{"title":"Fine Art - Paintings - Prints - Photos - Sculpture","description":"","products":[{"product_id":"1724-01-e-a-burbank-kiowa-aum-e-hon-o-me-tan-8-x-11-conte-crayon","title":"E.A. Burbank - Kiowa Aum-E-Hon-O-Me-Tan","description":"\u003cp\u003e\u003cspan\u003eConte Crayon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKiowa Aum-E-Hon-O-Me-Tan \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8\"  x 11\"   \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFrame 13\" x 16\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eElbridge Ayer Burbank (April 10, 1858 – March 21, 1949) was an American artist who sketched and painted more than 1200 portraits of Native Americans from 125 tribes. 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background-color: transparent; font-family: sans-serif;\"\u003e\n\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\" style=\"direction: ltr; color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-b88u0q r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003eHelen Hardin\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e (Tewa name: Tsa-sah-wee-eh, meaning \"Little Standing Spruce\") was a renowned Tewa Native American painter from the Santa Clara Pueblo in New Mexico. Born on May 28, 1943, in Albuquerque, New Mexico, she passed away on June 9, 1984, at the age of 41.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\" style=\"direction: ltr; color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003eShe was the daughter of two notable figures: her mother was the celebrated Santa Clara Pueblo artist \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-b88u0q r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003ePablita Velarde\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e (one of the first widely recognized Native American women painters), and her father was Herbert Hardin, a European-American (Anglo) former police officer and Chief of Public Safety. Growing up in a mixed-heritage family—raised partly at Santa Clara Pueblo and partly in the Anglo world of Albuquerque—Hardin often felt like an outsider, especially after her parents' divorce. This sense of cultural duality deeply influenced her art.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\" style=\"direction: ltr; color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003eHardin showed artistic talent early. By her teens, she was already creating and selling paintings, participating in the University of Arizona's Southwest Indian Art Project, and even being featured in \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274 r-36ujnk\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003eSeventeen\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e magazine before age 18. She honed her skills in high school drafting classes and later developed a distinctive style that moved beyond traditional Pueblo realism (like her mother's work) into innovative, semi-abstract, and geometric contemporary forms.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\" style=\"direction: ltr; color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003eHer work often featured:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul dir=\"ltr\" style=\"display: block; padding-inline-start: 2em; list-style-type: disc; margin-block: 0px 1.25em; color: black; background-color: transparent; font-family: sans-serif;\"\u003e\n\u003cli style=\"font-family: sans-serif; margin-top: 0px; color: black; background-color: transparent;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003eMeticulous, colorful abstractions of traditional Native motifs, such as Kachina (Katsina) figures, corn, chiefs, and other Pueblo symbols.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-family: sans-serif; margin-top: 0.5em; color: black; background-color: transparent;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003eGeometric patterns and precise line work, blending ancient Pueblo imagery with modern influences.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-family: sans-serif; margin-top: 0.5em; color: black; background-color: transparent;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003eThemes exploring Native American identity, daily life, struggles, and spiritual elements.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\" style=\"direction: ltr; color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003eHardin became known for pushing boundaries in Native American art during the mid-20th century, creating pieces that were both rooted in heritage and forward-looking. She lived much of her adult life in Española, New Mexico, and her etchings, paintings, and drawings gained national recognition.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1x3r274 r-p1pxzi\" style=\"direction: ltr; color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\" style=\"color: black; background-color: transparent; font-family: sans-serif;\"\u003eSadly, her career was cut short by her early death in 1984. Today, her legacy endures through museum collections (e.g., Philbrook Museum of Art), gallery retrospectives, and publications. She is celebrated as a pioneering figure who helped evolve contemporary Native American art, often alongside her mother and daughter (Margarete Bagshaw, also an artist). Her pieces remain highly collectible and influential in the field.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877092319397,"sku":"1074-06","price":19500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p290_i1_w450.jpg?v=1757344769"},{"product_id":"071107-01-bill-gallen-canyon-snow","title":"Bill Gallen - Canyon Snow","description":"\u003cp\u003e\u003cspan\u003eca 2006\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOil on Board\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e6\" x 9\" \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBill Gallen\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eGrowing up along the shores of Lake Michigan and wandering the woods  and fields of his native Wisconsin gave Bill Gallen an early  appreciation for the wonders of the natural world. Gallen graduated from  the University of Wisconsin-Madison in history and German and spent a  year studying in Freiburg, Germany. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eBill Gallen currently resides in New Mexico where he enjoys painting  landscapes, particularly location pieces. The eye for beauty and harmony  in nature which he developed as a child in the Midwest informs his work  with freshness and sensitivity. Gallen’s paintings are included in  private, corporate and museum collections nationwide.\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877100413093,"sku":"071107-01","price":1150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p822_i2_w1000.jpg?v=1757344836"},{"product_id":"140416-01-r-c-gorman-desert-lily-c-1989","title":"R.C. Gorman Desert Lily","description":"\u003cp\u003e\u003cem\u003eOriginal Art Medium:\u003c\/em\u003e Stone Lithograph\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYear Completed:\u003c\/em\u003e 1989\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEdition Size:\u003c\/em\u003e 225\u003c\/p\u003e\n\u003cp\u003eShadow box mounted; slight bleed through of mounting tape.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877102411941,"sku":"140416-01","price":1950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p932_i7_w433.jpg?v=1757345112"},{"product_id":"140513-01-beads-n-buckskin-plains-tobacco-bag-lisa-danielle-lorimer-c-1979","title":"\"Beads 'N Buckskin\" \" Plains Tobacco Bag\", Lisa Danielle Lorimer","description":"\u003cdiv\u003eImage 14\" x 7 3\/4\"\u003cbr\u003eFrame 23 1\/2\" x 16 1\/4\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eAcrylic on Panel \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eArtist Statement: \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"Connections amaze and inspire me.\u003cbr\u003e'To walk in beauty', as the Navajo say, is harmony; a connection to eternity through a God-given universal aesthetic that nurtures our spirit.\u003cbr\u003eMy paintings' design connects the viewer to what other hands created in beauty five decades or five millenia ago. My inspiration ranges from Old World to rustic Americana to prehistoric antiquities, though the cowboy and Indian cultures of the last century are closest to my heart. In my studio, my landscape, my world I seek a curving line, a juxtaposition of textures, a visceral excitement. Then the vision comes; my life's purpose - to bring it into being for someone yet unknown.