{"title":"Contemporary Pottery","description":"","products":[{"product_id":"5001-29-iyonne-olivas-mata-ortiz-seed-jar","title":"Mata Ortiz Seed Jar By Iyonne Olivas","description":"\u003cp\u003eEarly 21st Century\u003c\/p\u003e\n\u003cp\u003e5.5\" H x 6\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled in a Deep Terra Cotta (almost chocolate) Colored Clay and Painted with Striking Geometric Designs in the Most Brilliant Ivory a Masterful Work of Art \u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition This is a Wonderful Jar\u003c\/p\u003e\n\u003cp\u003eIvonne Olivas is the Niece of Juan Quezada and has learned personally from Juan the art of pottery making. \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIyonne Olivas (born in 1982) is a highly regarded potter from this community. She began creating pottery at age 13 and is known for her precise, delicate work—especially lace-like geometric patterns, fine lines, and balanced forms. Her pieces often appear in terracotta\/red clay tones or polychrome (multi-color) with black, white, and turquoise accents. She has received awards, including recognition in the colored clay category at Mata Ortiz pottery competitions.\u003c\/p\u003e\n\u003cp\u003eMata Ortiz is a small village in the state of Chihuahua, Mexico, less than 100 miles (160 km) from the US-Mexico Border. The community, population 2,000, is one of the designated localidades (localities) in the municipality Casas Grandes, one of several such pueblos in a wide, fertile valley long inhabited by indigenous people. Mata Ortiz is located at the base of a mountain known as El Indio and on the west bank of the Rio Palanganas, a tributary of the Rio Casas Grandes. \u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877120860325,"sku":"5001-29","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p1558_i1_w1799.jpg?v=1757348138"},{"product_id":"171127-01-jemez-carved-red-polychrome-pueblo-pottery-signed-bj-fragua","title":"Jemez Pueblo Polychrome Pottery By BJ Fragua","description":"\u003cp\u003eca.  2000\u003c\/p\u003e\n\u003cp\u003e6.75\" H x 6.75\" D \u003c\/p\u003e\n\u003cp\u003eHand Coiled and Carved Red Polychrome Form and Motif Design and is Well Balanced a Particularly Fine Example with a High Red Polish Signed BJ Fragua\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp\u003eBJ Fragua - This young potter is the daughter of Juanita Fragua, one of the potters responsible for the renaissance of Jemez pottery. B J works in a style somewhat reminiscent of her mother's but it has a more contemporary feel. She is one of the best young potters to emerge from Jemez Pueblo in recent years and many awards testify to this fact. B J also has a sister, Glendora Fragua, who is a also a very talented and recognized potter and a brother, \u003cbr\u003eClifford Fragua, one of the best known Indian sculptors. She is a member of a very talented family.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877186625701,"sku":"171127-01","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p3385_i1_w900.jpg?v=1757345428"},{"product_id":"5155-70-jemez-storyteller-pottery-5-children-with-blue-feathers-edwina-tortalita-7-x-4","title":"Jemez Storyteller pottery 5 children with blue feathers Edwina Tortalita 7\" x 4\"","description":"\u003cp\u003eEarly 21st Century\u003c\/p\u003e\n\u003cp\u003e 7 x 4\"\u003c\/p\u003e\n\u003cp\u003eWith 5 children and holding a feather. Excellent Condition. \u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877252718757,"sku":"5155-70","price":245.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/5155-70_5.jpg?v=1792701273"},{"product_id":"201102-19-cavan-gonzales-eagle-tail-san-ildefonso-c-1970-polychrome-pottery-jar","title":"San Ildefonso Pueblo Polychrome Pottery Jar By Cavan Gonzales","description":"\u003cp\u003eLate 20th\/Early 21st Century\u003c\/p\u003e\n\u003cp\u003e6.5\" H x 7.5\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled with a Bulbous Form with Painted Eagle Tail Geometric Design and Accented with Tad Poles Signed Cavan Gonzales \"Eagle Tail\"\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCavan Gonzales (Tse-whang, or \"Eagle Tail,\" born 1970) is a respected potter from San Ildefonso Pueblo in New Mexico. He is the great-great-grandson of the legendary potter Maria Martinez and the son of potter Barbara Gonzales. He learned traditional pottery-making from his mother and has been creating award-winning work since childhood.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"display: none; mso-hide: all;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eGonzales initially gained recognition as a painter before focusing on pottery. He studied ceramics at Alfred University and received the Presidential Scholar Award from the White House in 1988. He is widely regarded as a key figure in the revival of traditional San Ildefonso polychrome pottery, a style that uses three or more colors of clay slips for intricate painted designs on a light base, often featuring geometric patterns, feathers, clouds, tadpoles, and motifs inspired by both historic Pueblo traditions and contemporary life.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877367144613,"sku":"201102-19","price":1470.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p6319_i13_w1000.jpg?v=1757346020"},{"product_id":"22-0814-fine-hopi-pottery-by-tyra-naja-bat-wing-motif","title":"Fine Hopi Pottery by Tyra Naha Bat Wing Motif","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eSigned with Feather and Spider Motif \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eca. 2000\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: Times New Roman;\"\u003e2.75\"h x 4\"d\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: Times New Roman;\"\u003eClassic Nampeyo family design.\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eBlack, tan and red on a white slip.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003cb\u003eHopi PuebloTyra Naha (or Tyra Naha-Black, or Tyra Naha Tawawina)\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003erepresents the fourth generation in a family of well-known Hopi Pueblo potters. She is the great granddaughter of Paqua Naha; granddaughter of Helen Naha; daughter of Rainy Naha and niece of Sylvia Naha. While she is currently not as well-known as her famous elders, she is technically very proficient. Her work has been featured at shows in Santa Fe and at the Heard Museum. Tyra signs her pots with a feather and a spider glyph. The feather represents her lineage to the Naha family through her grandmother, who signed with a feather glyph. Her pottery is signed with a feather and a 3, representing being third generation of from Helen Naha. The spider represents her being Spider Clan.\u003c\/span\u003e\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877532393637,"sku":"22-0814","price":685.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0815_1_c8163264-1d57-4544-b780-436807ae31f8.jpg?v=1779517071"},{"product_id":"5211-04-large-navajo-seed-pot-by-b-sam-dine-3-75-x-16","title":"Large Navajo Seed Pot by Betty Sam  16\"","description":"\u003cp\u003eca 1998\u003c\/p\u003e\n\u003cp\u003e3.75\" x 16\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSigned \"B. Sam    Dine 98\"\u003c\/p\u003e\n\u003cp\u003eA very large jar with intricate carving, painting and with turquoise insets.\u003cbr\u003eVery minor wear on the bottom as pictured. Overall in Excellent Condition.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877559656613,"sku":"5211-04","price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9093_i1_w1000.jpg?v=1757348364"},{"product_id":"210817-03-acoma-pottery-by-carrie-chino-charlie","title":"Acoma Pueblo Pottery By Carrie Chino-Charlie","description":"\u003cp\u003eca.  8 - 2000\u003c\/p\u003e\n\u003cp\u003e5.25\" H x 6\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled Polychrome Black and White Seed Jar with a Painted Fine Line and Geometric Design Purchased at the 2000 Indian Market in Santa Fe from Carrie, who is the Daughter of Marie Chino by Carrie Chino - Charlie\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCarrie Chino Charlie (1925–2012) was a respected Acoma Pueblo potter from New Mexico, known for carrying on and innovating within the rich tradition of Acoma pottery.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"display: none; mso-hide: all;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eShe was born on December 19, 1925, to Lorenzo and Marie Z. Chino at Acoma Pueblo (also known as \"Sky City\" or Haak'u). Her mother, Marie Z. Chino, was a legendary potter who helped revive and popularize fine-line and polychrome styles. Carrie learned the art from her and began making pottery in the 1940s. She passed away on February 6, 2012.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"display: none; mso-hide: all;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eHer sisters, including Grace Chino, Vera Chino Ely, and Rose Chino Garcia, were also accomplished potters, making the Chino family one of the most influential in Acoma pottery.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877560017061,"sku":"210817-03","price":270.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9097_i1_w999.jpg?v=1757346378"},{"product_id":"210817-06-acoma-pottery-by-caroline-sarracino","title":"Acoma Pueblo Pottery By Caroline Sarracino","description":"\u003cp\u003eca. January 2001\u003c\/p\u003e\n\u003cp\u003e3\" H x 2.75\" D \u003c\/p\u003e\n\u003cp\u003eHand Coiled Polychrome Jar with Traditional Acoma Geometric Designs Representing a Sun and Water Motif Design\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp\u003ePurchased from Caroline at Colorado Indian Market 1\/2\/2001\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCaroline Sarracino is an Acoma Pueblo potter known for traditional hand-coiled and painted pottery. Acoma (Sky City) Pueblo in New Mexico is renowned for its ultra-thin-walled, lightweight pottery, often featuring fine-line black-on-white designs, geometric patterns, and sometimes polychrome elements with red accents.