corn Moquino, a key figure in preserving Santa Clara techniques, and began creating pieces around the early 2000s, amassing over 20 years of experience by the mid-2010s. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eShe works closely with Anthony Baca on every vessel, adhering strictly to ancestral methods: sourcing local clay from Santa Clara lands, hand-coiling without a wheel, stone-polishing for a glossy sheen, and pit-firing outdoors to achieve the iconic black finishes through smothered reduction techniques. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e Their signature style features deeply carved motifs, particularly the avanyu (horned water serpent), a symbol of rain and fertility central to Tewa cosmology, along with bear paws, feathers, and geometric patterns that reflect the Pueblo's natural surroundings and spiritual narratives.  Forms include polished jars, bowls, and seed pots, emphasizing balance between form and intricate surface detailing. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eUnlike many contemporaries, Johanna and Anthony eschew competitions and awards, choosing instead to focus on the purity of their process and the quiet satisfaction of creation, which has kept their work undervalued yet prized by discerning collectors for its superior craftsmanship. They sign pieces as \"Johanna Herrera \u0026amp; Anthony Baca, Santa Clara Pueblo,\" underscoring their collaborative spirit and cultural ties.  Active today, their pottery contributes to Santa Clara's global reputation for blackware innovation, bridging ancient techniques with subtle, timeless artistry that honors the Pueblo's matrilineal traditions while remaining accessible to those who seek authentic Native voices.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878106423461,"sku":"22-0234","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14981_i1_w1024.jpg?v=1757346544"},{"product_id":"22-0522-andres-daubs-jemez-pot","title":"Glendora Fragua \/ Andres Daubs Jemez Pot","description":"\u003cdiv\u003e\u003cspan\u003eca 2000\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e2 1\/2\" x 2 3\/8\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFrom a Private Colorado Collection\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eExcellent Condition\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBorn in St. Louis, Missouri in 1958, Glendora Fragua also spent some of her early years in California before her family returned to Jemez Pueblo in the 1970s. Her grandmother, Beninga Medina Madelena, married into Jemez Pueblo from Zia Pueblo years before and has been credited with helping to revive the Jemez pottery making tradition. Glendora learned the fundamentals of the traditional Jemez way of making pottery from her mother, Juanita Fragua, and by the age of 16 she was working with sgraffito techniques, working to develop her own style.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGlendora characterizes her work as contemporary\/traditional: hand-gathered-and-processed clay, volcanic ash for temper, paints from the rocks and the plants, everything is done by hand the ancient way... her electric kiln is the only modern technology she uses. The designs she uses are her own, carved into her pots after they've dried and been polished but before firing. After carving she might add a red or buff or micaceous slip, then she adds her trademark cornstalk to the bottom and signs the piece before placing it in her kiln and firing it. Sometimes she adds inlaid stones to a piece, placing them, removing them before going in the kiln and then replacing them after the piece is finished being fired.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGlendora Daubs is a name many collectors recognize her by as she used that during the time she was married. Over the years she has earned pretty much every Blue Ribbon awarded for pottery at the various Indian Markets and Fairs in the Southwest at least once.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAndres Daubs (b. ca. 1950s–1960s)Andres Daubs is a traditional potter from Jemez Pueblo in New Mexico, recognized for his contributions to the revival and evolution of Jemez polychrome pottery, which features distinctive earth-tone slips, stone-polished finishes, and intricate painted or etched geometric motifs. Born in the mid-20th century into a family with deep roots in Jemez artistic traditions, Andres grew up amidst the Pueblo's volcanic landscape, where clay gathering and hand-coiling techniques have been adapted from ancestral practices dating back to the 13th century.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHe learned the craft from elder family members, including influences from the Gachupin and Fragua lineages, which helped reintroduce pottery-making to Jemez after a decline in the 18th and 19th centuries when the community relied on wares from neighboring Zia and Santa Ana Pueblos.