\u003cbr\u003eDramatic light draws across a room; intimate details reward closer inspection. The connection is made; the cycle is complete.\u003cbr\u003eWe walk together in beauty.\"\u003cbr\u003e \u003cbr\u003eLisa\u003cbr\u003eSedona, Arizona Territory\u003cbr\u003e2009\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877106770085,"sku":"140513-01","price":990.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/140513-01A.jpg?v=1771797676"},{"product_id":"131019-14-moose-hunter-cree","title":"Edward Curtis Vintage Photogravure Japan Vellum- Moose Hunter - Cree","description":"\u003cp\u003e\u003cspan\u003eVisible Image 12 3\/4\" x 16\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFrame 23\" x 26\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNote: Non-glare glass made photos difficult.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eVintage Photogravure, Portfolio 18, Plate 623, The North American Indian, on Japan Vellum, circa 1926\u003cbr\u003e\u003cbr\u003e(Pl. 623). Boston: Suffolk Engraving Company, (1907-1930). Photogravure after Edward Curtis, printed by the Suffolk Engraving Company, Japan paper. Very good condition.\u003cbr\u003e\u003cbr\u003e A breath-taking image from \"The North American Indian, \" the grandest illustrated work ever produced in the United States, the most important illustrated work on Native Americans, and the single greatest book in Western Americana. Only the double-elephant folio edition of Audubon's \"The Birds of America\" surpasses Curtis's in its massive ambition and beauty of execution. \"...Because of the singular combination of qualities with which he has been blessed, and because of his extraordinary success in making and using his opportunities...(Curtis) has been able to do what no other man has ever done; what, as far as we can see, no other man could do. He is an artist who works out of doors and not in a closet. He is a close observer, whose qualities of mind and body fit him to make his observations out in the field, surrounded by the wild life he commemorates. He has lived on intimate terms with many different tribes of the mountains and the plans. He knows them as they hunt, as they travel, as they go about their various avocations on the march and in camp. He knows their medicine men and their sorcerers, their chiefs and warriors, their young men and maidens. He has not only seen their vigorous outward existence, but has caught glimpses, such as few white men ever catch, into that strange spiritual and mental life of theirs; from whose inner most recesses all white men are forever barred....\" (Theodore Roosevelt, Foreword to Volume I)\"Cree hunters are masters of the art of imitating, by means of a birch bark trumpet, the call of a moose of either sex, and thus luring within gunshot an animal seeking a mate during the rutting season.\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877106802853,"sku":"131019-14","price":2250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p1110_i7_w1200.jpg?v=1757345081"},{"product_id":"050715-05-iroquois-portrait-c-1900-by-richard-farley","title":"Iroquois Portrait by Richard Farley","description":"\u003cp\u003eIroquois Portrait  \u003c\/p\u003e\n\u003cp\u003ePastel Painting  \u003c\/p\u003e\n\u003cp\u003eRichard B Farley (1875 - 1954)\u003c\/p\u003e\n\u003cp\u003eImage : 29\" x 18.5\" Frame: 36\" x 25.5\"\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877106999461,"sku":"050715-05","price":5500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p1114_i7_w1141.jpg?v=1757344795"},{"product_id":"050921-28-original-pen-and-chalk-by-neil-david-hopi-b1944","title":"Original pen and chalk by Neil David, Hopi (b1944)","description":"\u003cp\u003e\u003cspan\u003ec. 1976\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrame measures 16 1\/4\" x 20 1\/4\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImage measures 9 1\/2\" x 13\".\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNeil David Sr. is one of four Hopi artists who founded Artist Hopid. His father is from the Hopi village of Walpi and his mother came from Tewa ancestry that settled among the Hopi after the great Pueblo Revolt against the Spaniards in 1680. Once recognized for his paintings, he is now best known for his Katsina doll carvings.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFor the Hopi there is an order that has persevered for centuries despite a perpetual influx of foreign influences. Always struggling to explain its ancient self-contained culture to uncomprehending strangers, the Hopi way continues to survive. This survival, to a great extent, has been- made possible by individuals of strong character and art. So at ease areOther the members of this culture with drawing, painting, carving, dance and making music that the Hopi have been described as the largest artistic community in the world.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNeil David, Sr., a Hopi-Tewa artist living in the village of Hano on First Mesa in Northern Arizona, was raised knowing artistic expression as a natural human activity. From his earliest years, Neil has loved nothing more than drawing and sculpting. Always recognized for his special gift, he stands out in a culture richly populated with talented individuals. Neil has not strayed from the ethos of his people, a fact evident in his art and life.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNeil and his wife Dealva, have three sons and a daughter. Within the David family traditional Hopi values shape and mold every aspect of life. Speaking in their native tongue, the same unwritten history and legends from generations before are preserved. When combined with the visual experiences at hand, a lasting and believing attitude toward the Hopi way is engrained. Neil's children learn their culture more fully through art influenced by their father's talent.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHis art depicts Hopi ceremonial life: the stagelike settings of dwelling and plaza, the preparations for dance and the final manifestation of Kachinas, masked forms and visiting skydwellers in their villages. Neil's religious upbringing and participation has been and still is a constant source of inspiration for his art.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNeil is one of the founders of the Artist Hopid group of cultural emissaries from the Hopi to the world at large. Neil has traveled extensively throughout the United States and to the far reaches of both North and South America, demonstrating the many forms of art native to the Hopi. His efforts continue to prove most fruitful as he receives numerous awards, while his works are shown at many exhibits and are widely publicized. Neil's personal commitment to his Hopi heritage and willingness to share his culture have earned him a great deal of respect from Hopi and non-Hopi alike.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn a giant mural measuring 8 by 34 feet, Neil initiated and created with fellow artists a symbolic calendar of Hopi ceremonial life. This magnificent work can be seen in the Hopi Cultural Center. It depicts the Snake Dance Ceremony, the Women's Society Knee High Dance, the Basket Dance, the mid-winter solstice changeover from the reign of the Bear Clan to that of the Kachina Clan, Buffalo Dances, Night Dances and the summer solstice. In these Hopi ceremonials Kachinas play a vital role.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePicture of Neil David, Sr.Kachinas have survived on three levels for the Hopi; as dolls carved to instruct children in their appearance and roles in Hopi society; as masked dancers who emerge from the kivas at the appropriate times for ceremonies; and as supernatural beings whose personalities and histories have been preserved through long tradition. The Hopi people are always aware of the Kachinas who visit their mesas, interact with them and infuse their everyday events with a precious and spiritual meaning.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eExposure to the world beyond the mesas has led Neil to experiment with representing his world in other artistic media. Neil has gained considerable renown as a bronze artist for the casting he makes from his sculptures of cottonwood root, the traditional medium for Kachina dolls. He is also respected for his original graphics and lithographs. The challenge of sculpting in clay for the porcelain figurines in this series was a challenge easily met.