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877560049829,"sku":"210817-06","price":105.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9099_i16_w1000.jpg?v=1757346379"},{"product_id":"210817-09-hopi-pottery-7-x-8-by-donna-navasie-robertson","title":"Hopi Pueblo Pottery By Donna Navasie Robertson","description":"\u003cp\u003eca. 08 - 2004\u003c\/p\u003e\n\u003cp\u003e7\" H x 8\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled with Painted Black Geometric Design\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDonna Navasie Robertson (also known as Donna Robertson Navasie or \"Parrot Girl\") is a respected Hopi-Tewa potter born in 1972 on the Hopi Reservation in Arizona. She belongs to a prominent multi-generational family of Hopi potters and continues traditional techniques while producing beautiful, collectible pieces.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877560082597,"sku":"210817-09","price":365.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9101_i25_w790.jpg?v=1757346379"},{"product_id":"220804-07-hopi-pottery-seed-jar-by-vernida-polacca","title":"Hopi Pueblo Pottery Seed Jar By Vernida Polacca","description":"\u003cp\u003eca.  2000\u003c\/p\u003e\n\u003cp\u003e3.25\" H x 3.5\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled and Painted with Nampeyo Family Hopi Parrot Designs and Pit Fired and Purchased ca 2000 from the Artists and this Jar is Signed Vernida Polcca Nampyo\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eVernida Polacca Nampeyo (born 1955) is a respected Hopi-Tewa potter from the Kachina (Parrot) Clan at Hopi Pueblo. She is the great-granddaughter of the legendary Nampeyo of Hano, granddaughter of Fannie Polacca Nampeyo, and daughter of Harold and Alice Polacca. She learned the craft from her grandmother and has been creating pottery since around 1979.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"display: none; mso-hide: all;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eShe is especially known for her finely painted seed jars (also called seed pots), which are traditional Hopi forms. These are typically low, rounded vessels with a small opening at the top, historically used for storing seeds. Her work features classic Sikyatki Revival designs in black and red mineral paints on a yellow or white slip background. Common motifs include migration patterns, eagle tail feathers, corn, bat wings, and geometric elements. She hand-coils the pots using natural clay, paints with natural pigments, and fires them outdoors in the traditional Hopi manner.\u003c\/p\u003e\n\u003cp\u003e Parrott \u0026amp; Kachina Clans. Sister of Reva and Clinton Polacca, mother of potters Heidi Nodman, Jeremy and Michael Polcaca. Taught by her grandmother Fannie Nampeyo, Vernida works in the traditional methods.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877567783077,"sku":"220804-07","price":265.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9349_i1_w1000.jpg?v=1757347070"},{"product_id":"210817-11-jemez-pottery-by-anita-pauline-romero","title":"Jemez Pottery by Anita Pauline Romero","description":"\u003cp\u003eca 08\/2000\u003c\/p\u003e\n\u003cp\u003e4 1\/4\" x 5 1\/4\"\u003c\/p\u003e\n\u003cp\u003eSigned  by Anita Pauline Romero ; Red carved and polished melon bowl. Purchased at 2000 Indian Market, Santa Fe.\u003c\/p\u003e\n\u003cp\u003ePauline Romero is a diverse and award-winning potter from Jemez Pueblo celebrated for her graceful, refined lined works. Born to Persingula R. Tosa on September 25, 1962, Pauline was named Anita “Pauline” Romero. As a teenager, Pauline began learning the traditional Jemez Pueblo methods of pottery making from her grandmother, Lupe M. Romero, as well as from her mother. Although Pauline has carved out her own niche as a contemporary pueblo potter with her uniquely stylized works, she still incorporates the same design motifs her mentors taught her years ago in her works today.\u003c\/p\u003e\n\u003cp\u003eWhile Pauline was growing up her community was in a transitional period with respect to their artistic expressions through pottery. Descendants of the ancient Anasazi people, Jemez Pueblo was best known for their black on white pottery made for many years before Spanish contact. Gradually, Jemez Pueblo’s production of it’s long-standing pottery traditions had completely eroded by the early 1700’s. Two hundred years later, in the early 1900’s Jemez Pueblo experienced a revival of pottery making inspired mainly by Zia Pueblo designs. Similarly, the emergence of the tourist trade in the Southwest spurred another new direction for Jemez Pueblo potters. Beginning around the 1930’s, Jemez potters started painting their pots made for tourists with commercial poster paints.\u003c\/p\u003e\n\u003cp\u003eBy the time Pauline was born some Jemez potters were using acrylic paints to adorn their pots while others were beginning to look in a different direction. As a young girl, Pauline witnessed many potters in her community looking back into their cultures history for their path forward as Pueblo potters in the 20th Century. Traditional Jemez Pueblo pottery making methods of hand coiling and firing were once again commonly used by a significant number of Jemez potters that were producing high-quality works by the 1970’s. These forward thinking individuals not only assisted in preserving their culture’s traditions, but they simultaneously opened the door creatively speaking for generations to come.\u003c\/p\u003e\n\u003cp\u003eCollectors of contemporary Jemez Pueblo pottery are familiar with the vast diversity amongst the many Jemez potters. From the distinguished forms being made to the various slips and design techniques now being employed by Jemez potters, their creative expression seems limitless even within the constraints of only using traditional pottery making methods. Likewise, Pauline has managed to continue this stewardship of Jemez Pueblo pottery traditions for her own work as well as her children’s generation simply by following her own artistic vision while employing the traditional techniques her mother and grandmother taught her and sharing them all with her daughter.\u003c\/p\u003e\n\u003cp\u003ePauline’s pottery has evolved into her singular style of elegantly lined pots with superbly polished redware and tanware over the past forty plus years. Although her preferred forms have changed over the years moving from nicely shaped bowls and vases to swirled melon shaped forms she still maintains the traditional methods in her construction. Her most recent works tend to exhibit much of her experience employing various techniques, design methods and most with her signature soft red and creamy buff slips. Pauline also uses on occasion the Sgraffito technique to share her inherited butterfly and feather designs on the surface of some of her works. Her cultures affinity for the diversity that Pueblo pottery has to offer has been enjoyed by Pauline as she maintains her excellent style throughout the years while simultaneously upholding her culture’s traditions.\u003c\/p\u003e\n\u003cp\u003eWhile competing at the Santa Fe Indian Market, the New Mexico State Fair and the Inter-tribal Indian Ceremonial, Pauline has won first and second place awards. Pauline has had the honor of having her works included in the following publications as well as others: Gregory Schaaf's \"Southern Pueblo Pottery: 2000 Artist Biographies\", Allan Hayes’ and Jon Blom’s \"Southwestern Pottery: Anasazi to Zuni\"; and Guy Berger’s and Nancy Schiffer's \"Pueblo \u0026amp; Navajo Contemporary Pottery: And Directory of Artists\". Although her works are sumptuous in appearance, they are quite affordable in price. She signs her pottery as: Pauline Romero, Jemez.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877612216485,"sku":"210817-11","price":285.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9650_i5_w719.jpg?v=1757346380"},{"product_id":"22-0406-santa-clara-pueblo-pottery-by-elija-naranjo-b-1978-2000-sphere-w-turtles-w-stand","title":"Santa Clara Pueblo Pottery By Elija Naranjo","description":"\u003cp\u003eca. 2000\u003c\/p\u003e\n\u003cp\u003e2.5\" H X 2.5\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled Sphere with Carved Turtles Motif Design with a Stand\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp\u003eElijah Naranjo Smith (b. 1978) is a son of Dolly Naranjo and a brother of Jody Naranjo. He has been working with clay since 1999. In 2003 he won the Ron \u0026amp; Susan Dubin Native American Artist Fellowship Award from the School for Advanced Research. That allowed him to study the designs in the IARC collection and work on pottery in the SAR studios. He works with traditional clays and firing methods, producing brown, black and red combination pots with sgraffito designs.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877643346085,"sku":"22-0406","price":405.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9948_i203_w1000.jpg?v=1757346586"},{"product_id":"22-1176-santa-clara-pueblo-nativity-scene-9-piece-by-dorothy-and-paul-gutierrez","title":"Santa Clara Pueblo Nativity Scene - 9 Piece -  by Dorothy and Paul Gutierrez","description":"\u003cp\u003eSanta Clara Pueblo Nativity Scene by Dorothy and Paul Gutierrez\u003cbr\u003e\n 1 1\/4\"\u003cbr\u003e\nDorothy Gutierrez (1940- ) made the figurines and her husband Paul (1940-2017) did the sanding and polishing. Dorothy and Paul Gutierrez were married in 1965 and are known for their figurative pottery. Dorothy first began making her nativity sets in 1971.