\u0026amp;nbsp;\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAndres specializes in polychrome vessels such as bowls, jars, and seed pots, employing traditional methods: sourcing local clay from the Jemez River valley, hand-coiling without a wheel, applying multiple colored slips (often red, tan, and black), and pit-firing outdoors to achieve the characteristic matte and glossy contrasts.His designs draw from Jemez oral histories and natural elements, incorporating geometric patterns, feathers, and symbolic motifs that reflect the Pueblo's trading heritage and connection to the surrounding red sandstone mesas.As part of the broader Daubs family—related to potters like Dennis Daubs (b. 1960), Glendora Daubs Fragua (b. 1958), and Gerry Daubs—Andres has collaborated on family pieces and contributed to the Pueblo's curio trade, helping elevate Jemez ceramics from utilitarian items to collectible art forms exhibited at events like the Santa Fe Indian Market.He signs his work \"Andres Daubs, Jemez Pueblo,\" preserving the closed-village ethos of Jemez while sharing its cultural narrative through enduring, handcrafted pottery.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eActive in the contemporary market, Andres continues to innovate within tradition, ensuring the Jemez legacy of polychrome artistry thrives amid a new generation of potters.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878106456229,"sku":"22-0522","price":420.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14982_i1_w996.jpg?v=1757346608"},{"product_id":"22-0523-loren-h-nampeyo-eggshaped-pottery","title":"Hopi Pueblo Carved Seed Jar  Eggshaped Pottery by Loren H. 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r-1wbh5a2 r-11niif6 r-bnwqim r-13qz1uu\"\u003e\n\u003cdiv class=\"css-175oi2r r-3pj75a\"\u003e\n\u003cdiv class=\"css-146c3p1 r-bcqeeo r-1ttztb7 r-qvutc0 r-37j5jr r-rjixqe r-16dba41 r-imh66m\" dir=\"ltr\"\u003e\n\u003cdiv class=\"css-175oi2r\"\u003e\n\u003cdiv\u003e\n\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-adyw6z r-135wba7 r-b88u0q\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eLoren H. Nampeyo (b. 1961)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eLoren H. Nampeyo is a distinguished contemporary Hopi-Tewa potter from First Mesa in Arizona, renowned for his innovative contributions to the Polacca-style ceramics that blend traditional techniques with bold, sculptural forms. Born in 1961, he is the son of Tonita Hamilton (1934–2010) and the grandson of Fannie Nampeyo (1900–1987), placing him in the fifth generation of the illustrious Nampeyo family lineage that traces back to the legendary Hopi-Tewa matriarch Nampeyo of Hano (c. 1860–1942). This heritage connects him to a dynasty of potters who revived ancient Sikyátki designs in the late 19th century, elevating Hopi pottery from utilitarian ware to globally acclaimed fine art.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eRaised in the Hopi-Tewa village of Hano, Loren learned the craft informally by observing his mother, Tonita, who specialized in intricate fine-line designs, and his grandmother, Fannie, known for complex polychrome patterns. He received formal instruction in carving techniques from his uncle, Thomas Polacca (1920–1995), Nampeyo's grandson and a pioneer of the sculptural \"Polacca-style\" featuring deeply incised motifs and dramatic forms. After graduating from high school, Loren worked for the Hopi Tribal Authority's housing division, but his passion for pottery soon led him to pursue it full-time, diverging from the matrilineal traditions by establishing himself as a male potter in a family historically dominated by women.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eLoren's work exemplifies the evolution of Hopi ceramics, employing ancestral methods such as gathering yellow Jeddito clay from First Mesa, hand-coiling vessels without the wheel, stone-polishing for a glossy sheen, and pit-firing outdoors to achieve the characteristic warm earth tones and subtle crackle finishes. He innovates with sgraffito (sgraffito) etching, etching away surface clay to reveal contrasting layers, and incorporates painted elements like dancers, geometric patterns, feathers, and pueblo landscapes—motifs echoing ancient Sikyátki polychrome while adding contemporary vitality. His forms often include seed jars, bowls, and experimental shapes with carved reliefs, emphasizing texture and narrative depth. Pieces like a 2.75-inch polychrome seed pot featuring a sgraffito dancer against a pueblo backdrop highlight his mastery of scale and detail.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1x3r274 r-p1pxzi\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eAs one of few male potters in the Polacca-Nampeyo line, Loren's output garners immediate acclaim from collectors, with nearly all works claimed before leaving his studio. He signs his pottery \"Loren H. Nampeyo, Hopi,\" affirming his cultural roots, and continues to exhibit at prestigious venues such as the Museum of Northern Arizona's Hopi Show and the Santa Fe Indian Market. Active today, Loren upholds the family's legacy of innovation rooted in tradition, ensuring the Hopi-Tewa ceramic revival endures through his hands-on preservation of techniques passed down over 150 years.