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe porcelains in the American Indian Life and Legends Kachina series, therefore, are another extension of Neil's desire to communicate his culture's world view to others in a manner they find accessible and beautiful.\u003c\/span\u003e\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877107392677,"sku":"050921-28","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/050921-28a.jpg?v=1771798103"},{"product_id":"1582-14-dos-elegantes-by-pena-ii-viii","title":"\"Dos Elegantes\"  by Armado Pena; II\/VIII","description":"\u003cp\u003eEd: ll\/Vlll\u003c\/p\u003e\n\u003cp\u003e18\" x 24\" \u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877107916965,"sku":"1582-14","price":1150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p1123_i1_w531.jpg?v=1757345223"},{"product_id":"1592-03-pena-litho-male-pottery-1-of-2","title":"Amado Maurillo,Pena lithograph set of 2","description":"\u003cp\u003e\u003cspan\u003eFrame: 22 1\/2\" x 31 1\/2\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877107949733,"sku":"1592-03-04","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/1592-03-4a_aaa9908d-a13f-48cd-8bcc-ed13c010fad6.jpg?v=1772430096"},{"product_id":"130203-29-rc-gorman-lithograph-navajo-woman-st-i-51-75","title":"RC Gorman  Lithograph, Navajo Woman St. I, 51\/75","description":"\u003cp\u003e\u003cem\u003eOriginal Art Medium:\u003c\/em\u003e Stone Lithograph\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYear Completed:\u003c\/em\u003e 1977\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEdition: \u003c\/em\u003e 51\/75\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877132198053,"sku":"130203-29","price":1450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/130203-29_1.jpg?v=1777942301"},{"product_id":"061223-01-colored-pencil-drawing-by-master-hopi-artist-cecil-calnimptewa","title":"Colored Pencil drawing by master Hopi Artist Cecil Calnimptewa","description":"\u003cp\u003eca 2006\u003c\/p\u003e\n\u003cp\u003eThe KwaKatsina - The Eagle Kachina \u003cbr\u003eNote: please excuse the reflection in the photograph\u003c\/p\u003e\n\u003cp\u003eImage measures 13\" x 10\"\u003cbr\u003eFrame measures 21\" x 18\"\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877146681509,"sku":"061223-01","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p2250_i1_w633.jpg?v=1757344809"},{"product_id":"180708-16-ute-chief-painting-c-altonburger-sic-c-1900-chief-ouray","title":"Ute Chief Oil Painting -By C. 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He died in 1880.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877204025509,"sku":"180708-16","price":850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p3938_i4_w750.jpg?v=1757345544"},{"product_id":"5010-02-glass-kachina-mask-plate-sculpture-by-tony-hendrick-hototo-kachina","title":"Hopi Kachina Glass Hototo Mask Plate Sculpture By Tony Hendrick","description":"\u003cp\u003eca.  1988\u003c\/p\u003e\n\u003cp\u003e15\" H x 16\" W\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eHototo Kachina is a figure from Hopi Native American tradition representing a warrior or guard spirit.  Created by artist Tony Hendrick around 1988, it blends contemporary glass artistry with cultural motifs inspired by Southwestern Indigenous iconography. The piece is designed as a flat glass panel with intricate detailing, mounted on a wire for wall hanging, making it both a sculptural object and a displayable artwork.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877219131557,"sku":"5010-02","price":595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/5010-02_1.jpg?v=1759789200"},{"product_id":"191223-11-edward-s-curtis-the-vanishing-race-silvertone-original-frame","title":"Edward S. 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Curtis’ images vividly detail his journey through life and exploration of various American cultures.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877264777381,"sku":"191223-11","price":10500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p5132_i1_w900.jpg?v=1757345780"},{"product_id":"160222-06-mixed-media-tall-figure-with-bronze-and-cloth-marcia-85","title":"Mixed Media Tall Figure with Bronze and Cloth By Marcia","description":"\u003cp\u003eca. 1985\u003c\/p\u003e\n\u003cp\u003e37.125\" H x 8.25\" L x 6.625\" W, Base 1.5\" H x 9.0625\" L x 8\" W, Triangular Pendant - 3.125\" L x 1.875\" W \u003c\/p\u003e\n\u003cp\u003eHand Crafted on a Wood Frame Wrapped in Burlap, Yarn and Rope Twine Material with a Clay Head with Spikes for Hair with Pink Beads and a Bronze Face, Feet and Triangle Pendant on a Painted Black Square Base from Elprado Galleries. 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Gallen graduated from  the University of Wisconsin-Madison in history and German and spent a  year studying in Freiburg, Germany. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eBill Gallen currently resides in New Mexico where he enjoys painting  landscapes, particularly location pieces. The eye for beauty and harmony  in nature which he developed as a child in the Midwest informs his work  with freshness and sensitivity. Gallen’s paintings are included in  private, corporate and museum collections nationwide\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877474197669,"sku":"070419-02","price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/070419-03_1_1349eadc-7284-4d7c-bfe4-2f22097283bc.jpg?v=1771798865"},{"product_id":"201116-12-sha-la-ko-kachina-by-alex-seowtewa","title":"\"Sha' La' Ko'\" Kachina; Colored Pencil by Alex Seowtewa","description":"\u003cp id=\"wsite-com-product-title\" itemprop=\"name\"\u003eDated: 9\/12\/000   \u003c\/p\u003e\n\u003cp itemprop=\"name\"\u003e9.5\" x 7.5\" \/ 15\" x 12\"\u003c\/p\u003e\n\u003cp itemprop=\"name\"\u003eWith Artist Note on back:\u003c\/p\u003e\n\u003cp itemprop=\"name\"\u003eTitle: Sha'La;Ko', Zuni high-lighted Kachina Winter Ceremonial figure give us productive blessings.\u003c\/p\u003e\n\u003cp itemprop=\"name\"\u003eMed: Top quality colored charcoal pencils with fixative spray.  \u003c\/p\u003e\n\u003cp itemprop=\"name\"\u003eArtist: Dr. Alex Seowtewa, Master-muralist \u0026amp; artist inside the Historic Old Zuni Mission Church.  \"Our Lady of Guadalupe originally built in the year 1629. It was excavated and rebuilt from 1966 to late 1969.  Dr. Seowtewa started the Life-size Zuni Deity religious figures, (oils) (Kachinas) both inside the church walls from Febr. 1970s. With Prayers \u0026amp; Blessings, Dr. Alex Seowtewa.  \u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877524037797,"sku":"201116-11","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8379_i16_w800.jpg?v=1757346031"},{"product_id":"220726-269-bronze-scupture-by-bird-frank-ca-2001","title":"Bronze Deer Head Sculpture By Bird Frank","description":"\u003cp\u003eca.  2001\u003c\/p\u003e\n\u003cp\u003e11.75\" H x 8.5\" W - 10.625\" L x 8\" W Base\u003c\/p\u003e\n\u003cp\u003eHand Sculpted from Bronze of a Deer Head with Antlers and Footprints by Bird Frank \u003c\/p\u003e\n\u003cp\u003e5\/50\u003c\/p\u003e\n\u003cp\u003eIn Excellent 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r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eThe Bronze Deer Head Sculpture by Bird Frank\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e is a bronze sculpture created by the artist Bird Frank\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e, a sculptor from Lakeview, Oregon. \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: inherit; font-family: inherit; font-size: inherit; font-style: inherit; font-variant-ligatures: inherit; font-variant-caps: inherit; font-weight: inherit; text-align: inherit; white-space: inherit;\"\u003eBird Frank was a lifetime resident of Lakeview, known for his Western bronze art, including wildlife-themed pieces. His works have been displayed in museums in Oregon and California, and he created life-sized bronzes like \"Setting the Pace,\" a pronghorn antelope sculpture exhibited at the High Desert Museum around 2002.