\u003cbr\u003e\nFrom a Private Colorado Collection\u003cbr\u003e\n---\u003c\/p\u003e\n\n\u003cp\u003eDorothy and Paul Gutierrez\u003cbr\u003e\nSanta Clara Pueblo\u003cbr\u003e\nDorothy (Corn Maiden) and Paul (White Corn) Gutierrez were both born in 1940, he into Santa Clara Pueblo, she into the Navajo Nation. Paul's grandparents were Lela and Van Gutierrez, his father Luther (of Margaret and Luther Gutierrez). Paul began working with clay around the age of twelve while Dorothy first touched clay in day school. They were married in 1965 and had two sons, Gary and Paul, Jr.\u003c\/p\u003e\n\n\u003cp\u003eDorothy and Paul specialize in storytellers, mudheads, angels, animals, ornaments and nativities, in black and red. They were among the first at Santa Clara to make nativities.\u003c\/p\u003e\n\n\u003cp\u003eThey work as a team with Dorothy forming the figures and Paul doing the polishing and finish work. They follow the traditional methods from the first gathering of the clay through processing it, forming the pieces, polishing, defining further, then firing, praying every step of the way. As Paul once said, \"They come out different each time, with different faces. It's nice.\" Their creations range from miniatures to about 6 inches tall. Some of their nativities have up to 17 figures.\u003c\/p\u003e\n\n\u003cp\u003eDorothy and Paul earned multiple First and Second Place ribbons at shows like the Eight Northern Pueblos Arts \u0026amp; Crafts Show, Santa Fe Indian Market, Heard Museum Guild Indian Art Fair \u0026amp; Market and the Gallup InterTribal Ceremonials.\u003cbr\u003e\nExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877704982693,"sku":"22-1176","price":545.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p10595_i1_w1024.jpg?v=1757346778"},{"product_id":"22-0711-turtle-by-brenda-fender-with-turquoise-necklace","title":"San Ildefonso Turtle by Brenda Fender with Turquoise Necklace","description":"\u003cp\u003e 3\" H x 3\" L x 2.125\" W\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877714682021,"sku":"22-0711","price":320.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p10673_i199_w1024.jpg?v=1757346670"},{"product_id":"22-0923-acoma-dish-plate-by-amanda-lucario","title":"Acoma Dish - Plate by Amanda Lucario","description":"\u003cp\u003e6.75\" D\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eAmanda Lucario is a member of the Acoma Pueblo near Grants, New Mexico, a people known for incredibly intricate pottery designs. Amanda Lucario was born at the Acoma Pueblo in 1984. Her mother is the well-known potter, Rebecca Lucario, and her brother is Daniel Lucario. Amanda says she learned most about the traditional way of making pottery from her mother, but she also learned a lot from her aunts: Marilyn Ray, Carolyn Concho, Judy Lewis and Diane Lewis.\u003c\/p\u003e\n\u003cp\u003eShe has been potting since 2010. Some of her favorite shapes to make are the seed bowl and the vase, and some of her favorite designs consist of square patterns and snowflakes, rain clouds and the North Star.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877750464677,"sku":"22-0923","price":1470.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0923_2.jpg?v=1791565458"},{"product_id":"22-1025-acoma-pottery-seed-jar-by-joann-chino-garcia-acoma-born-1961","title":"Acoma Pottery Seed Jar by : JoAnn Chino Garcia (Acoma, born 1961)","description":"\u003cp\u003eEarly 21st Century\u003cbr\u003e3\" x 3 3\/4\"\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877753807013,"sku":"22-1025","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p11176_i84_w1024.jpg?v=1757346734"},{"product_id":"22-0956-10-choctaw-story-keepers-and-storytellers-turtle-by-randy-chitto","title":"10\" Choctaw story keepers and storytellers Turtle by Randy Chitto","description":"\u003cp\u003eLate 20th \/ Early 21st Century\u003c\/p\u003e\n\u003cp\u003e10\" x 6\"\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eRandy (Randall) Chitto (born 1962) was born on the Choctaw Reservation in Philadelphia, Mississippi. His family relocated to Chicago under the Indian Relocation Act of 1956, where he initially pursued baseball before discovering art through a family friend's sketches. A missed scholarship led him to the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico, in the early 1980s, where a clay class ignited his passion for ceramics. Since graduating, Chitto has focused on clay sculpture, blending Choctaw storytelling with Southwestern techniques. His cheerful, animated figures have earned him awards like the Southwest Indian Art Association Fellowship and the Five Civilized Tribes Museum Heritage Award. His works are held in major collections, including the Heard Museum (Phoenix), Denver Art Museum, and National Museum of the American Indian (Washington, DC).\u003c\/p\u003e\n\u003cp\u003eChitto's turtles draw directly from Choctaw lore, particularly the story of the Trail of Tears and forced relocation in the 1830s. According to the legend, as the Choctaw people were displaced from their Mississippi homeland to Oklahoma, medicine elders entrusted sacred stories to three animals—the bear, raccoon, and turtle—to safeguard them until the people could return. The turtle, with its protective shell, embodies resilience and the enduring spirit of the nation. Chitto incorporates this by hand-building each piece from clay sourced near his studio, firing them to achieve a high sheen, and adding details like tiny medicine pouches filled with broken pottery shards (symbolizing ancestral earth carried by warriors).\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877757673637,"sku":"22-0956","price":975.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p11225_i25_w682.jpg?v=1757346722"},{"product_id":"22-0268-pueblo-sgraffito-pottery-by-dennis-daubs-b-1960-jemez-san-ildefonso","title":"Jemez \/ San Ildefonso  Pueblo Sgraffito Pottery by Dennis Daubs (b. 1960)","description":"\u003cp\u003e2.325\" H x 2.5\"W\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eDennis Daubs (b. 1960), “Oboweya” is half Jemez and half San Ildefonso. His mother is Gerry Gauchupin, his sister is Patricia Daubs and his brother Steve Daubs. He was inspired to make pottery from his great grandmother Maria Sanchez and his grandmother Elvira Gachupin.\u003c\/p\u003e\n\u003cp\u003eDennis specializes in the handmade sgraffito red or black polished pottery. He mixes, hand coils, shapes, etches, fires and polishes his own pottery using traditional techniques. \u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877791096997,"sku":"22-0268","price":390.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p11534_i46_w895.jpg?v=1757346561"},{"product_id":"22-0676-black-pottery-by-gary-gutierrez-scp-pottery-one-turquoise-kachina","title":"Santa Clara Black Figureative Pottery by Gary Gutierrez with  One Turquoise setting","description":"\u003cp\u003eBlack pottery by Gary Gutierrez SCP Pottery one turquoise Kachina 6 1\/2\" x 3\"\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"wsite-com-product-short-description\" itemprop=\"description\"\u003e\n\u003cdiv class=\"paragraph\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: large;\"\u003eGary Gutierrez, “P’aa-Ay-P’in”, or “Deer Mountain”,was born in 1967 to the Santa Clara Pueblo-Tewa. He began working with clay at the age of 9. Through out this time he also began to sell his art successfully. Gary was inspired to make pottery by the Anasazi people.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: large;\"\u003eGary specializes in hand making what he calls Anasazi figurines. He said, “To me they represent a time, when life was simple and balanced in this world.” Gary’s favorite one’s to mold are the figures that hold the pottery. Gary signs his pottery as: Gary Gutierrez, Santa Clara, followed by the month and year they were sculpted.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e---\u003c\/p\u003e\n\u003cp\u003eGary Gutierrez of \u003cstrong\u003eSanta Clara Pueblo\u003c\/strong\u003e is a contemporary Native American potter known for \u003cstrong\u003eblackware and redware figurative pottery\u003c\/strong\u003e, often depicting stylized human or kachina‑like forms. The search results point to \u003cstrong\u003eone specific individual\u003c\/strong\u003e: a Santa Clara Pueblo‑Tewa artist born in \u003cstrong\u003e1967\u003c\/strong\u003e, active since childhood, and part of a well‑known multigenerational pottery family.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eName:\u003c\/strong\u003e Gary Gutierrez\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBirth:\u003c\/strong\u003e 1967\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePueblo:\u003c\/strong\u003e Santa Clara Pueblo (Tewa)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFamily lineage:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul role=\"list\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eParents: \u003cstrong\u003ePaul Gutierrez\u003c\/strong\u003e and \u003cstrong\u003eDorothy Gutierrez\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eGrandfather: \u003cstrong\u003eLuther Gutierrez\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAunt: \u003cstrong\u003eMargaret Gutierrez\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eGreat‑grandparents: \u003cstrong\u003eLela \u0026amp; Van Gutierrez\u003c\/strong\u003e This is one of the most recognized pottery families in Santa Clara Pueblo. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"ps-2\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eEarly training:\u003c\/strong\u003e Began working with clay at age \u003cstrong\u003e9\u003c\/strong\u003e, inspired by Ancestral Pueblo (Anasazi) forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtistic philosophy:\u003c\/strong\u003e He calls his pieces \u003cstrong\u003e“Anasazi figurines”\u003c\/strong\u003e, meant to evoke a time “when life was simple and balanced.”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877791293605,"sku":"22-0676","price":690.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p11543_i354_w841.jpg?v=1757346660"},{"product_id":"22-0679-black-pottery-by-gary-gutierrez-scp-pottery-kachina-5-12","title":"Santa Clara Figurative Black Pottery by Gary Gutierrez : Kachina","description":"\u003cp\u003eca 2012\u003c\/p\u003e\n\u003cp\u003eDated: 5-12\u003c\/p\u003e\n\u003cp\u003e7 1\/4\" x 3\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"wsite-com-product-short-description\" itemprop=\"description\"\u003e\n\u003cdiv class=\"paragraph\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: large;\"\u003eGary Gutierrez, “P’aa-Ay-P’in”, or “Deer Mountain”,was born in 1967 to the Santa Clara Pueblo-Tewa. He began working with clay at the age of 9. Through out this time he also began to sell his art successfully. Gary was inspired to make pottery by the Anasazi people.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: large;\"\u003eGary specializes in hand making what he calls Anasazi figurines. He said, “To me they represent a time, when life was simple and balanced in this world.” Gary’s favorite one’s to mold are the figures that hold the pottery. Gary signs his pottery as: Gary Gutierrez, Santa Clara, followed by the month and year they were sculpted.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e---\u003c\/p\u003e\n\u003cp\u003eGary Gutierrez of \u003cstrong\u003eSanta Clara Pueblo\u003c\/strong\u003e is a contemporary Native American potter known for \u003cstrong\u003eblackware and redware figurative pottery\u003c\/strong\u003e, often depicting stylized human or kachina‑like forms. The search results point to \u003cstrong\u003eone specific individual\u003c\/strong\u003e: a Santa Clara Pueblo‑Tewa artist born in \u003cstrong\u003e1967\u003c\/strong\u003e, active since childhood, and part of a well‑known multigenerational pottery family.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eName:\u003c\/strong\u003e Gary Gutierrez\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBirth:\u003c\/strong\u003e 1967\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePueblo:\u003c\/strong\u003e Santa Clara Pueblo (Tewa)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFamily lineage:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul role=\"list\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eParents: \u003cstrong\u003ePaul Gutierrez\u003c\/strong\u003e and \u003cstrong\u003eDorothy Gutierrez\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eGrandfather: \u003cstrong\u003eLuther Gutierrez\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAunt: \u003cstrong\u003eMargaret Gutierrez\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eGreat‑grandparents: \u003cstrong\u003eLela \u0026amp; Van Gutierrez\u003c\/strong\u003e This is one of the most recognized pottery families in Santa Clara Pueblo. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"ps-2\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eEarly training:\u003c\/strong\u003e Began working with clay at age \u003cstrong\u003e9\u003c\/strong\u003e, inspired by Ancestral Pueblo (Anasazi) forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtistic philosophy:\u003c\/strong\u003e He calls his pieces \u003cstrong\u003e“Anasazi figurines”\u003c\/strong\u003e, meant to evoke a time “when life was simple and balanced.”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877791326373,"sku":"22-0679","price":790.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p11544_i361_w768.jpg?v=1757346662"},{"product_id":"22-0678-black-pottery-by-gary-gutierrez-scp-pottery-kachina-8-11","title":"Santa Clara Pueblo Black Figurative Pottery by Gary Gutierrez","description":"\u003cp\u003eca 2012\u003c\/p\u003e\n\u003cp\u003eDated: 5-12 \u003c\/p\u003e\n\u003cp\u003e7\" x 2 1\/4\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFine hand\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"wsite-com-product-short-description\" itemprop=\"description\"\u003e\n\u003cdiv class=\"paragraph\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: large;\"\u003eGary Gutierrez, “P’aa-Ay-P’in”, or “Deer Mountain”,was born in 1967 to the Santa Clara Pueblo-Tewa. He began working with clay at the age of 9. Through out this time he also began to sell his art successfully. Gary was inspired to make pottery by the Anasazi people.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: large;\"\u003eGary specializes in hand making what he calls Anasazi figurines. He said, “To me they represent a time, when life was simple and balanced in this world.” Gary’s favorite one’s to mold are the figures that hold the pottery. Gary signs his pottery as: Gary Gutierrez, Santa Clara, followed by the month and year they were sculpted.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e---\u003c\/p\u003e\n\u003cp\u003eGary Gutierrez of \u003cstrong\u003eSanta Clara Pueblo\u003c\/strong\u003e is a contemporary Native American potter known for \u003cstrong\u003eblackware and redware figurative pottery\u003c\/strong\u003e, often depicting stylized human or kachina‑like forms. The search results point to \u003cstrong\u003eone specific individual\u003c\/strong\u003e: a Santa Clara Pueblo‑Tewa artist born in \u003cstrong\u003e1967\u003c\/strong\u003e, active since childhood, and part of a well‑known multigenerational pottery family.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eName:\u003c\/strong\u003e Gary Gutierrez\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBirth:\u003c\/strong\u003e 1967\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePueblo:\u003c\/strong\u003e Santa Clara Pueblo (Tewa)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFamily lineage:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul role=\"list\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eParents: \u003cstrong\u003ePaul Gutierrez\u003c\/strong\u003e and \u003cstrong\u003eDorothy Gutierrez\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eGrandfather: \u003cstrong\u003eLuther Gutierrez\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAunt: \u003cstrong\u003eMargaret Gutierrez\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eGreat‑grandparents: \u003cstrong\u003eLela \u0026amp; Van Gutierrez\u003c\/strong\u003e This is one of the most recognized pottery families in Santa Clara Pueblo. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"ps-2\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eEarly training:\u003c\/strong\u003e Began working with clay at age \u003cstrong\u003e9\u003c\/strong\u003e, inspired by Ancestral Pueblo (Anasazi) forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtistic philosophy:\u003c\/strong\u003e He calls his pieces \u003cstrong\u003e“Anasazi figurines”\u003c\/strong\u003e, meant to evoke a time “when life was simple and balanced.”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877791359141,"sku":"22-0678","price":790.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p11545_i371_w768.jpg?v=1757346662"},{"product_id":"22-0228-santa-clara-pueblo-pottery-by-margaret-garcia","title":"Santa Clara Pueblo Pottery by Margaret Garcia","description":"\u003cp\u003eSanta Clara Pueblo Pottery by Margaret Garcia\u003cbr\u003eLate 20th Century\u003c\/p\u003e\n\u003cp\u003eSize: 3\" x 3.25\"\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eMargaret Garcia of Santa Clara Pueblo is know for her black-on-black jars, bowls, engagement baskets. Margaret has been included in the collection in the Roswell Museum, Roswell, New Mexico.\u003c\/p\u003e\n\u003cp\u003eReference: Pueblo Indian Pottery: 750 Artist Biographies by Gregory Schaaf\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877807939749,"sku":"22-0228","price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p11922_i198_w936.jpg?v=1757346539"},{"product_id":"22-0371-hopi-pottery-jar-moth-pattern-by-dianna-tahbo-1941-2011-ca-2002","title":"Hopi Pottery Jar, Moth Pattern, by Dianna Tahbo (1941-2011)","description":"\u003cp\u003e ca. 2002\u003c\/p\u003e\n\u003cp\u003e2.5\" H x 7\" D\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eThe jar’s bottom is signed and dated Dianna Tahbo, Tewa \"2002\" \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDianna Tahbo was a sister of Mark Tahbo (1958-2017). Her grandmother was Alma Tahbo and her great-grandmother was Grace Chapella. She was an accomplished potter during the 30 active years she worked. She was greatly influenced by her brother Mark. It does not appear that she was a prolific potter, however. There are few of her works available.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877808169125,"sku":"22-0371","price":1350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p11929_i30_w957.jpg?v=1757346579"},{"product_id":"230825-20-san-ildefonso-pottery-by-aaron-totavi-pin-quail-mountain-gonzales-with-4-turquoise-stones","title":"San Ildefonso Pottery by Aaron \"Totavi Pin\" (Quail Mountain) Gonzales with 4 Turquoise Stones","description":"\u003cp\u003e\u003cbr\u003eca. 2010\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2\" H x 3.75\" D\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith incised circles, a human foot, black matte painting and inset turquoise stones.\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default 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also known as Sak’Honsee (“Tobacco Flower Girl”), was a respected Hopi-Tewa potter from First Mesa (Polacca), Arizona. She belonged to the renowned Nampeyo family of potters, one of the most influential lineages in Native American pottery.