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878106488997,"sku":"22-0523","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14983_i1_w1024.jpg?v=1757346609"},{"product_id":"22-0625-jody-naranjo-2007-pottery","title":"Santa Clara Etched Black pottery by Jody Naranjo","description":"\u003cp\u003eca 2007\u003c\/p\u003e\n\u003cp\u003e4\" x 2 3\/4\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003eJody Naranjo (b. 1969\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJody Naranjo is a celebrated contemporary Tewa potter from Santa Clara Pueblo in New Mexico, renowned for her sgraffito-carved vessels that infuse traditional Pueblo techniques with whimsical, humorous motifs drawn from everyday life, culture, and nature. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e Born on May 24, 1969, in Santa Fe, New Mexico, she is the daughter of acclaimed potter Dolly Naranjo and granddaughter of Rose \"Gia\" Naranjo (1917–2004), the matriarch of a prolific Naranjo family dynasty that includes sculptors Michael Naranjo and Nora Naranjo-Morse, potters Jody Folwell (her aunt) and Edna Romero, and scholars like Tessie Naranjo. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e She is also cousins with innovative artists such as Roxanne Swentzell, Susan Folwell, Polly Rose Folwell, Dusty Naranjo, and Forrest Naranjo, embedding her work within a multi-generational legacy of Tewa artistry. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFrom age eight, Jody assisted her mother, grandmother, and aunt in pottery-making, learning the craft through immersion in family traditions. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e By 15, she was selling her pieces at the New Mexico History Museum, and at 19, she attended the Institute of American Indian Arts (IAIA), honing her skills while embracing a playful style that sets her apart. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e Jody adheres to ancestral methods: digging four types of local clay (including soft brown Santa Clara clay, mica from Picuris Pueblo, and volcanic ash from Pojoaque), sifting, soaking, straining, and hand-coiling vessels without a wheel. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e She stone-polishes for sheen, carves intricate sgraffito designs with an Exacto knife—revealing contrasting layers—and pit-fires outdoors using cedar wood and cow manure for the signature dark browns and blacks, often enduring the risks of monsoon-season timing. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHer distinctive style features etched and painted scenes of \"pueblo girls\" (humorous depictions of women in daily life), animals, thunderbirds, butterflies, churches, landscapes, dancers, and feast scenes, blending cultural narratives with global influences from other pottery traditions. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e Jody's work challenges the \"small box\" of Native art, expanding into collaborations like glass pieces with Tlingit artist Preston Singletary and merchandise featuring her designs on masks, bags, and apparel. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e Despite hand tremors from decades of labor, her precision remains unmatched, as she notes, \"The moment I lean over a new pot, they’re rock solid.\" \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eA mother of three daughters, Jody maintains strong ties to her heritage and community, signing her pieces \"Jody Naranjo, Santa Clara Pueblo.\" \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e Her accolades include Best of Show at the Eiteljorg Museum Indian Market and multiple First Place awards at the Santa Fe Indian Market, Heard Museum Guild Indian Fair, and more, with works in collections worldwide. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default 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solid black;}\n.r-vrz42v{line-height:28px;}\n.r-vvn4in{background-position:center;}\n.r-wy61xf{height:72px;}\n.r-x3cy2q{background-size:100% 100%;}\n.r-x572qd{background-color:rgba(247,249,249,1.00);}\n.r-xigjrr{-webkit-filter:blur(4px);filter:blur(4px);}\n.r-yc9v9c{width:22px;}\n.r-yfoy6g{background-color:rgba(21,32,43,1.00);}\n.r-yn5ncy{animation-fill-mode:both;}\n.r-yy2aun{font-size:26px;}\n.r-yyyyoo{fill:currentcolor;}\n.r-z7pwl0{max-width:700px;}\n.r-z80fyv{height:20px;}\n.r-zchlnj{right:0px;}\n@-webkit-keyframes r-11cv4x{0%{transform:rotate(0deg);}100%{transform:rotate(360deg);}}\n@-webkit-keyframes r-imtty0{0%{opacity:0;}100%{opacity:1;}}\n@keyframes r-11cv4x{0%{transform:rotate(0deg);}100%{transform:rotate(360deg);}}\n@keyframes r-imtty0{0%{opacity:0;}100%{opacity:1;}}\n.r-l6mll0{position:absolute;visibility:hidden;top:0;width:50px;pointer-events:none}\n.r-l6mll0.loaded{visibility:visible;top:50vh;width:50px}\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eElaine Salazar is a contemporary Native American potter from Santa Clara Pueblo in northern New Mexico, specializing in traditional black-on-black and polished blackware vessels that embody the rich Tewa heritage of her community. Born into a renowned lineage of potters, she is the daughter of the acclaimed Frances Naranjo Salazar (1936–2002), who learned the craft from her own mother, the influential Flora Naranjo (1905–1989), a matriarch of Santa Clara pottery known for her large, hand-coiled storage jars and award-winning pieces. Elaine's siblings—sisters Angela Salazar, Sophie Cata (born 1957), and Yolanda Velarde—also carry on this family tradition, creating a multi-generational dynasty of artists who have collectively earned recognition at events like the Santa Fe Indian Market. This deep-rooted apprenticeship from childhood immersed Elaine in the time-honored Pueblo methods, fostering her commitment to preserving and subtly evolving the art form.