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877715435685,"sku":"220726-269","price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p10701_i225_w2400.jpg?v=1772819309"},{"product_id":"220726-271-bronze-eagle-head-sculpture-by-bruce-killen-1937-2012","title":"Bronze Eagle Head Sculpture By Bruce Killen","description":"\u003cp\u003eca. 1985\u003c\/p\u003e\n\u003cp\u003e9\" H x 10.5\" W \u003c\/p\u003e\n\u003cp\u003e12\/100\u003c\/p\u003e\n\u003cp\u003eHand Sculpted from Bronze of an Eagle Head on a Wood Stand with Polished Beak and Eyes\u003c\/p\u003e\n\u003cp\u003eIn Excellent Condition\u003c\/p\u003e\n\u003cp\u003eThe Bronze Eagle Head Sculpture by Bruce Killen is a wildlife-themed artwork created by American sculptor Bruce Killen (1937–2012), an Oregon-based artist, outdoorsman, and conservationist renowned for his detailed bronze sculptures celebrating animals and nature, particularly birds and wildlife of the American West. This specific piece is a limited-edition patinated bronze depicting an eagle's head. It features realistic detailing in the beak, feathers, and intense expression, mounted on a wooden base. \u003c\/p\u003e\n\u003cp\u003eBruce Killen was a noted Artist, outdoorsman, and conservationist. Bruce Killen, passed away in 2012 at the age of 74. Bruce was a renowned sculptor and endeavored to give honor to the wildlife that inspired him. Living life to the fullest, any day could find Bruce riding one of his motorcycles down the back roads of Southern Oregon, fishing along the Rogue, or enjoying the wildlife with his grandsons. Bruce grew up in Minnesota, joined the Navy serving as a medic and eventually moved to Medford, Oregon with his wife Elaine where they raised their three children. Bruce was a life member of several conservation and hunting groups, including RMEF, often donating his art for their fundraising auctions. He was an advocate for protecting the Foothill Roosevelt elk herd, which lived around his Dry Creek Road home. 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Frederic Remington is known for Western painting and sculpture, illustration. In his lifetime polymath Frederic Remington was the most successful and famous Western American artist. His immense talents included excelling as an illustrator, author, sculptor, and fine artist. His was a life tragically cut short. Born on October 4, 1861 in Canton, a small berg in bucolic upper state New York, he was much influenced by his father Seth Pierpont Remington, a Republican journalist who founded the St. Lawrence Plaindealer. His father had been a captain in the Civil War, and in 1870 President Ulysses S. Grant appointed him United States Collector of the Port of Ogdensburg, New York. In 1876 young Frederic enrolled at Highland Military Academy in Worcester, Massachusetts where he studied for the next two years. Two years later he enrolled at Yale for one year to study in the School of Fine Arts. His two loves were art and football. Only three months into school, he published his first illustration in the on-campus newspaper Yale Courant. On the gridiron he was a natural, demonstrating great strength and agility. Like Theodore Roosevelt, Remington also enjoyed boxing. A year later he met his future wife Eva Caten from Gloversville, New York. After the death of Remington?s father from tuberculosis on February 18, 1879, Eva rejected his first marriage proposal. Floundering, Remington headed to the American West to find himself?much like Theodore Roosevelt did when his mother and wife died on the same day. That led to a trip to Montana where he completed a number of sketches. Invigorated by his Western experiences, in February 1883 he headed to Kansas and with part of his inheritance bought a 160 acre sheep ranch near Peabody, Kansas. That failed adventure lasted about a year, and he then relocated to Kansas City, Missouri where Eva would join him as his wife. Yet he squandered the rest of his inheritance on a saloon there. After more illustrations were sold to Harper?s Weekly, in 1885 the Remingtons moved to New York City, and in 1886 he attended the Art Students League. By then Remington was earning $1,200 a year, twice the income of a school teacher. Other magazines such as St. Nicholas and Outing also published his art. His work certainly impressed a young Theodore Roosevelt who was chronicling his life in Medora?now in North Dakota?for a serial that ran in The Century Magazine. It was very common at the time for authors to serialize their works in magazines before they were published in book form. In the fall of 1887 Remington was commissioned to illustrate the magazine stories which ended up in Roosevelt?s 1888 classic book Ranch Life and the Hunting Trail. Early on, a lasting friendship between the two was cemented through these publications. By 1889 he had garnered national notoriety as one of the most accomplished illustrators in the country. He was a national celebrity. In 1889 his monumental canvas A Dash for the Timber was exhibited at the National Academy of Design. The New York Times reported, \"The picture at the Autumn exhibition of the Academy of Design before which stands the largest number of people is Frederic Remington?s Dash for the Timber.\" A Silver medal for Last Lull in the Fight followed at the Exposition Universelle in Paris. In 1891 the National Academy of Design elected Remington as an Associate member. Yet he was never admitted as National Academician, despite support from fellow artists Gilbert Gaul, Childe Hassam, and others. His financial success allowed the Remingtons to move into a grand home he named Ednion Algonquin for \"a place where I live in New Rochelle, New York. A young Norman Rockwell would someday paint in his studio. Through his travels, Remington embraced social Darwinism survival of the fittest that championed the U.S. military?s domination of the inferior Native Americans. Theodore Roosevelt, George Armstrong Custer, and Remington along with most other Americans?idolized Charles Darwin. As early as 1888 Remington started contributing short stories along with illustrations to magazines. His writings teemed with romantic Western stories chalk full of drama and violence. Initially, they presented the cavalryman as the hero and the Indian as the villain, especially when the Indian had been tainted with the vices of the white man. His West was the \"frontier model where the fittest were rugged individuals from northern Europe and white Americans. Even though he was an accomplished author and painter, perhaps his greatest talent was as a sculptor. His bronzes are more famous and collectible than any other Western American artist. And yet his bronze repertoire was completed in just fourteen years. Starting in order of modeling, they are: The Broncho Buster, The Wounded Bunkie, The Wicked Pony, The Scalp, The Norther, The Cheyenne, The Buffalo Signal, Coming Through the Rye, The Mountain Man, The Sergeant, Paleolithic Man, Savage, Polo, The Rattlesnake, Dragoons 1850, The Outlaw, The Horse Thief, The Buffalo Horse, The Cowboy, Trooper of the Plains 1868, The Broncho Buster (large), and The Stampede. His Coming Through the Rye was widely viewed by the public at two world?s fairs. A New Jersey artisan in 1904 was commissioned by Remington to produce a heroic size plaster of the sculpture for the 1904 Louisiana Purchase Exposition in St. Louis, Missouri (called Off the Trail). It was then shipped to Portland, Oregon the next year for the Lewis and Clark Exposition and titled Shooting Up the Town. The Cowboy?his only monumental bronze?was commissioned in 1905 by the Fairmount Park Art Association in Philadelphia. The twelve feet high bronze was shipped to Philadelphia in May 1908 and unveiled in the park as The Mounted Cowboy. In 1900 Remington turned to Riccardo Bertelli at Roman Bronze Works in Brooklyn to cast his bronzes by the lost-wax casting process which allowed higher detail in the finished product. The Norther that year was his first bronze by this method. The Cheyenne was copyrighted the next year. His last, The Stampede, was modeled in late 1909 just before Remington died but wasn?t copyrighted until 1910. His friend and accomplished sculptor Sally Farnham was called upon by Eva to oversee the production after her husband?s death. The Broncho Buster reins as Remington?s most popular model. Many consider his last few years as his greatest period. Peter Hassrick divided Remington?s art into five periods: illustration; academic Realism; nocturnal paintings; Impressionism; and finally Symbolism. Remington?s paintings provided the financial means to build Lorul Place, his last home and studio, on forty-six acres in Ridgefield, Connecticut. Construction was completed in the spring of 1909. By the time of his death, he had produced over 3,000 illustrations for periodicals. The Frederic Remington Art Museum in Ogdensburg, New York, as it has been known since 1981, houses material from Eva?s estate that includes paintings, sketches, two bronzes and his library. 