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Later she was taken over by the city of Seattle to function as the town's first emergency hospital. until about 1909, when a new hospital was built ashore and she was finally abandoned. The vessel gradually fell apart and it is said that her slip was filled around her and she became part of the Alaskan Way in the growing city.\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877209202853,"sku":"180616-19","price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/180616-19_1.jpg?v=1773287958"},{"product_id":"180816-104-4-totem-pole-by-mitchell-morrison","title":"House Totem Pole by Mitchell Morrison","description":"\u003cp\u003e48\" x 12\" w x 7\" deep at base\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith minor cracking on the top as pictured, slight blurring of writing on the reverse.\u003c\/p\u003e\n\u003cp\u003eTotem Pole by Mitchell Morrison\u003c\/p\u003e\n\u003cp\u003eWritten on back:\u003c\/p\u003e\n\u003cp\u003e\"be Lax. Sim Smax\" Tsimshian \/ Nishgia - Figures depict Nishgia grandmothers crest, Eagle, Twin Eagles, Beaver, Salmon eater. Original Pole is 60' tall.\u003c\/p\u003e\n\u003cp\u003e\"The story tells of how the Eagle clan received the sub-crest of Beaver. \"\u003c\/p\u003e\n\u003cp\u003eMITCHELL MORRISON\u003c\/p\u003e\n\u003cp\u003eHeritage: Nisga'aOther\u003c\/p\u003e\n\u003cp\u003eMitchell Morrison was born in Kincolith, a Nisga’a community in the Nass Valley, in North Western British Columbia. Kincolith is also known as Gingolx, which comes from the Nisga’a words meaning “place of skulls”. When attacked by another nation, the people of Gingolx fought back and won. They hung their enemies skulls on sticks, lining them up along the river as a warning or to provoke the enemy.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhile Mitchell is mainly self-taught, he has worked with several Nisga’a artists, including Norman Tait, Henry Mckay and Alvar Tait.p\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877211431077,"sku":"180816-089","price":8950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/180816-104_6.jpg?v=1772342732"},{"product_id":"190330-03-large-joe-david-mask-ulth-ma-choo-wha-wild-man-of-the-woods","title":"Large Joe David Mask Ulth-Ma-Choo-Wha - Wild Man of the Woods\"","description":"\u003cp\u003eSigned \" J David '94\"\u003c\/p\u003e\n\u003cp\u003e\"He Follows the Wolves\"\u003c\/p\u003e\n\u003cp\u003e16.5\" h x 10\" x 9\" deep (30\" x 16\" w with hair)\u003c\/p\u003e\n\u003cp\u003eThis character is also called the Cedar Bark Ogre, or the White Forest Spirit. He is thought to be Tsonoquoa's husband (the mythological ogress). Although he is not permitted inside the dance house he is a very important character in the Klukwana ceremonial (the Nootka initiation ritual) and can be seen dancing frantically during the several days of the event, destroying property. Ulth-Ma-Choo-Wha is loaded with power. His encounters with men are dreaded, although these experiences result in a transfer of spirit power.\u003c\/p\u003e\n\u003cp\u003eUlth-Ma-Choo-Wha may represent also men who were lost in the forests and mountain ranges who were often adopted and fed by wolf packs. During the Klukwana ceremonial the Wolf dancers who were performing through the ceremonial areas would be followed by masked Wild Men.\u003c\/p\u003e\n\u003cp\u003eThe profile of the mask is always very accentuated with large nostrils, hooked nose and a protruding cylindrical mouth symbolizing his two-tone cry.\u003c\/p\u003e\n\u003cp\u003eJoe David (born June 30, 1946) is a Nuu-chah-nulth artist, a member of the Tla-o-qui-aht Band of the Nuu-chah-nulth people,] also formally \"adopted\" into the Haida people, whose work is identified with the contemporary Northwest Coast art movement; among his close associates are teacher and art historian Bill Holm, Duane Pasco, and his cousin Ron Hamilton.] He is also a singer of traditional Nuu-chah-nulth songs, and has a strong interest in shamanic traditions both those from his own culture and from others\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDavid was born in the Clayoquot village of Opitsaht (on Meares Island off the west coast of Vancouver Island). His father Hyacinth David, an elder of the Clayoquot Nation, gave him a strong grounding in his cultural heritage. As a child, he attended a mission boarding school. While there, David visited the school's chapel for quiet and solitude. He saw that the carved altar in the chapel was similar to the artwork of his people in the awe and respect that it inspired. He studied art in the Job Corps, attended art school in San Marcos, Texas and Seattle, and worked briefly as a commercial artist[1] (among other places, for Seattle's Bon Marché department store) before, in 1969, turning more specifically to Northwest Coast Native art after he was visiting the Burke Museum collection of Northwest Native art, curated by Bill Holm. Of this collection, David said \"Here was this collection that Bill Holm had curated and understood and treated properly -- it was like, wow! This was not the academic, Mickey Mouse stuff. I was just blitzed. It was just between the eyes, like man, I've got to not only study and learn this, but I've got to master it.\" In 1971, he met Duane Pasco, who encouraged his interest in two-dimensional representation and experimentation with Northwest Coast styles.