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eTrained in the ancient coil-building technique using clay sourced directly from Santa Clara lands, Elaine hand-coils her pottery without the aid of modern tools, sifting and mixing the natural materials to form the signature mud-like consistency. Her pieces undergo stone-polishing for a glossy finish and are fired in outdoor pits, often with materials like horse dung to achieve the deep black coloration through reduction firing—a process that creates the iconic matte and shine contrasts. While her work maintains the Pueblo's emphasis on functional forms like jars, bowls, and vessels, Elaine incorporates subtle geometric motifs, bear paws, feathers, and cloud patterns inspired by Tewa symbolism and the surrounding Rio Grande landscape. These designs evoke harmony with nature, reflecting the spiritual connection to \"Mother Earth\" central to Santa Clara artistry. Her pots, often signed simply \"Elaine Salazar, Santa Clara Pueblo,\" range from small miniatures (2–3 inches) to larger statement pieces up to 5 inches high, showcasing technical precision and a silky, tactile quality.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878107373733,"sku":"22-0675","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14990_i1_w1005.jpg?v=1757346660"},{"product_id":"22-0217-tsosie-santa-clara-black-dish","title":"Santa Clara Pottery by Michelle Tsosie Sisneros","description":"\u003cp\u003eLate 20th Century\u003cbr\u003e2.75x5.5d\u003cbr\u003eFine black on black seed jar. Signed \"Tsosie Santa Clara\"\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003e\"Tsosie Santa Clara\" refers to  Michelle Tsosie Sisneros, a contemporary Native American artist from Santa Clara Pueblo, with additional Diné (Navajo) and Laguna heritage, known for her abstract paintings with traditional themes, handcrafted jewelry, innovative clothing designs, and pottery.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878108815525,"sku":"22-0217","price":145.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p15001_i1_w1012.jpg?v=1757346531"},{"product_id":"22-0614-lorraine-williams-pottery","title":"Lorraine Williams (1955-2024) Pottery","description":"\u003cp\u003e7\" x 4 1\/2\"\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eVery Light wear at base otherwise in Excellent Condition\u003c\/p\u003e\n\u003cp\u003eLorraine Williams (1955-2024) is one of the great innovators among Navajo potters. Lorraine married George Williams in 1977. George is the son of Rose Williams, one of the best-known Navajo potters. Lorraine was adept at making beads and sand paintings, and she was a weaver. “But when I married George, I saw pottery with new eyes.” Her new eyes led to Lorraine’s beginning with clay about 1980. Ultimately, Lorraine would make the largest pots produced at Navajo today.  She has created her own unique pottery style incised with traditional rug and Navajo designs, then painted and native fired. After the piece is fired, it is covered in pine pitch, typical of all traditional Navajo pottery harkening back to when it was utilitarian. Lorraine has won numerous awards for her pottery and has been featured in books such as “A Legacy of Generations.”\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878109438117,"sku":"22-0614","price":390.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p15016_i1_w1024.jpg?v=1757346634"},{"product_id":"22-0665-black-pot-by-eric-tafoya-scp","title":"Santa Clara Pueblo Pottery by Eric Tafoya","description":"\u003cp\u003e 3 7\/8\" x 4 1\/2\"\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eEric Tafoya was born in 1969 into the Santa Clara-Tewa Pueblo. His interest in pottery was sparked at the age of 19 while watching his aunt, Gwen Tafoya, and his mother, Wanda Tafoya, coil pottery. The Tafoya family has been making pottery since the early 1900’s and the tradition is being carried on by Eric.\u003c\/p\u003e\n\u003cp\u003eEric specializes in the traditional hand coiled Santa Clara pottery with the classic black finish usually etched or with added sgraffito designs. Eric also adds the flare of a burned red brim and hues to his work. He etches flowers, hummingbirds and designs of feathers on his pottery.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878109634725,"sku":"22-0665","price":340.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p15018_i1_w994.jpg?v=1757346659"},{"product_id":"22-0797-pottery-santana-melcher","title":"Kewa [Santo Domingo] Pottery: Santana Melcher","description":"\u003cp\u003eca 2000\u003c\/p\u003e\n\u003cp\u003e5 1\/4\" x 6 1\/2\"\u003c\/p\u003e\n\u003cp\u003eBeautiful Classic form, strong paint and signed.\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878109700261,"sku":"22-0797","price":330.