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As they gaze into each other's eyes, the songs of their hearts blend in perfect harmony.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877999796389,"sku":"1071-17","price":8500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/1071-17c_ac4581be-61ef-48d2-8bae-1009dbd668d7.jpg?v=1762285139"},{"product_id":"250513-01-edward-s-curtis-maid-of-dreams","title":"Edward S Curtis; Maid of Dreams","description":"\u003cp\u003eEdward S Curtis (1868-1952)\u003cbr\u003eTitle: Maid of Dreams, 1904\u003cbr\u003eOrotone - Goldtone - Curt-tone\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eImage 13.5\"h x 10.5W\u003cbr\u003eFrame: 18.75\"h x 15.875\u003c\/p\u003e\n\u003cp\u003eVintage Goldtone in the original Curtis Studio frame; Had Frame restoration 2010\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Stickers preserved on back\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The price of this Curt-tone is $15.00 The North American Indian\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eand\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Description on Sticker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Maid of Dreams\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis picture was made as one of the illustrations for Marah Ellis Ryan's novel \"The Flute of the Gods.\" The subject is the semi-mythical \"Blue Bird Girl\" standing by the stream. In the distance she hears a step and quickly reached for the deerskin blanket to throw around her body. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMr. Curtis in making his monumental collection of Indian pictures has attempted to visit and picture all important tribes of the United States, British Columbia and Alaska. The basic purpose of this collection of pictures is their use as illustrations for \"The North American Indian,\" a work of twenty volumes and twenty supplementary portfolios of pictures. The task of making these pictures has been under way for more than twenty years. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis subject is selected from this great collection made as a permanent record of the North American Indian. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe North American Indian, 64 Cobb Bldg., Seattle, Wash.  \u003c\/em\u003e\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878038036645,"sku":"250513-01","price":22500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14225_i1_w1618.jpg?v=1757348094"},{"product_id":"250603-15-fine-art-sand-painting","title":"Fine Art Sand Painting By Altrude Watchman","description":"\u003cp\u003eLate 20th Century\u003c\/p\u003e\n\u003cp\u003eImage - 3.75\" H x 3.75\" W, Frame - 7\" H x 7\" W\u003c\/p\u003e\n\u003cp\u003eHand Crafted from Colorful Sand of a Vase Scene and Framed Behind Glass in a Wood Frame\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp\u003eAlfred (or Alfredo\/Alfred L.) Watchman was a well-known Diné (Navajo) sand painter from Sheep Springs\/Tohatchi, Navajo Nation, New Mexico.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878065463461,"sku":"250603-15","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p14586_i1_w810.jpg?v=1757348106"},{"product_id":"22-1149-set-of-2-carved-cups","title":"Set of 2 carved gourds - cups -  Mexico","description":"\u003cp\u003eLate 20th Century\u003c\/p\u003e\n\u003cp\u003e2 1\/2\" x 2 3\/4\"\" \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAssuming from New or Old Mexico. Delicate carving on very thin walled gourds; each has a single short 1\/8\" hairline split at rim. \u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003cbr\u003eExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45878109798565,"sku":"22-1149","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p15023_i1_w1024.jpg?v=1757346773"},{"product_id":"bronze-from-garden-sitting-woman-norma-penchansky-5011-23","title":"Sitting Woman Dancer ; Norma Penchansky-Glasser","description":"\u003cp\u003eSitting Woman \u003c\/p\u003e\n\u003cdiv class=\"faso-collection-header-collection-description\"\u003e\n\u003cp class=\"faso-user-p\"\u003eNorma Penchansky-Glasser\u003c\/p\u003e\n\u003cp\u003e\"Watching dance has been a continual inspiration for me in my exploration of the gestural quality of a moment in the movement of the human figure. The subtle variations in position and movement that the figure in dance finds in rehearsal and performance have inspired me to want to freeze a moment, capture the stress, strain, and relaxation. These transitory moments are what I strive to realize in my sculpture and drawings\".\u003c\/p\u003e\n\u003cp\u003e~Norma Penchansky-Glasser\u003c\/p\u003e\n\u003cp class=\"faso-user-p\"\u003eThe aim of Norma Penchansky-Glasser in making sculpture, drawings, and artist’s books is to capture motion, to freeze a moment in time. The works she produces seem to be continually conversing and overlapping.\u003c\/p\u003e\n\u003cp class=\"faso-user-p\"\u003eNorma starts with an idea, then collects images and information, and finally realizes the completed work. The drawings are inspired by the line, gesture, and movement of figures in motion. She draws with watercolor crayon and washes on watercolor paper. She constructs books by mono-printing the paper, and choosing and collaging images depicting the message she wishes to convey in a format that allows a sense of kinetic energy. The sculptures, also inspired by the figure in motion, are first sculpted in water base clay and using the lost wax process cast in bronze.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46014524981413,"sku":"160222-07","price":6000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/5011-23.jpg?v=1771822516"},{"product_id":"multi-wood-painted-armadillo-by-efrain-fuentes","title":"Multi Wood Painted Armadillo By Efrain Fuentes, Mexico","description":"\u003cp\u003eMulti Wood Painted Armadillo By Efrain Fuentes\u003cbr\u003e\nSize  5.25\" H x 4.5\" W  \u003cbr\u003e\nMulti Colored with Painted Dots Oaxa, California\u003cbr\u003e\nExcellent Condition\u003cbr\u003e\nEfrain Fuentes comes from a long line of artisans.  He is a third-generation carver learned the craft at age 7 from his father, Epifanio Fuentes (a pioneer in Oaxacan woodcarving), who in turn was taught by his father, Zenen Fuentes.\u003cbr\u003e\nHandcrafted Mexican folk art sculpture known as an alebrije.  Alebrijes are fantastical, brightly painted wooden carvings originating from the Oaxacan region of Mexico.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46014533763237,"sku":"221107-431","price":220.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/221107-431_1.jpg?v=1774241994"},{"product_id":"original-painting-crow-mother-by-cliff-bahnimptewa","title":"Original Painting \"Crow Mother\" By Cliff Bahnimptewa","description":"\u003cp\u003eOriginal Painting \"Crow Mother\" By Cliff Bahnimptewa\u003cbr\u003eca. 1975 \u003cbr\u003eSize Image 9.25\" H x 6.5\" W Frame 16.125\" H x 12.125\" W\u003cbr\u003eHand Painting of a Feathered Masked Woman Wearing a Native Shawl in Teel, Green, Brown, Grey, Yellow, Orange, Purple, Cream and Black Colors\u003cbr\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCliff Bahnimptewa (also known as Clifford Bahnimptewa, 1937–1984) was a renowned self-taught Hopi artist from the village of Old Oraibi on Third Mesa in Arizona. He was a member of the Parrot Clan and attended the Phoenix Indian School, where he developed his skills in art and carving. Bahnimptewa is best known for his detailed watercolor and tempera paintings of Hopi Katsinam (plural of Katsina, or Kachina), which depict the supernatural beings central to Hopi religion, culture, and ceremonies. These spirits represent elements of nature, ancestors, and moral guides, often appearing in dances and rituals to bring rain, fertility, and balance to the world. His works emphasize the dynamic, dancing performers rather than static dolls, showcasing intricate costumes, masks, and symbolism drawn from his deep knowledge of Hopi traditions passed down through his family, including his grandparents, who were village leaders.