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFamily Lineage\u003c\/strong\u003e\u003cbr\u003eJean continued a multi-generational tradition tracing back to the legendary potter Nampeyo of Hano (c. 1859–1942), often called the “Mother of Hopi Pottery.”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMother: Priscilla Namingha Nampeyo\u003cbr\u003eGrandmother: Rachel Namingha Nampeyo\u003cbr\u003eGreat-grandmother: Annie Healing Nampeyo\u003cbr\u003eGreat-great-grandmother: Nampeyo of Hano\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eShe had seven siblings, many of whom were also potters or Katsina (Kachina) doll carvers: Nyla Sahmie, Rachel Sahmie, Bonnie Chapella (or Bonnie Nampeyo), Randy Sahmie, Andrew Sahmie, Foster Sahmie, and Finkle Sahmie. Jean was a member of the \u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-b88u0q r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eCorn Clan\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eShe signs with a corn plant and a fish. The corn plant stalk represents the Hopi-Tewa Corn Clan of which Jean is a member. The four leaves represent her two children and her two grandchildren whom Jean mentored. Jean started potting in 1965. Her work can be found in various galleries, private collections, museums, colleges, and universities in the United States and around the world. 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Title","offer_id":45877876228261,"sku":"240905-07S","price":795.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/240905-07s_2_e423103e-a98d-4447-9161-cafea239fd2e.jpg?v=1774570462"},{"product_id":"250320-03-acoma-pueblo-seed-jar-by-dorothy-torivio","title":"Acoma Pueblo Seed Jar By Dorothy Torivio","description":"\u003cp\u003eEarly 21st Century\u003c\/p\u003e\n\u003cp\u003e3\" H x 3.75\" D\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHand Coiled Clay Seed Jar with Bulbous Black Body and Painted White Diamond and X Motif Design\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp\u003eDorothy Torivio (1946 - 2011) was a renowned Acoma Pueblo potter known for her intricate and innovative seed jars. One of her notable works is a raised center hole seed jar with a spiral design that begins in a very small scale at the center and expands to the maximum diameter before shrinking again as it reaches the base. This piece showcases her exceptional control and precision in creating complex patterns, which she painted by hand using traditional techniques and materials\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDorothy Torivio was among the first to utilize and refine the “op-art” style in her Acoma pottery. She took classic Acoma patterns and then repeated them on a vessel, ranging the size from small to large and then small again, following the vessel’s shape. Dorothy has won numerous awards for her pottery, including Best of Pottery at the Heard Indian Market. In addition, she was featured in books such as “The Art of Clay” and “Legacy of Generations.”\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878023749797,"sku":"250320-03","price":970.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/250320-03.jpg?v=1778019436"},{"product_id":"250416-14-nicaraguan-pottery-bowl-by-gregorio-bracamonte","title":"Nicaraguan Pottery Bowl By Gregorio Bracamonte","description":"\u003cp\u003eca. 2003\u003c\/p\u003e\n\u003cp\u003e3.625\" H x 9.875\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled Bowl with a Golden Tan Field and a Painted Black Ostrich Motif Design Made in Nicaragua\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eGregorio Bracamonte (1949–2019) was a master Nicaraguan potter and sculptor from the traditional pottery village of San Juan de Oriente in the Gran Nicoya region. He is celebrated for reviving and reinterpreting ancient Pre-Columbian (Nicoyan) ceramic techniques, designs, and forms that had largely been lost.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eHis mother was a traditional potter (coiling large utilitarian urns), and his father was a stone carver. Men traditionally did not make pottery in the village, so Bracamonte broke norms by pursuing it. As a child, he discovered ancient pottery shards, which inspired him to study and recreate Pre-Hispanic designs from history books, photographs, and artifacts.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIn the late 1970s, he began producing clay sculptures and vessels inspired by ancient Nicoyan ceremonial pieces. He used traditional methods like stone burnishing and added his own creative expressions. His work often features symbolic, mythological, or animal motifs (e.g., jaguars, serpents, feathered serpents) in vibrant, hand-painted styles that echo Mesoamerican\/Mayan\/Nicoyan aesthetics. Pieces are frequently signed.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878032531621,"sku":"250416-14","price":315.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14166_i94_w1005.jpg?v=1757348089"},{"product_id":"250321-09s-kewa-santo-domingo-pueblo-pottery-rainbird-jar-by-thomas-tenorio","title":"Kewa (Santo Domingo) Pueblo Pottery, \"Rainbird\" Jar by Thomas Tenorio","description":"\u003cp\u003eca.  2008\u003cbr\u003eSize  8\" H x 8.375\" D\u003cbr\u003eHand Coiled Vessel using Local Santo Domingo Clay which he Cleans and Mixes Himself.  He scrapes and Polishes the Surfaces and Applies White Slip and Paints Intricate Bird and Flower Motifs with a Geometric Design with Natural Pigments\u003cbr\u003eThe \"Rain Bird\" (or rain parrot) motif in the Santo Domingo (Kewa) Pueblo and broader Southwestern Pueblo cultures is a highly stylized spiritual symbol representing prayers for rain, water, and life. Because the Pueblo people rely on farming in an arid desert environment, this motif is a visual invocation for life-giving moisture, fertility, and community renewal.\u003cbr\u003eExcellent Condition\u003cbr\u003eThomas Tenorio (born 1963, Kewa Pueblo—formerly known as Santo Domingo Pueblo, New Mexico) is a self-taught Native American potter celebrated for reviving and innovating traditional Santo Domingo pottery techniques. Given the Keresan name \"U-Nah-Thee-Wah\" at birth, he comes from the Aguilar family, known for heishi bead-making, but discovered his great-grandmother's legacy in roadside pottery sales during the 1940s. Inspired by the fading tradition—once practiced by nearly every family in the pueblo during the 1930s and 1940s—Tenorio began creating pottery in the early 1990s to preserve this cultural heritage.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878034235557,"sku":"250321-09S","price":670.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14181_i13_w768.jpg?v=1757348020"},{"product_id":"250416-15-nicaraguan-pottery-bowl-by-gregorio-bracamonte-rim-hairline-crack","title":"Nicaraguan Pottery Bowl By Gregorio Bracamonte","description":"\u003cp\u003eca. 2003\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e3.125\" H x 9.5\" D\u003c\/p\u003e\n\u003cp\u003eHand Coiled Bowl with Painted Black Deer Geometric Motif Design\u003c\/p\u003e\n\u003cp\u003eIn Good Condition with Rim Hairline Crack\u003c\/p\u003e\n\u003cp\u003eGregorio Bracamonte was a master artisan born on September 3, 1949, in San Juan de Oriente, Nicaragua, a pueblo known for its indigenous pottery tradition. He played a pivotal role in reviving pre-Columbian ceramic techniques, earning recognition as a national hero and a \"Tesoro Humano de la Cultura Nicaragüense\" (Human Treasure of Nicaraguan Culture). His work focused on archaeological replicas and ceremonial clay sculptures inspired by the ancient Nicoyan heritage, particularly the Gran Nicoya region.  His ceramics used natural dyes from tree sap and earthen minerals, with black pigment cured for than 30 days\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878035906725,"sku":"250416-15","price":140.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14203_i98_w1024.jpg?v=1757348089"},{"product_id":"22-0329-wan-p-with-bear-claws","title":"San Ildefonso Pueblo Pottery By Kathy Wan Povi Sanchez","description":"\u003cp\u003eLate 20th\/Early 21st Century\u003cbr\u003e2.375\" H x 2.625\" D\u003cbr\u003eBlack Pottery with bear claws\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eKathy Wan Povi Sanchez, a Tewa Pueblo potter and social activist from San Ildefonso Pueblo, New Mexico. She is known for her traditional blackware pottery and her work with Tewa Women United, where she has been a key figure for over 20 years, focusing on environmental justice, cultural preservation, and community education. Her contributions include developing tools like the \"Two World Harmony Butterfly Model\" for cross-cultural communication.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878090530981,"sku":"22-0329","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14847_i1_w987.jpg?v=1757346574"},{"product_id":"22-0656-wan-par-with-one-turquoise-pottery","title":"San Ildefonso Pueblo Pottery By Kathy Wan Povi Sanchez","description":"\u003c!--StartFragment --\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eLate 20th\/Early 21st Century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003e1.75\" H x 2\" D\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eTurtles with a Large Turtle Delicately Carved with the Red Spot with 1 Turquoise Stone The Larger Shell With two Baby Turtles Swimming next to Larger Under Sea Motif \"Turtles\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eFrom a Private Colorado Collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eExcellent Condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eKathy Wan \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ePovi\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Sanchez, whose Tewa name \"Wan \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ePovi\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e\" translates to “Pine Flower,” is a Tewa Elder from San Ildefonso Pueblo in New Mexico. A fourth-generation traditional blackware potter, she learned the craft from her mother, Anita Martinez, and her renowned great-grandparents, Maria and Julian Martinez, who helped revive and popularize San Ildefonso blackware pottery. Kathy is also a fluent Tewa speaker, a skill passed down by her grandparents, which connects her deeply to her cultural roots.