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p15020_i1_w983.jpg?v=1757346687"},{"product_id":"santa-clara-pueblo-nativity-set-of-16-pieces-by-jason-garcia","title":"Santa Clara Pueblo Nativity Set of 16 pieces by Jason Garcia","description":"\u003cp\u003eEarly 21st Century\u003c\/p\u003e\n\u003cp\u003e4.5\" Figure \u003c\/p\u003e\n\u003cp\u003eThe ram figure had damage to hands as pictured; one of the buffalo dancers back red feather tip is damaged. See photos.\u003c\/p\u003e\n\u003cp\u003eJason Garcia (b.1973) is the son of noted potter Gloria “Goldenrod” Garcia and the nephew of Minnie Vigil, Thelma Talachy, Lois Gutierrez, and Tina Garcia. He has won numerous prestigious awards for his tiles at Santa Fe Indian Market and the Heard Museum Market. In addition, hee has been featured in books and magazine articles on Native pottery. In 2007 he was a Dubin Fellowship recipient at the School of American Research in Santa Fe. Jason’s innovative style and artwork continue to make him one of the young leaders in Pueblo art. In 2016 he won “Best of Paintings” at Santa Fe Indian Market.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45979132297381,"sku":"22-0061","price":6500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0061_18_5f797b4a-c682-43b3-b138-b8054725544a.jpg?v=1771270456"},{"product_id":"deer-dance-ceramic-wall-haning-with-copper","title":"San Juan Pueblo Deer Dance Ceramic Wall Hanging","description":"\u003cp\u003eca. 2005\u003c\/p\u003e\n\u003cp\u003e2\" H x 10.25\" L x 6.8125\" W\u003c\/p\u003e\n\u003cp\u003eHand Coiled from Local Red Clay of a Figure Folding in his Hand 5 Strips of Copper\u003c\/p\u003e\n\u003cp\u003eIn Excellent Condition with 1 Rim Chip on the Back\u003c\/p\u003e\n\u003cp\u003eThe Deer Dance is a key ceremonial event at Ohkay Owingeh, typically performed in late February to honor the return of spring, ensure successful hunts, and maintain harmony with nature. Dancers, often young men, embody deer with antler headdresses adorned with feathers and evergreen sprigs, accompanied by songs, drums, and communal prayers. This tradition dates back centuries and reflects Tewa spiritual beliefs in balance between humans and the natural world.\u003c\/p\u003e\n\u003cp\u003eOhkay Owingeh pottery is renowned for its simplicity and luster, using local red clay slipped and stone-polished for a glossy finish. Traditional forms include ollas (jars), bowls, and plates, but wall hangings—flat, decorative plaques—emerged in the 20th century as a sculptural evolution. These are hand-coiled, often incised or painted with matte slips in red, tan, cream, or black, evoking ancient Potsuwi'i'i shards (ca. 1450–1500 CE).\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46014527996069,"sku":"22-0132","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0132_1.jpg?v=1764710332"},{"product_id":"san-ildefonso-pueblo-pottery-eagle-tail-by-cavan-gonzales","title":"San Ildefonso Pueblo Pottery \"Eagle Tail\" By Cavan Gonzales","description":"\u003cp\u003eSan Ildefonso Pueblo Pottery \"Eagle Tail\" By Cavan Gonzales\u003cbr\u003e\nSize  4.625\" H x 5\" D\u003cbr\u003e\nNatural Tan Clay with Hand Painted in Black and Orange with Geometric and Eagle Tail Motifs with the Inside Painted Orange\u003cbr\u003e\nFrom a Private Colorado Collection\u003cbr\u003e\nExcellent Condition\u003cbr\u003e\nCavan Gonzales, a renowned San Ildefonso Pueblo potter, is known for his traditional and polychrome pottery, often signed with his Tewa name, \"Tse-Whang\" (Eagle Tail). His work reflects the legacy of his great-great-grandmother, Maria Martinez, a legendary figure in Pueblo pottery.  Gonzales specializes in large polychrome bowls with intricate designs, such as checkerboard, geometric, feather ring, tadpole, and eagle tail motifs, crafted using traditional hand-building techniques with natural clay.\u003cbr\u003e\nThe \"Eagle Tail\" design, while iconic in Hopi pottery through Nampeyo’s revival of Sikyatki motifs, is also used by Gonzales, showcasing his ability to blend traditional San Ildefonso techniques with intricate, multi-colored patterns.  His pieces are displayed at Sunbeam Indian Arts, his family’s gallery, and have earned numerous awards since he was five years old.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46014529175717,"sku":"22-0690","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-690_1.jpg?v=1762828360"},{"product_id":"santa-clara-pueblo-nativity-scene-8-pieces-jesus-and-cradle-are-separate-but-we-will-count-as-1-late-20th-century-tallest-figure-5-with-donkey-cow-lamb-jesus-cradle-kneeling-mary-large-joseph-and-2-other-human-figures","title":"Santa Clara Pueblo Nativity Scene - 8 Pieces (Jesus and Cradle are separate but we will count as 1).  Late 20th century. Tallest Figure 5\". With Donkey, Cow, Lamb, Jesus\/Cradle, Kneeling Mary, Large Joseph and 2 other human figures.","description":"\u003cp\u003eSanta Clara Pueblo Nativity Scene - 8 Pieces (Jesus and Cradle are separate but we will count as 1). Late 20th century. Tallest Figure 5\". With Donkey, Cow, Lamb, Jesus\/Cradle, Kneeling Mary, Large Joseph and 2 other human figures.