\u003cbr\u003eIn 1968, encouraged by Sedona trader Don Hoel, Bahnimptewa undertook an ambitious three-year project to paint all 286 Katsinam described in Harold S. Colton's seminal book Hopi Kachina Dolls with a Key to Their Identification (1949). He completed 237 of these, which were reproduced as full-color illustrations in the book Kachinas: A Hopi Artist's Documentary by Barton Wright (first published in 1973 by Northland Press, with later editions). This book serves as a comprehensive guide to Hopi Katsinam, combining Wright's anthropological commentary on their roles, attire, and ceremonies with Bahnimptewa's meticulous artwork. The paintings reflect authentic Hopi perspectives, making the book a key resource for collectors, carvers, and scholars. In 1995, American Indian Art Magazine posthumously honored Bahnimptewa as one of the greatest Native American artists in history.\u003cbr\u003eThe painting titled \"Crow Mother\" (Hopi: Angwusnasomtaqa, meaning \"mother crow\" or \"the one with crow wings attached as hair\") is one of Bahnimptewa original works from this series, featured in Kachinas: A Hopi Artist's Documentary. It illustrates the Crow Mother Katsina, a female figure considered a \"mother\" of the Katsinam and a symbol of ethical guidance and initiation. As a Katsina Mother, she embodies stately dignity, moving slowly and singing quietly during ceremonies, while also taking a more forceful role to emphasize the importance of Katsina culture to the young. She is distinct from but sometimes confused with the Crow Bride (Angwushahay-i), who performs separate functions, such as carrying trays of corn sprouts in legends about her journey as a bride.\u003cbr\u003eIn Hopi tradition, the Crow Mother appears across all three Hopi mesas, primarily during children's initiation rites (typically for ages 10–15) into Katsina beliefs, though she also participates in other events like the Powamuya (Bean Dance) ceremony in February. Her role involves distributing yucca whips for symbolic \"whippings\" (gentle strokes to impart knowledge and virtue) and receiving the same treatment herself to model humility and participation. She carries bundles of yucca blades into the kiva (ceremonial chamber), positions herself near a sand painting, and works with her \"sons\" (Hú Katsinam, or Whipper Katsinam) to oversee the ritual. Afterward, initiates receive prayer feathers and cornmeal as symbols of their new understanding. The Crow Mother teaches etiquette, morals, and virtues, reinforcing Hopi values of harmony with nature and community.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46014544150693,"sku":"250823-038","price":475.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/250823-038_1.jpg?v=1771794813"},{"product_id":"navajo-alabaster-sculpture-by-alvin-k-marshall","title":"Navajo Alabaster Sculpture By Alvin K. Marshall","description":"\u003cp\u003eca. 1991 \u003cbr\u003eSize 13.25\" H x 7\" W x 5.25\" Deep\u003cbr\u003eHand Carved Red Alabaster Stone of a Indian Chief Gazing Forward Holding a Feather and with Etched Geometric Design\u003cbr\u003eExcellent Condition\u003cbr\u003eAlvin K. Marshall (born 1959) is a renowned Navajo sculptor based in the Four Corners region of New Mexico, near Shiprock and Farmington. His work is deeply rooted in Navajo culture, drawing from personal experiences of loss, resilience, and tradition. As a child, Marshall was removed from his Navajo reservation home and placed in boarding schools where he was forbidden from speaking his language or practicing customs. Orphaned by age 10, he was raised by his grandparents, who instilled in him the stories and values he now channels into his art. After serving in the U.S. Army as a diesel mechanic and illustrator, he began sculpting in the early 1980s under the mentorship of acclaimed Navajo-Ute artist Oreland Joe, who founded the \"Eagles in Flight\" group in Shiprock—a pivotal influence for many stone carvers, including Marshall.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46014548344997,"sku":"250904-001","price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/250904-001_1.jpg?v=1762982869"},{"product_id":"bronze-bust-by-charles-marion-russell","title":"Bronze Bust By Charles Marion Russell","description":"\u003cp\u003eBronze Bust By Charles Marion Russell\u003cbr\u003e\nLate 19th\/Early 20th Century\u003cbr\u003e\nSize  11.75\" H x 9.25\" W x 6.5\" Deep Base\u003cbr\u003e\nCast in 100% Bronze Indian Chief using the Lost-Wax Method, with a Hand-Applied Dark Brown Patina for Depth and Highlights and Mounted on a polished Green Marble Base Signed C.M. Russell\u003cbr\u003e\nExcellent Condition\u003cbr\u003e\nCharles Marion Russell (1864–1926), often called \"C.M. Russell\" or \"the Cowboy Artist,\" was a prolific American artist renowned for his depictions of the Old West, including cowboys, Native Americans, landscapes, and wildlife.  While he is best known for his paintings and illustrations, Russell also created numerous sculptures in wax, clay, and plaster, many of which were posthumously cast in bronze using the lost-wax process.  These bronzes capture the dynamic spirit of Western life and have become highly collectible, with some fetching auction prices in the hundreds of thousands of dollars (e.g., his 1911 Bronc Twister bronze sold for $805,000 in 2008).\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46014548377765,"sku":"250904-002","price":490.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/250904-002_1.jpg?v=1761754601"},{"product_id":"pair-of-alabaster-sculptures","title":"Pair of Alabaster Sculptures","description":"\u003cp\u003eSize (A) Man 7.125\" H x 2.75\" D Base (B) Woman 7.375\" H x 3.375\" W x 2.375\" Deep Base \u003cbr\u003eHand Carved Tan Alabaster Stone with Etched Intricate Detailing signed H.J. on Bottom\u003cbr\u003eExcellent Condition\u003cbr\u003eAlabaster, a soft, translucent form of gypsum (or sometimes calcite), has been prized for sculpture since ancient times due to its workability and luminous finish. It allows for intricate details without requiring hard tools, making it ideal for indoor figures, reliefs, and decorative pieces. Historically, it was used in Egypt, Mesopotamia, and later in medieval Europe for religious icons. Today, it's popular in modern and Native American art for its warm glow and color variations (white, orange, green).\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46014548443301,"sku":"250904-004AB","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/250904-004AB_1.jpg?v=1762983723"},{"product_id":"navajo-alabaster-sculpture-eagle-by-jim-harvey","title":"Navajo Alabaster Sculpture Eagle By Jim Harvey","description":"\u003cp\u003eLate 20th Century \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e5.625\" H x 4.875\" L x 3.25\" W\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHand Carved Tan Alabaster Stone Eagle on a Rock Signed Jim Harvey on Bottom\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJim Harvey (often listed as J. Harvey) is a 20th-century Navajo artist known for creating intricate stone carvings, particularly in alabaster combined with wood bases. Alabaster, a soft gypsum-based stone sourced from the Four Corners region (encompassing Navajo lands in Arizona, New Mexico, Utah, and Colorado), is a popular medium for Navajo sculptors due to its carvability and translucent qualities. Harvey's works often blend traditional Native American symbolism, such as geometric patterns, stars, and figural elements, into abstract or representational forms.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46014548541605,"sku":"250904-009","price":285.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/250904-009_2_78edd603-8846-42b6-a94b-8a3b0dff32a2.jpg?v=1784314813"},{"product_id":"bronze-by-susan-kliewer-annie-ed-35","title":"Bronze by Susan Kliewer \"'Annie\"  Ed.35","description":"\u003cp\u003eEd.35\u003c\/p\u003e\n\u003cp\u003e19Hx8Wx7D\u003c\/p\u003e\n\u003cp\u003e'Will Rogers said it best, 'she was a marvelous woman, kindest hearted, most thoughtful, a wonderful Christian woman. I doubt if her character could be matched anywhere outside of a saint.' Annie Oakley's name, her lovable traits, her thoughtful consideration of others will leave as a mark for every woman.' - S Kliewer.\u003c\/p\u003e\n\u003cp\u003eEdition of 35. With clothing detail taken from actual photos; note the famous star on her hat of which Annie was so fond of.