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!--EndFragment --\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878094692517,"sku":"22-0656","price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0656_1_0119a1b4-7c43-489a-82d8-56adecae01da.jpg?v=1761861018"},{"product_id":"22-0323-santa-clara-pueblo-pottery-by-merton-sisneros","title":"Santa Clara Pueblo Pottery By Merton Sisneros","description":"\u003cp\u003eLate 20th\/Early 21st Century\u003cbr\u003eSize: 3.250\" H x 1.50\" D\u003cbr\u003eBlack on Black Pottery of a Corn Maiden\u003cbr\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eMerton Sisneros, alongside his wife Linda, is a contemporary Santa Clara Pueblo potter recognized for their black-on-black pottery, a style perfected in the 20th century by potters like Maria Martinez. This technique involves a polished black surface with matte black designs, achieved through reduction firing where oxygen is limited during the firing process, creating a distinctive blackened finish.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878095937701,"sku":"22-0323","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14873_i1_w798.jpg?v=1757346571"},{"product_id":"22-0450-san-ildefonso-pueblo-pottery-by-cavan-gonzales","title":"San Ildefonso Pueblo Pottery By Cavan Gonzales","description":"\u003cp\u003eLate 20th\/Early 21st Century\u003cbr\u003eSize: 2.250\" H x 1.625\" D\u003c\/p\u003e\n\u003cp\u003eBlack on Black Pottery Vase with Ruffled Edge\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCavan Gonzales is a potter from San Ildefonso Pueblo\u003c\/strong\u003e, known for his contributions to the polychrome pottery revival. As the great-great-grandson of the legendary Maria Martinez, he carries forward the San Ildefonso tradition of hand-coiled pottery, specializing in black-on-black, red, and polychrome styles. Born in 1970, Gonzales learned from his mother, Barbara Gonzales, and draws on techniques pioneered by Maria and Julian Martinez, such as matte designs on polished surfaces. His work often features geometric and checkerboard patterns.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878095970469,"sku":"22-0450","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14874_i1_w944.jpg?v=1757346591"},{"product_id":"22-0985-santa-clara-pueblo-pottery-by-dusty-naranjo","title":"Santa Clara Pueblo Pottery By Dusty Naranjo","description":"\u003cp\u003eLate 20th\/Early 21st Century\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2.250\" H x 2.375\" D x 2.75\" W\u003c\/p\u003e\n\u003cp\u003eBlack Pottery with Etched Design of Native American Figures\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eDusty Naranjo is a recognized artist from Santa Clara Pueblo, known for creating black pottery, a traditional craft from New Mexico. This style, popularized by Maria Martinez, features a glossy, jet-black finish achieved through a unique firing process involving smudging with organic materials.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878097051813,"sku":"22-0985","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0985_1_d21df856-44eb-466f-9fcd-476969ebe5ec.jpg?v=1761861159"},{"product_id":"22-0642-santa-clara-pueblo-pottery-by-dusty-naranjo","title":"Santa Clara Pueblo Pottery \"Bison\"  By Dusty Naranjo","description":"\u003cp\u003eSanta Clara Pueblo Pottery By Dusty Naranjo \u003cbr\u003e\nLate 20th Century\u003c\/p\u003e \n\n\u003cp\u003eSize: 4.5\" H  x 4.5\" D\u003c\/p\u003e \n\n\u003cp\u003eBrown Neutral Pot in Excellent Condition\u003c\/p\u003e\n\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\n\n\n\u003cp\u003eDusty Naranjo (born 1968, Santa Clara Pueblo) is a respected potter from a distinguished pottery-making family. She is the daughter of Bernice Naranjo, granddaughter of Rose Naranjo, and sister of Forrest Naranjo. Her aunts include renowned potters Jody Folwell, Nora Naranjo-Morse, and Rina Swentzell, making her part of a prominent Santa Clara lineage.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878102491301,"sku":"22-0642","price":580.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14933_i1_w973.jpg?v=1757346647"},{"product_id":"22-0219-glen-nipshank-95-matte-black-vase","title":"Cree Pottery By  Glen Nipshank","description":"\u003cp\u003eca. 1995 \u003c\/p\u003e\n\u003cp\u003eMatte Black Vase, \u003c\/p\u003e\n\u003cp\u003e4\" H x 3\" D\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eGlen Nipshank is one of the few Cree potters working today. He attended the Institute of American Indian Arts where he learned to make pottery. Recently he won “Best of Pottery” at the 2011 Autry Museum Indian Market in California. Glen continues to win awards at such events and his work continues to be sought after by museums and collectors world wide.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878106292389,"sku":"22-0219","price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14977_i1_w948.jpg?v=1757346532"},{"product_id":"22-0223-a-andrea-small-pot","title":"Fine Mata Ortiz Blackware Pottery By A. Andrea","description":"\u003cp\u003eLate 20th Century\u003c\/p\u003e\n\u003cp\u003e1.25 \"x 3.375\" D\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878106357925,"sku":"22-0223","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0223_1_60419e2e-a65b-4787-951b-0dfecb46009a.jpg?v=1760589448"},{"product_id":"22-0229-denny-santa-guitierrez-93-pot","title":"Santa Clara Pueblo Pottery by  Denny Santa Guitierrez","description":"\u003cp\u003eca 1993\u003cbr\u003e3 3\/8\"  x3 3\/8\"\u003cbr\u003eAn unusual \"Melon\" or \"Gourd\" jar. \u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003eDenny Gutierrez (1942–2013)Denny Gutierrez was a skilled traditional potter from Santa Clara Pueblo in New Mexico, celebrated for his finely crafted blackware and redware vessels that exemplified the Pueblo's mastery of hand-coiled ceramics and polished finishes.  Denny began actively producing pottery in 1960, immersing himself in the Tewa traditions of his community and contributing to the Gutierrez family's broader legacy in Pueblo ceramics, alongside relatives like the renowned figurative team of Paul and Dorothy Gutierrez. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAdhering to ancestral methods, Denny sourced local clay from Santa Clara lands, hand-coiled his forms without a wheel, applied fine slips, stone-polished surfaces to a high sheen, and pit-fired outdoors to achieve the signature black and red hues through reduction techniques.  His work featured well-balanced jars, bowls, seed pots, and innovative forms like swirling and faceted melon bowls, which he developed in the 1990s, often incorporating subtle modifications to traditional motifs such as angled feathers and bear paws for a distinctive touch.  These pieces reflected the evolution of Santa Clara pottery from utilitarian storage jars to collectible art, with burnished surfaces that captured light and texture in elegant harmony. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBeyond his artistic pursuits, Denny served as Governor of Santa Clara Pueblo from 2000 to 2004, balancing leadership in community governance with his creative practice and underscoring the interconnected roles of art and culture in Tewa life.  He signed his works with etched marks like \"Denny \/ Santa Clara \/ [year]\" or \"Gutierrez,\" often including the production year, as seen on pieces from the 1990s.  Denny passed away in 2013, leaving a legacy of meticulously crafted pottery featured in collections across the Southwest and documented in key references like Gregory Schaaf's Pueblo Indian Pottery: 750 Artist Biographies, where his contributions to Santa Clara's blackware tradition are chronicled.\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878106390693,"sku":"22-0229","price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14980_i1_w1024.jpg?v=1757346539"},{"product_id":"22-0234-johanna-anthony-santa-clara-pot","title":"Santa Clara Pueblo Pottery by Johanna Herrera and Anthony Baca","description":"\u003cp\u003eEarly 21st Century \u003cbr\u003e3.23.25x4 5\/8\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003eJohanna Herrera (b. ca. 1960s), often collaborating as Johanna Herrera with her partner Anthony Baca, is a dedicated traditional potter from Santa Clara Pueblo in New Mexico, crafting high-quality blackware and redware vessels that embody the Pueblo's enduring ceramic heritage. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e Born in the mid-20th century, she grew up immersed in the Tewa traditions of Santa Clara, though not from one of the most prominent pottery families, which has allowed her to maintain a low-profile yet respected presence in the art world. Johanna learned the craft from the esteemed potter Corn Moquino, a key figure in preserving Santa Clara techniques, and began creating pieces around the early 2000s, amassing over 20 years of experience by the mid-2010s. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eShe works closely with Anthony Baca on every vessel, adhering strictly to ancestral methods: sourcing local clay from Santa Clara lands, hand-coiling without a wheel, stone-polishing for a glossy sheen, and pit-firing outdoors to achieve the iconic black finishes through smothered reduction techniques. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e Their signature style features deeply carved motifs, particularly the avanyu (horned water serpent), a symbol of rain and fertility central to Tewa cosmology, along with bear paws, feathers, and geometric patterns that reflect the Pueblo's natural surroundings and spiritual narratives.  Forms include polished jars, bowls, and seed pots, emphasizing balance between form and intricate surface detailing. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eUnlike many contemporaries, Johanna and Anthony eschew competitions and awards, choosing instead to focus on the purity of their process and the quiet satisfaction of creation, which has kept their work undervalued yet prized by discerning collectors for its superior craftsmanship. They sign pieces as \"Johanna Herrera \u0026amp; Anthony Baca, Santa Clara Pueblo,\" underscoring their collaborative spirit and cultural ties.  Active today, their pottery contributes to Santa Clara's global reputation for blackware innovation, bridging ancient techniques with subtle, timeless artistry that honors the Pueblo's matrilineal traditions while remaining accessible to those who seek authentic Native voices.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878106423461,"sku":"22-0234","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14981_i1_w1024.jpg?v=1757346544"},{"product_id":"22-0522-andres-daubs-jemez-pot","title":"Glendora Fragua \/ Andres Daubs Jemez Pot","description":"\u003cdiv\u003e\u003cspan\u003eca 2000\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e2 1\/2\" x 2 3\/8\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFrom a Private Colorado Collection\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eExcellent Condition\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBorn in St. Louis, Missouri in 1958, Glendora Fragua also spent some of her early years in California before her family returned to Jemez Pueblo in the 1970s. Her grandmother, Beninga Medina Madelena, married into Jemez Pueblo from Zia Pueblo years before and has been credited with helping to revive the Jemez pottery making tradition. Glendora learned the fundamentals of the traditional Jemez way of making pottery from her mother, Juanita Fragua, and by the age of 16 she was working with sgraffito techniques, working to develop her own style.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGlendora characterizes her work as contemporary\/traditional: hand-gathered-and-processed clay, volcanic ash for temper, paints from the rocks and the plants, everything is done by hand the ancient way... her electric kiln is the only modern technology she uses. The designs she uses are her own, carved into her pots after they've dried and been polished but before firing. After carving she might add a red or buff or micaceous slip, then she adds her trademark cornstalk to the bottom and signs the piece before placing it in her kiln and firing it. Sometimes she adds inlaid stones to a piece, placing them, removing them before going in the kiln and then replacing them after the piece is finished being fired.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGlendora Daubs is a name many collectors recognize her by as she used that during the time she was married. Over the years she has earned pretty much every Blue Ribbon awarded for pottery at the various Indian Markets and Fairs in the Southwest at least once.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAndres Daubs (b. ca. 1950s–1960s)Andres Daubs is a traditional potter from Jemez Pueblo in New Mexico, recognized for his contributions to the revival and evolution of Jemez polychrome pottery, which features distinctive earth-tone slips, stone-polished finishes, and intricate painted or etched geometric motifs. Born in the mid-20th century into a family with deep roots in Jemez artistic traditions, Andres grew up amidst the Pueblo's volcanic landscape, where clay gathering and hand-coiling techniques have been adapted from ancestral practices dating back to the 13th century.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHe learned the craft from elder family members, including influences from the Gachupin and Fragua lineages, which helped reintroduce pottery-making to Jemez after a decline in the 18th and 19th centuries when the community relied on wares from neighboring Zia and Santa Ana Pueblos.\u0026amp;nbsp;\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAndres specializes in polychrome vessels such as bowls, jars, and seed pots, employing traditional methods: sourcing local clay from the Jemez River valley, hand-coiling without a wheel, applying multiple colored slips (often red, tan, and black), and pit-firing outdoors to achieve the characteristic matte and glossy contrasts.His designs draw from Jemez oral histories and natural elements, incorporating geometric patterns, feathers, and symbolic motifs that reflect the Pueblo's trading heritage and connection to the surrounding red sandstone mesas.As part of the broader Daubs family—related to potters like Dennis Daubs (b. 1960), Glendora Daubs Fragua (b. 1958), and Gerry Daubs—Andres has collaborated on family pieces and contributed to the Pueblo's curio trade, helping elevate Jemez ceramics from utilitarian items to collectible art forms exhibited at events like the Santa Fe Indian Market.He signs his work \"Andres Daubs, Jemez Pueblo,\" preserving the closed-village ethos of Jemez while sharing its cultural narrative through enduring, handcrafted pottery.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eActive in the contemporary market, Andres continues to innovate within tradition, ensuring the Jemez legacy of polychrome artistry thrives amid a new generation of potters.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878106456229,"sku":"22-0522","price":420.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14982_i1_w996.jpg?v=1757346608"},{"product_id":"22-0523-loren-h-nampeyo-eggshaped-pottery","title":"Hopi Pueblo Carved Seed Jar  Eggshaped Pottery by Loren H. Nampeyo","description":"\u003cp\u003eLate 20th \/ Early 21st Century\u003c\/p\u003e\n\u003cp\u003e2 1\/2\" x 2 1\/4\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFinely carved and painted with Hopi Maiden Figure. \u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eLoren H. Nampeyo (b. 1961) is a distinguished contemporary Hopi-Tewa potter from First Mesa in Arizona, renowned for his innovative contributions to the Polacca-style ceramics that blend traditional techniques with bold, sculptural forms. Born in 1961, he is the son of Tonita Hamilton (1934–2010) and the grandson of Fannie Nampeyo (1900–1987), placing him in the fifth generation of the illustrious Nampeyo family lineage that traces back to the legendary Hopi-Tewa matriarch Nampeyo of Hano (c. 1860–1942). This heritage connects him to a dynasty of potters who revived ancient Sikyátki designs in the late 19th century, elevating Hopi pottery from utilitarian ware to globally acclaimed fine art.Raised in the Hopi-Tewa village of Hano, Loren learned the craft informally by observing his mother, Tonita, who specialized in intricate fine-line designs, and his grandmother, Fannie, known for complex polychrome patterns. He received formal instruction in carving techniques from his uncle, Thomas Polacca (1920–1995), Nampeyo's grandson and a pioneer of the sculptural \"Polacca-style\" featuring deeply incised motifs and dramatic forms. After graduating from high school, Loren worked for the Hopi Tribal Authority's housing division, but his passion for pottery soon led him to pursue it full-time, diverging from the matrilineal traditions by establishing himself as a male potter in a family historically dominated by women.Loren's work exemplifies the evolution of Hopi ceramics, employing ancestral methods such as gathering yellow Jeddito clay from First Mesa, hand-coiling vessels without the wheel, stone-polishing for a glossy sheen, and pit-firing outdoors to achieve the characteristic warm earth tones and subtle crackle finishes. He innovates with sgraffito (sgraffito) etching, etching away surface clay to reveal contrasting layers, and incorporates painted elements like dancers, geometric patterns, feathers, and pueblo landscapes—motifs echoing ancient Sikyátki polychrome while adding contemporary vitality. His forms often include seed jars, bowls, and experimental shapes with carved reliefs, emphasizing texture and narrative depth. Pieces like a 2.75-inch polychrome seed pot featuring a sgraffito dancer against a pueblo backdrop highlight his mastery of scale and detail.As one of few male potters in the Polacca-Nampeyo line, Loren's output garners immediate acclaim from collectors, with nearly all works claimed before leaving his studio. He signs his pottery \"Loren H. Nampeyo, Hopi,\" affirming his cultural roots, and continues to exhibit at prestigious venues such as the Museum of Northern Arizona's Hopi Show and the Santa Fe Indian Market. 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r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eElaine Salazar is a contemporary Native American potter from Santa Clara Pueblo in northern New Mexico, specializing in traditional black-on-black and polished blackware vessels that embody the rich Tewa heritage of her community. Born into a renowned lineage of potters, she is the daughter of the acclaimed Frances Naranjo Salazar (1936–2002), who learned the craft from her own mother, the influential Flora Naranjo (1905–1989), a matriarch of Santa Clara pottery known for her large, hand-coiled storage jars and award-winning pieces. Elaine's siblings—sisters Angela Salazar, Sophie Cata (born 1957), and Yolanda Velarde—also carry on this family tradition, creating a multi-generational dynasty of artists who have collectively earned recognition at events like the Santa Fe Indian Market. This deep-rooted apprenticeship from childhood immersed Elaine in the time-honored Pueblo methods, fostering her commitment to preserving and subtly evolving the art form.