\u003c\/p\u003e\n\u003cp\u003eAutumn Borts-Medlock\u003c\/p\u003e\n\u003cp\u003eAutumn Borts-Medlock is one of the great young innovative potters of the Santa Clara Pueblo. Her renown family includes Sister Tammy Garcia, Mother Linda Cain, Grandmother Mary Cain and Great-Grandmother Christina Naranjo. Autumn has said of her work; Growing up in Santa Clara Pueblo, in a family whose connection to the clay goes back generations, pottery has always been a part of my life. I was introduced to the art form as a child, making my first formal attempts at clay work under the guidance of my mother and grandmother. Working exclusively in the ancient traditional Pueblo technique of coil-building, they shaped bowls, vases, and plates from clay they had gathered from the hillsides near the village and processed themselves. Nearby, I sculpted animal figurines and nativity scenes from the moist clay, always welcoming the gentle hands that occasionally reached down to direct or redirect my efforts. These lessons solidified my connection to the clay and gave me the skills I needed to move into coil work. Within a few years, I was working alongside my mother and grandmother, making pottery from clay that I was now helping to gather and process. Drawing from the spiritual symbolism and nature-oriented design aesthetics of Tewa culture, we carved the shapes of kiva steps, bear paws, feathers, rain clouds, water serpents and lightning bolts into the surface of the vessels and used smooth stones to polish them to a shiny, mirror-like finish. We waited for a calm, wind-free morning to fire them outdoors in flames kindled by thin, fragrant sticks of red cedar, watching the timing down to the second in hopes of keeping our long-labored creations from succumbing to this always-risky phase of the pottery-making process. Learning directly from these two extraordinary artists was indeed a gift, and they remain among my strongest influences even now.” Autumn has won numerous awards for her pottery at Santa Fe Indian Market, and her work is in the permanent collections of museums such as the Denver Art Museum and the Heard Museum. Her pottery continues to charm and intrigue with her distinctive and intricately designed imagery.\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46014530224293,"sku":"22-1179","price":4800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-1179_1.jpg?v=1762827230"},{"product_id":"ceramic-turtle-with-1-turquoise-by-fernandez-benally-dine","title":"Navajo Ceramic Turtle with 1 Turquoise By Fernandez Benally","description":"\u003cp\u003eca. 2000\u003c\/p\u003e\n\u003cp\u003e1.875\" H x 4.75\" L x 3.625\" W\u003c\/p\u003e\n\u003cp\u003eHand Coiled from Dark Brown Clay with Painted White and Black Beometric Designs on the Back of his Shell and 1 Turquoise Stone in the Center\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp\u003eFernandez Benally is a Navajo (Diné) artist specializing in ceramic figures and pottery. Benally frequently uses horse hair pottery, where real horse hair is tossed onto the hot ceramic during firing to create unique carbonized black lines. In Navajo culture, the turtle is a traditional symbol of longevity, protection, and wisdom.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46014530715813,"sku":"22-1235","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-1235_1.jpg?v=1772667492"},{"product_id":"acoma-ceramic-turtle-c-g-white","title":"Acoma Pueblo Ceramic Turtle By C.G.","description":"\u003cp\u003eca. 2000\u003c\/p\u003e\n\u003cp\u003e1.875\" H x 3.125\" L x 2.125\" W\u003c\/p\u003e\n\u003cp\u003eHand Coiled in a White Clay with Carved Swirl Design on the Shell\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp\u003eAcoma Pueblo Turtle with a buff clay body and circular pattern on the shell, a long extended neck\/head, and a real feather attached to the back with a small wooden stick or tie for decoration. This feather addition gives it a unique, whimsical touch seen in Pueblo animal effigies to evoke birds, flight, or spiritual elements. The overall form is endearing with sturdy arched legs and a serene expression.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46014531076261,"sku":"22-1268","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-1268_2.jpg?v=1772667907"},{"product_id":"santo-domingo-pueblo-pottery-by-thomas-tenorio","title":"Santo Domingo Pueblo Pottery By Thomas Tenorio","description":"\u003cp\u003eca. 2010\u003c\/p\u003e\n\u003cp\u003e8\" H x 8.375\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled Vessel using Local Santo Domingo Clay which he Cleans and Mixes Himself. He scrapes and Polishes the Surfaces and Applies White Slip and Paints Intricate Bird and Flower Motifs with a Geometric Design with Natural Pigments\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eThomas Tenorio (born 1963, Kewa Pueblo—formerly known as Santo Domingo Pueblo, New Mexico) is a self-taught Native American potter celebrated for reviving and innovating traditional Santo Domingo pottery techniques. Given the Keresan name \"U-Nah-Thee-Wah\" at birth, he comes from the Aguilar family, known for heishi bead-making, but discovered his great-grandmother's legacy in roadside pottery sales during the 1940s. Inspired by the fading tradition—once practiced by nearly every family in the pueblo during the 1930s and 1940s—Tenorio began creating pottery in the early 1990s to preserve this cultural heritage.