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46033349410981,"sku":"5224-2051","price":4800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/1071-02p.jpg?v=1762284651"},{"product_id":"bronze-by-susan-kliewer-annie-ed-35-copy","title":"Sculpture - Bronzes, \"Spirit Wind\", Bronze by Susan Kliewer,","description":"\u003cp\u003e Sculpture - Bronzes, \"Spirit Wind\", Bronze by Susan Kliewer, 2005\u003cbr\u003eEdition of 45, number 16.  C. 2005  \"Spiritwind\"\u003cbr\u003eBronze  - Ed. 45  \u003cbr\u003e29\"H x 21\"W x 14.5\"D   \u003c\/p\u003e\n\u003cp\u003eWhen the voices of the spirits were heard talking to him, the tipi shook as if a high wind were blowing and the lodge poles creaked. Then he could tell where the buffalo were and what enemy was approaching. --- Susan Kliewer\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLWIT: 1071-14\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46033362354341,"sku":"5224-2050","price":11250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/1071-14n.jpg?v=1762282512"},{"product_id":"bronze-by-susan-kliewer-ama-sani-ed-45","title":"Bronze by Susan Kliewer \"Ama Sani\" Ed.45","description":"\u003cp\u003eEd.45\u003c\/p\u003e\n\u003cp\u003e20Hx13Wx8D\u003c\/p\u003e\n\u003cp\u003e\"Amasani is the Navajo name for grandmother. When I was living at Marble Canyon Trading Post, I would hear little children calling to their grandmothers, \"Amasani, Amasani.\" I always loved the melodic sound of that word. This Amasani is bringing home a lost baby goat. The little fellow is feeling much better with such loving care.\" - S Kliewer. Edition of 45.\u003c\/p\u003e\n\u003cp\u003e1071-09\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46033382473893,"sku":"5224-2054","price":4800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/1071-09d.jpg?v=1762283025"},{"product_id":"bronze-by-susan-kliewer-ama-sani-ed-45-copy","title":"Bronze by Susan Kliewer, \"Dawn Boy's Song\"","description":"\u003cp\u003e17 1\/2 x 10 x 7 inches\u003cbr\u003eEdition of 45. Susan has lived among the Navajo for years. Dawn Boys Song comes from a legend... and as it goes: A Navajo Legend When the World first began in Red Indian Land, Little Dawn Boy dwelt in Red Rock House by the side of a deep canon. \u003c\/p\u003e\n\u003cp\u003eLWIT: 1071-07\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46033384571045,"sku":"5224-2052","price":4800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/1071-07a.jpg?v=1762283442"},{"product_id":"bronze-by-susan-kliewer-dawn-boys-song-copy","title":"Bronze by Susan Kliewer, \"Sacajawea\"","description":"\u003cp\u003eBronze\u003c\/p\u003e\n\u003cp\u003eEdition of 45\u003c\/p\u003e\n\u003cp\u003e21\" x 12\" x 7\"\u003c\/p\u003e\n\u003cp\u003eThere has long been a fascination with the Indian woman Sacajawea who served as teacher, guide and protector to Lewis and Clark on their famous expedition to find the Pacific Ocean. She serves as a symbol for the calm strength of womankind. Her husband, Toussaint Charbonneau (a French-Canadian fur trader) was hired by the expedition as translator. However, it was Sacajawea who taught Lewis sign language and enough Shoshoni to help him speak with Indians. She led the way at several crucial points in the expedition. Her very presence protected them from unfriendly Indians and she was able to not only communicate with, but competently negotiate with the tribes along their journey for needed supplies and safe passage. The rest of her life is a mystery, with one version that she died at 25 and Captain Clark adopted her two children. In another story told by the Shoshoni, she wandered the West for years after the expedition, eventually returning to her tribe on the Wind River reservation and lived one hundred years. \u003c\/p\u003e\n\u003cp\u003e1071-11\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46033432543397,"sku":"5224-2055","price":8500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/1071-11a.jpg?v=1762284209"},{"product_id":"navajo-turquoise-female-head-figure","title":"Navajo Turquoise Female Head Figure","description":"\u003cp\u003e\u003c!--StartFragment --\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003e.75\" H x 4.5\" H x 3.125\" W\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eHand Carved in Profile Form with Intricate Detail\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eIn Good Condition with Glue on it and Missing Base\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eNavajo turquoise female head figure is a representations of Changing Woman (\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eAsdz\u003c\/span\u003e\u003cspan class=\"cf1\"\u003eą́ą\u003c\/span\u003e\u003cspan class=\"cf1\"\u003é \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eN\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eádleehé\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e in Navajo, also known as Turquoise Woman or \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eEstsanatlehi\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e), one of the most important Holy People (\u003c\/span\u003e\u003cspan class=\"cf0\"\u003ediyin\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ediné\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e) in Navajo cosmology.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--EndFragment --\u003e\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":46072156324005,"sku":"5233-02","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/5233-02_1.jpg?v=1763076134"},{"product_id":"hopi-pueblo-bronze-maiden-sculpture-by-kim-obrzut-1","title":"Hopi Pueblo Bronze Maiden Sculpture By Kim Obrzut","description":"\u003cp\u003eca. 2000\u003c\/p\u003e\n\u003cp\u003e9.75\" H x 5.875\" D\u003c\/p\u003e\n\u003cp\u003eHand Crafted from Bronze of a Maiden in a Cloak with a Shiny Hair Pin and Long Necklace\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eKim Seyesnem Obrzut (b. 1969 -) Kim started her art career as a child finding rocks in the washes in Arizona and painting figures, which her family still keeps today. She started sculpting her Hopi maidens over twenty years ago and still has yet to scratch the surface of her cultural history. 'The Hopi Tribe of Northern Arizona, is thousands of years old. I have a lifetime to fully explain my people and their history. I know many of my collectors now understand more about the women and their powerful place in Hopi history.'\u003c\/p\u003e\n\u003cp\u003eShe originally worked in the traditional scrape-and-smooth method, which Hopi potters have used for thousands of years. Kim's degree from Northern Arizona University in Fine Arts, sculpture and bronze casting has become to be a personal satisfaction for her art career.\u003c\/p\u003e\n\u003cp\u003eKim has been casting bronze for over 21 years and continues to enamor her collectors and the Southwest art scene with her latest designs. 'My bronze career has really taken off, and has earned me positions in museum, corporate and private collections all over the world.' Kim is one of the first Hopis to work in bronze as an Art Medium and one of the first American Indian Women to work in bronze, which is historically a male dominated field of Art.\u003c\/p\u003e\n\u003cp\u003eKim sitting in her studio once remarked, 'After the Corn was plenty, the Arts were born to the Hopi;' in other words, the Hopi prayed, worked and cared for their family and then the arts we know today were created to perpetuate their history. Kim's three girls are almost grown and her time to focus on Art is growing. Her career is mirroring her statement.\u003c\/p\u003e\n\u003cp\u003eKim has been featured in many national magazine articles and her works have been published in various books on Southwest Art. She has won numerous awards in Art and Sculpture shows across the United States in both Native and non-Native events. Kim represents herself with her own website kimobrzut.com. She travels to several art shows across the US each year so she can personally meet her collectors and convey the stories of the Hopi people and her art in person. She has also had the privilege of being able to serve for two years on the Board of Directors for SWAIA, who runs the Santa Fe Indian Market, the largest American Indian Art show in the United States in August on the plaza of Santa Fe, New Mexico. \u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":47317434695845,"sku":"22-0954","price":750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0954_1.jpg?v=1766177135"},{"product_id":"iroquois-tribe-face-stone-mask","title":"Iroquois Tribe Face Stone Mask","description":"\u003cp\u003eLate 20th Century\u003c\/p\u003e\n\u003cp\u003e3.875\" H x 1.875\" L x 2.875\" W\u003c\/p\u003e\n\u003cp\u003eHand Carved from Stone with Sideways Facial Features\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eThe Iroquois (more properly known as the Haudenosaunee Confederacy) are renowned for their False Face Society masks, which play a central role in traditional healing rituals. These masks represent powerful spirit beings, often called \"False Faces\" or \"Great Defender,\" derived from creation myths involving a hunchbacked healer who gained power to cure diseases after challenging the Creator.