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eTrained in the ancient coil-building technique using clay sourced directly from Santa Clara lands, Elaine hand-coils her pottery without the aid of modern tools, sifting and mixing the natural materials to form the signature mud-like consistency. Her pieces undergo stone-polishing for a glossy finish and are fired in outdoor pits, often with materials like horse dung to achieve the deep black coloration through reduction firing—a process that creates the iconic matte and shine contrasts. While her work maintains the Pueblo's emphasis on functional forms like jars, bowls, and vessels, Elaine incorporates subtle geometric motifs, bear paws, feathers, and cloud patterns inspired by Tewa symbolism and the surrounding Rio Grande landscape. These designs evoke harmony with nature, reflecting the spiritual connection to \"Mother Earth\" central to Santa Clara artistry. Her pots, often signed simply \"Elaine Salazar, Santa Clara Pueblo,\" range from small miniatures (2–3 inches) to larger statement pieces up to 5 inches high, showcasing technical precision and a silky, tactile quality.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878107373733,"sku":"22-0675","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14990_i1_w1005.jpg?v=1757346660"},{"product_id":"22-0217-tsosie-santa-clara-black-dish","title":"Santa Clara Pottery by Michelle Tsosie Sisneros","description":"\u003cp\u003eLate 20th Century\u003cbr\u003e2.75x5.5d\u003cbr\u003eFine black on black seed jar. Signed \"Tsosie Santa Clara\"\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003e\"Tsosie Santa Clara\" refers to  Michelle Tsosie Sisneros, a contemporary Native American artist from Santa Clara Pueblo, with additional Diné (Navajo) and Laguna heritage, known for her abstract paintings with traditional themes, handcrafted jewelry, innovative clothing designs, and pottery.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878108815525,"sku":"22-0217","price":145.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p15001_i1_w1012.jpg?v=1757346531"},{"product_id":"22-0614-lorraine-williams-pottery","title":"Lorraine Williams (1955-2024) Pottery","description":"\u003cp\u003e7\" x 4 1\/2\"\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eVery Light wear at base otherwise in Excellent Condition\u003c\/p\u003e\n\u003cp\u003eLorraine Williams (1955-2024) is one of the great innovators among Navajo potters. Lorraine married George Williams in 1977. George is the son of Rose Williams, one of the best-known Navajo potters. Lorraine was adept at making beads and sand paintings, and she was a weaver. “But when I married George, I saw pottery with new eyes.” Her new eyes led to Lorraine’s beginning with clay about 1980. Ultimately, Lorraine would make the largest pots produced at Navajo today.  She has created her own unique pottery style incised with traditional rug and Navajo designs, then painted and native fired. After the piece is fired, it is covered in pine pitch, typical of all traditional Navajo pottery harkening back to when it was utilitarian. Lorraine has won numerous awards for her pottery and has been featured in books such as “A Legacy of Generations.”\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878109438117,"sku":"22-0614","price":390.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p15016_i1_w1024.jpg?v=1757346634"},{"product_id":"22-0665-black-pot-by-eric-tafoya-scp","title":"Santa Clara Pueblo Pottery by Eric Tafoya","description":"\u003cp\u003e 3 7\/8\" x 4 1\/2\"\u003cbr\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eEric Tafoya was born in 1969 into the Santa Clara-Tewa Pueblo. His interest in pottery was sparked at the age of 19 while watching his aunt, Gwen Tafoya, and his mother, Wanda Tafoya, coil pottery. The Tafoya family has been making pottery since the early 1900’s and the tradition is being carried on by Eric.\u003c\/p\u003e\n\u003cp\u003eEric specializes in the traditional hand coiled Santa Clara pottery with the classic black finish usually etched or with added sgraffito designs. Eric also adds the flare of a burned red brim and hues to his work. He etches flowers, hummingbirds and designs of feathers on his pottery.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878109634725,"sku":"22-0665","price":340.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p15018_i1_w994.jpg?v=1757346659"},{"product_id":"22-0797-pottery-santana-melcher","title":"Kewa [Santo Domingo] Pottery: Santana Melcher","description":"\u003cp\u003eca 2000\u003c\/p\u003e\n\u003cp\u003e5 1\/4\" x 6 1\/2\"\u003c\/p\u003e\n\u003cp\u003eBeautiful Classic form, strong paint and signed.\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878109700261,"sku":"22-0797","price":330.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p15020_i1_w983.jpg?v=1757346687"},{"product_id":"santa-clara-pueblo-nativity-set-of-16-pieces-by-jason-garcia","title":"Santa Clara Pueblo Nativity Set of 16 pieces by Jason Garcia","description":"\u003cp\u003eEarly 21st Century\u003c\/p\u003e\n\u003cp\u003e4.5\" Figure \u003c\/p\u003e\n\u003cp\u003eThe ram figure had damage to hands as pictured; one of the buffalo dancers back red feather tip is damaged. See photos.\u003c\/p\u003e\n\u003cp\u003eJason Garcia (b.1973) is the son of noted potter Gloria “Goldenrod” Garcia and the nephew of Minnie Vigil, Thelma Talachy, Lois Gutierrez, and Tina Garcia. He has won numerous prestigious awards for his tiles at Santa Fe Indian Market and the Heard Museum Market. In addition, hee has been featured in books and magazine articles on Native pottery. In 2007 he was a Dubin Fellowship recipient at the School of American Research in Santa Fe. Jason’s innovative style and artwork continue to make him one of the young leaders in Pueblo art. In 2016 he won “Best of Paintings” at Santa Fe Indian Market.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45979132297381,"sku":"22-0061","price":6500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0061_18_5f797b4a-c682-43b3-b138-b8054725544a.jpg?v=1771270456"},{"product_id":"deer-dance-ceramic-wall-haning-with-copper","title":"San Juan Pueblo Deer Dance Ceramic Wall Hanging","description":"\u003cp\u003eca. 2005\u003c\/p\u003e\n\u003cp\u003e2\" H x 10.25\" L x 6.8125\" W\u003c\/p\u003e\n\u003cp\u003eHand Coiled from Local Red Clay of a Figure Folding in his Hand 5 Strips of Copper\u003c\/p\u003e\n\u003cp\u003eIn Excellent Condition with 1 Rim Chip on the Back\u003c\/p\u003e\n\u003cp\u003eThe Deer Dance is a key ceremonial event at Ohkay Owingeh, typically performed in late February to honor the return of spring, ensure successful hunts, and maintain harmony with nature. Dancers, often young men, embody deer with antler headdresses adorned with feathers and evergreen sprigs, accompanied by songs, drums, and communal prayers. This tradition dates back centuries and reflects Tewa spiritual beliefs in balance between humans and the natural world.\u003c\/p\u003e\n\u003cp\u003eOhkay Owingeh pottery is renowned for its simplicity and luster, using local red clay slipped and stone-polished for a glossy finish. Traditional forms include ollas (jars), bowls, and plates, but wall hangings—flat, decorative plaques—emerged in the 20th century as a sculptural evolution. These are hand-coiled, often incised or painted with matte slips in red, tan, cream, or black, evoking ancient Potsuwi'i'i shards (ca. 1450–1500 CE).\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46014527996069,"sku":"22-0132","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0132_1.jpg?v=1764710332"},{"product_id":"san-ildefonso-pueblo-pottery-eagle-tail-by-cavan-gonzales","title":"San Ildefonso Pueblo Pottery \"Eagle Tail\" By Cavan Gonzales","description":"\u003cp\u003eSan Ildefonso Pueblo Pottery \"Eagle Tail\" By Cavan Gonzales\u003cbr\u003e\nSize  4.625\" H x 5\" D\u003cbr\u003e\nNatural Tan Clay with Hand Painted in Black and Orange with Geometric and Eagle Tail Motifs with the Inside Painted Orange\u003cbr\u003e\nFrom a Private Colorado Collection\u003cbr\u003e\nExcellent Condition\u003cbr\u003e\nCavan Gonzales, a renowned San Ildefonso Pueblo potter, is known for his traditional and polychrome pottery, often signed with his Tewa name, \"Tse-Whang\" (Eagle Tail). His work reflects the legacy of his great-great-grandmother, Maria Martinez, a legendary figure in Pueblo pottery.  Gonzales specializes in large polychrome bowls with intricate designs, such as checkerboard, geometric, feather ring, tadpole, and eagle tail motifs, crafted using traditional hand-building techniques with natural clay.\u003cbr\u003e\nThe \"Eagle Tail\" design, while iconic in Hopi pottery through Nampeyo’s revival of Sikyatki motifs, is also used by Gonzales, showcasing his ability to blend traditional San Ildefonso techniques with intricate, multi-colored patterns.  His pieces are displayed at Sunbeam Indian Arts, his family’s gallery, and have earned numerous awards since he was five years old.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46014529175717,"sku":"22-0690","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-690_1.jpg?v=1762828360"}],"url":"https:\/\/antiqueamericanindianart.com\/collections\/contemporary-pottery.oembed?page=5","provider":"Antique American Indian Art","version":"1.0","type":"link"}