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46575825813669,"sku":"5241-02","price":1050.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/5241-02_2.jpg?v=1764805211"},{"product_id":"santa-clara-pueblo-turtle-sphere-pottery-by-elijah-naranjo","title":"Santa Clara Pueblo Turtle Sphere Pottery By Elijah Naranjo","description":"\u003cp\u003eca. 2000\u003c\/p\u003e\n\u003cp\u003e2.25\" H x 2.375\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled from Local Clay with an Etched Turtle Design and Tiny Hole for a Seed Jar\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eElijah Naranjo Smith is a contemporary Native American potter from Santa Clara Pueblo in New Mexico. Born around 1978–1979, he is part of the renowned Naranjo family of potters. He is the son of Dolly Naranjo and brother to acclaimed potter Jody Naranjo.\u003c\/p\u003e\n\u003cp\u003eHe began working with clay in 1999 and specializes in traditional Santa Clara styles, often using sgraffito (etched) techniques on black or redware vessels. His designs frequently feature turtles, geometric patterns, and other motifs inspired by Pueblo traditions.\u003c\/p\u003e\n\u003cp\u003eIn 2003, he received the prestigious Ron \u0026amp; Susan Dubin Native American Artist Fellowship Award from the School for Advanced Research, which allowed him to study historic designs and create pottery in their studios.\u003c\/p\u003e\n\u003cp\u003eHis work follows traditional methods: hand-coiled, stone-polished, and pit-fired. Pieces by Elijah are collected and have appeared in galleries, auctions, and markets like Santa Fe Indian Market.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":47309392511141,"sku":"22-0516","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0516_7.jpg?v=1765922583"},{"product_id":"navajo-pottery-by-michelle-williams","title":"Navajo Pottery By Michelle Williams","description":"\u003cp\u003eca. 2002\u003c\/p\u003e\n\u003cp\u003e5.5\" H x 5.125\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled from Local Clay in a Deep Red Brown Color with Fire Clouds\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eMichelle Williams is a renowned Navajo (Diné) potter from Shonto, Arizona, on the Navajo Reservation. She comes from a prominent family of potters: her grandmother, Rose Williams, is considered the matriarch of modern Navajo pottery, and her mother, Alice Cling, is a highly acclaimed artist who helped revive and popularize contemporary Navajo pottery styles.\u003c\/p\u003e\n\u003cp\u003eMichelle learned traditional techniques from her grandmother and mother and has been creating pottery since the early 1990s. Her work follows classic Navajo methods. Hand-coiled from locally dug clay, Mixed with temper (such as basalt), Outdoor wood-fired (often producing distinctive \"fire clouds\"—random gray\/black markings from the firing process)and Coated with piñon pine pitch for a glossy, lustrous sheen and waterproofing.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":47309572145317,"sku":"5241-08","price":330.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/5241-08_3.jpg?v=1765930541"},{"product_id":"taos-pueblo-bear-family-by-jason-mondragon","title":"Taos Pueblo Bear Family By Jason Mondragon","description":"\u003cp\u003eca. 2000\u003c\/p\u003e\n\u003cp\u003e3.5\" H x 2.375\" L x 2.625\" W\u003c\/p\u003e\n\u003cp\u003eHand Crafted from Micaceous Clay of an Adult Bear with 3 Baby Bears Hugging and Climbing all Over the Adult Bear\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eTaos Pueblo Bear Family is a popular series of handmade pottery sculptures created by Jason Mondragon, a Native American artist from Taos Pueblo in New Mexico.\u003c\/p\u003e\n\u003cp\u003eThese charming pieces, often called \"Huggie Bears\" or \"Huggy Bears,\" are crafted from traditional micaceous clay—a sparkling, mica-rich material historically used in Taos Pueblo pottery for its durability and natural sheen. Mondragon has been making these bear figures since he was a teenager, and they typically depict bear families (often groups of 2 or 3 bears) hugging or grouped together, each with unique expressions and personalities.\u003c\/p\u003e\n\u003cp\u003eThey are highly collectible examples of contemporary Taos Pueblo folk art, frequently sold at galleries, Pueblo markets, Etsy, eBay, and shops in Taos.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":47316201373861,"sku":"22-0187","price":140.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0187_1.jpg?v=1766093060"},{"product_id":"jemez-pueblo-angel-cat-pottery-by-darrick-tsosie","title":"Jemez Pueblo Angel Cat Pottery By Darrick Tsosie","description":"\u003cp\u003eca. 2000\u003c\/p\u003e\n\u003cp\u003e4.875\" H x 3.875\" L x 2.25\" W\u003c\/p\u003e\n\u003cp\u003eHand Coiled from Local Clay with Painted White, Orange, Brown and Grey Colors\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp\u003eDarrick Tsosie is a renowned potter from Jemez Pueblo (Walatowa) in New Mexico. He comes from a prominent family of artists—his parents are the acclaimed potters Leonard Tsosie and Emily Fragua Tsosie—and specializes in hand-coiled figurative pottery, including storytellers, animal figurines, and nativities.