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":47320777359525,"sku":"22-1157","price":245.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-1157_1.jpg?v=1766422294"},{"product_id":"navajo-ironwood-kokopelli-figure","title":"Navajo Ironwood Kokopelli Figure","description":"\u003cp\u003e20th Century\u003c\/p\u003e\n\u003cp\u003e7.125\" H x .75\" L x 2.75\" W Base 2.75\" D\u003c\/p\u003e\n\u003cp\u003eHand Carved Dark Wood of a Kokopelli Dancing and Playing a Flute\u003c\/p\u003e\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\u003cp\u003eAn Ironwood Kokopelli figure is a hand-carved sculpture made from desert ironwood, a dense and durable wood found in the Sonoran Desert of the American Southwest. Kokopelli is a Native American fertility deity, often depicted as a hunchbacked flute player, symbolizing music, harvest, and prosperity in Southwestern cultures. These figures are popular in Southwestern folk art and home decor, valued for their unique craftsmanship and cultural significance.\u003c\/p\u003e\n\u003cp\u003eRepresents a fertility deity in Native American mythology, particularly associated with Southwestern tribes like the Hopi and Zuni.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":47416599216293,"sku":"221107-369","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/221107-369_1.jpg?v=1769016964"},{"product_id":"navajo-stone-bear-fetish-by-j-b-byd","title":"Navajo Stone Bear Fetish By J.B. Byd","description":"\u003cp\u003eLate 20th Century\u003c\/p\u003e\n\u003cp\u003e3.625\" H x 6\" L x 2.25\" W\u003c\/p\u003e\n\u003cp\u003eHand Carved Stone with Etched Native American Geometric Design with Bear on a Stand\u003c\/p\u003e\n\u003cp\u003eFrom a Private Colorado Collection\u003c\/p\u003e\n\u003cp\u003eIn Good Condition with Hairline Crack in the Center of the Bear\u003c\/p\u003e\n\u003cp\u003eA hand-carved stone bear fetish in the style associated with Navajo (Diné) artists from the Southwestern United States. These small animal carvings, known as fetishes, are traditional spiritual objects believed to embody the animal's essence—here, the bear symbolizes strength, healing, protection, introspection, and courage. Bears are among the most revered in Native Southwestern traditions, often linked to guardianship of the West direction.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":47441213587621,"sku":"22-0882","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/22-0882_3.jpg?v=1769536649"},{"product_id":"kiowa-painting-by-mopope","title":"Kiowa Painting By Mopope","description":"\u003cp\u003eca. 1910\u003c\/p\u003e\n\u003cp\u003e17.75\" H x 14.75\" W\u003c\/p\u003e\n\u003cp\u003eHand Painted of an Indian Sitting next to a Fire and Framed Behind Glass\u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp\u003eStephen Mopope (1898–1974), also known as Qued Koi or \"Painted Robe,\" was a prominent Kiowa artist from Oklahoma. He was a key member of the Kiowa Six (or Kiowa Five\/Six), a groundbreaking group of early 20th-century Native American painters who helped develop the flat-style ledger art into modern Native American painting. Mopope was prolific, creating works that depicted Kiowa culture, ceremonies, dances, warriors, flute players, and daily life, often in a distinctive flat, bold, and colorful style influenced by traditional hide painting and ledger art.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":47493463310501,"sku":"1613-09","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/1613-09_1.jpg?v=1770929995"},{"product_id":"landscape-painting-by-john-william-will-vawter","title":"Landscape Painting by John William 'Will' Vawter","description":"\u003cdiv\u003e\u003cspan\u003eLandscape Painting by John William 'Will' Vawter (IN, 1871-1941)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSigned Will Vawter; painting in excellent condition, with period frame, depicting a rural  Brown County landscape.  Cleaning and conservation by Grashe Fine Art Restorers, Bellevue, WA January 2024. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBiography\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJohn William Vawter, better known as Will Vawter was born in Boone County, West Virginia on April 13, 1871.  He was mostly a self-taught artist, but did attend the John Heron Art Institute in Indianapolis and the Art Students League in New York.  He first started doing illustrations for the Indianapolis Sentinel in 1891 and soon appeared in many other newspapers and magazines.  He also worked on a children’s book, “The Rabbit’s Ransom” with his sister.  He then met James Whitcomb Riley in 1893 and became his illustrator for the next thirty years. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDuring his time working with James Whitcomb Riley, he met Mary H. Murray.  She was interested in James at first, but when she realized he did not return the feelings, she turned her attention to Will Vawter.  They were married around 1906.  As a result of working so closely with James Whitcomb Riley, Will began picking up some of his bad habits including drinking.  Mary decided to do something about it and when she discovered that alcohol was not sold legally in Brown County, she moved them there.  They purchased 57 acres in 1908 on Town Hill, a half mile south of Nashville.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe local residents loved Will, but they did not accept Mary.  They saw her as “eccentric and bitter” (Letsinger-Miller, 38).  She filed many lawsuits against anyone who offender her in any way.  Will threatened to leave her if she continued to file lawsuits.  In 1923, he divorced her.  She kept the farm and he rented two rooms in downtown Nashville.  He used one room for his living quarters and the other for his studio.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWill became interested in oil painting and was soon as accomplished at oil painting as he was at illustrating and print-making.  He won many prizes and the Hoosier Salon and had his own exhibit there in 1932.  His new studio became a great tourist attraction and onlookers constantly were watching him at work.  Finally he began locking the door to keep them out so he could concentrate on his work. He also began painting from inside his car so he could work in peace away from people watching him.  He used the ceiling of the car to clean out his paint brushes while he worked.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWill soon began spending time with long-time friend Ola Genolin who was the town’s first druggist’s widow.  Many of his friends were afraid he would let her get away, so they sort-of conned him into proposing to her.  They were married in September 1923.  They built a studio and home northeast of town and traveled frequently while Will kept on painting.  He loved the movie Snow White and the Seven Dwarfs and went to see if seven times at the Nashville movie house. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eWill Vawter was great with kids, but never had any of his own.  He often played checkers and chess at Miller’s drug store in Nashville.  Then in 1926, when T.C. Steele died, Will was the one who took Steele’s ashes to his burial site.  He was well loved by all and was a charter member for the Brown County Art Gallery Association.  His death was quite a shock to the residents of Peaceful Valley.  John William Vawter died suddenly of pneumonia on February 11, 1941. \u003c\/span\u003e\n\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":47582461362341,"sku":"220816-01","price":38500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/IMG_1616a.jpg?v=1773198888"}],"url":"https:\/\/antiqueamericanindianart.com\/collections\/fine-art-paintings-prints-photos-sculpture.oembed?page=3","provider":"Antique American Indian Art","version":"1.0","type":"link"}