\u003c\/p\u003e\n\u003cp\u003eHe uses traditional methods with natural clays and pigments gathered from the Jemez area. His works often feature adorable animal-themed pieces, especially cat storytellers (cats holding kittens, sometimes with fish or paw prints) and other animals like dogs, bears, horses, and parrots. He has won awards, including ribbons from the Santa Fe Indian Market starting at age 10, and his family’s work is documented in books on Pueblo pottery.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":47317291991205,"sku":"251114-11","price":235.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/251114-11_1.jpg?v=1766172993"},{"product_id":"santa-clara-pueblo-black-sculpture-by-diana-halsey","title":"Santa Clara Pueblo Black Sculpture By Diana Halsey","description":"\u003cp\u003eca. 2008\u003c\/p\u003e\n\u003cp\u003e7.625\" H x 6.75\" L x 5.875\" W pot - .875\" H x 1.625\" D\u003c\/p\u003e\n\u003cp\u003eHand Crafted from Black Clay of a Seated woman with 1 Coral and a Pot By Jo Povi 2008 Santa Clara Pueblo with a Water Serpent\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eDiana Halsey is a contemporary potter from Santa Clara Pueblo in New Mexico, renowned for its tradition of polished blackware pottery. She is the daughter of noted potter Linda Askan and often collaborates with her mother on pieces, while also creating her own traditional and contemporary works in black and red clay.\u003c\/p\u003e\n\u003cp\u003eLinda Jo’Povi Askan (born 1954), a potter of Santa Clara Pueblo and Diné (Navajo) descent. Her Tewa name, Jo’Povi, means \"Cactus Flower\" and was given to her by her grandmother. She signs many of her works as Jo’Povi, Santa Clara Pueblo. Linda creates traditional blackware vessels, carved jars, bowls, wedding vases, and especially figurative sculptures\/figurines, including animal figures (bears, turtles, coyotes) and detailed miniature Nativity scenes (nacimientos) with polished and matte elements.\u003c\/p\u003e\n\u003cp\u003eSanta Clara Pueblo pottery is famous for its deep-carved or polished blackware (achieved through a reduction firing process), often featuring signature elements like bear paw impressions or sgraffito designs. Many pieces by Diana Halsey and her mother are signed collaboratively or individually.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":47317529133221,"sku":"22-1051","price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-1051_3.jpg?v=1766180068"},{"product_id":"new-mexico-pueblo-storyteller-doll-by-esta-bain","title":"New Mexico Pueblo Storyteller Doll By Esta Bain","description":"\u003cp\u003eca. 2000\u003c\/p\u003e\n\u003cp\u003e7.125\" H x 6875\" L x 5.875\" W\u003c\/p\u003e\n\u003cp\u003eHand Build White Clay Pottery with a Smoky Finish from Traditional Firing Method of a Woman Holding 3 Children (2 Girls and 1 Male) and Looks Like they are All Singing from Albuquerque, New Mexico with Fire Cloud Finishing \u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eEsta Bain is an American ceramic artist based in New Mexico, known for her handbuilt clay sculptures inspired by Southwestern and Native American themes, such as storytellers (figures of elders or mothers with children representing oral traditions), water carriers, masks, crosses, and decorative plaques. \u003c\/p\u003e\n\u003cp\u003eHer work often features red clay with colorful glazes, textured surfaces (like broom-swept finishes), and motifs that convey warmth, strength, and cultural heritage. She has been creating pottery for over 30 years, with pieces that are typically one-of-a-kind and signed.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":47317553578149,"sku":"22-1183","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-1183_1.jpg?v=1766182317"},{"product_id":"zuni-pueblo-egg-dish-pottery-by-tonia-fonenelle","title":"Zuni Pueblo Egg Dish Pottery By Tonia Fonenelle","description":"\u003cp\u003eca. 2004\u003c\/p\u003e\n\u003cp\u003e3.5\" H x 5.625\" L x 5.625\" W\u003c\/p\u003e\n\u003cp\u003eHand Coiled from Local Clay with 4 Bowls for Eggs with a 1.75\" Knob in the Center with a Painted Lizard Motif on the Knob and Geometric Design on Each Bowl NM\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp\u003eTonia Fontenelle is a contemporary Zuni (A:shiwi) potter from Zuni Pueblo in western New Mexico. Zuni artists are renowned for their intricate pottery, though the pueblo is more famous for jewelry and fetishes—pottery remains an important traditional art form. Her work is handcrafted using traditional methods, often featuring polychrome (multi-color) designs with motifs like deer (including heartline deer), dragonflies, and other classic Zuni patterns painted in black, red, and other natural pigments on a white or light slip.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":47399089602725,"sku":"250324-189","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/250324-189_8.jpg?v=1768518649"}],"url":"https:\/\/antiqueamericanindianart.com\/collections\/contemporary-pottery.oembed?page=4","provider":"Antique American Indian Art","version":"1.0","type":"link"}