\"\u003c\/p\u003e\n\u003cp\u003eHe was one of the innovators of serigraphy featuring traditional Northwest Coast Native motifs, and has worked in a variety of media, including carving totem poles. In the 1981 documentary \"Spirit of the Mask,\" David expresses his love of the wood and the tools with which he works. His eclecticism has involved an interest not only in his native traditions and the broad mainstream of contemporary North American culture, but also in other Native American traditions (he participates annually in a Sun Dance in the southwestern United States) and, for example, by Maori art. Rejecting the view that traditional Northwest Native cultures should somehow remain frozen in time, he has remarked \"The fact is, there is always change and our people have always been comfortable with it.\" He emphasizes that his work is not a tribute to the past, but to a living culture.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877222342821,"sku":"190330-03","price":6950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p4424_i1_w727.jpg?v=1757345645"},{"product_id":"190330-01-kwaguilth-kwakiutl-totem-pole-by-richard-hunt","title":"Kwaguilth (Kwakiutl)  Totem Pole by Richard Hunt- Subject to availability","description":"\u003cp style=\"margin: 0px; padding: 0.5em 0px; line-height: 22px !important; font-family: Poly; color: rgb(0, 0, 0); font-size: 12px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003ec. 1994\u003cbr\u003e6' tall\u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding: 0.5em 0px; line-height: 22px !important; font-family: Poly; color: rgb(0, 0, 0); font-size: 12px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eRichard Hunt, one of Canada's premiere Native artists, has been creating traditional cultural art for most of his life. At the age of thirteen, he decided to become a carver like his father. Born in 1951 in Alert Bay, BC, Richard is a Kwaguilth (Kwakiutl) Native. The Kwaguilth people traditionally reside in the northeastern coast of Vancouver Island and the central coast of British Columbia. Although born in Alert Bay, Richard has spent most of his life in Victoria where he currently resides with his wife and daughter.\u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding: 0.5em 0px; line-height: 22px !important; font-family: Poly; color: rgb(0, 0, 0); font-size: 12px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eWith photos of this pole being carved showing different stages and with ordinal notes. \"This totem pole is a crest pole. The top figure is an eagle. The bottom figure is a hawkman with Sun' s face. He is transforming from a hawk to a man. On the hawk's chest, I have used an eagle as a filler design. Eagle is the main crest of the Kwa-gulth people of Fort Rupert, B.C. and is also on the Johnathon Hunt totem pole in theRoyal B.C. Museum. This pole was purchased from the Alcheringa Gallery in Victoria, B.C. in the early 1990s. \u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding: 0.5em 0px; line-height: 22px !important; font-family: Poly; color: rgb(0, 0, 0); font-size: 12px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eCollected by Winiford Faust, d. 2019;  Exon Chemical Engineer, Sailor, Navigator\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877222604965,"sku":"190330-01","price":48000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/190330-01_16_42cab0d7-915e-4590-a647-7f9daeb07b7d.jpg?v=1773637104"},{"product_id":"190330-02-richard-hunt-transformation-mask-thunderbird-sisiutl-man","title":"Richard Hunt, Southern Kwakiutl,  Transformation Mask - Thunderbird - Sisiutl - Man","description":"\u003cp style=\"margin: 0px; cursor: text; counter-reset: list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0; padding: 0px; color: rgba(0, 0, 0, 0.9); font-family: 'Square Sans Text VF', 'Square Sans Text', helvetica, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003ec. 1994\u003c\/p\u003e\n\u003cp style=\"margin: 0px; cursor: text; counter-reset: list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0; padding: 0px; color: rgba(0, 0, 0, 0.9); font-family: 'Square Sans Text VF', 'Square Sans Text', helvetica, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e15\"h (not counting black cloth covering) x 20\" deep x 25\" wide when opened\u003c\/p\u003e\n\u003cp style=\"margin: 0px; cursor: text; counter-reset: list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0; padding: 0px; color: rgba(0, 0, 0, 0.9); font-family: 'Square Sans Text VF', 'Square Sans Text', helvetica, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eWith photos of this mask being carved showing different stages and with original notes.\u003c\/p\u003e\n\u003cp style=\"margin: 0px; cursor: text; counter-reset: list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0; padding: 0px; color: rgba(0, 0, 0, 0.9); font-family: 'Square Sans Text VF', 'Square Sans Text', helvetica, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cem\u003e\"The outer figure of the mask represents the Kulus, which is an immature Thunderbird and is Richard Hunt's main crest in the dance, Hamatsa. The inner mask is the Sisiutl or two-headed serpent. The Sisiutl was the main crest of Richard's mother, Helen Hunt. The face in the center of the mask represents the man the Sisiutl has eaten.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0px; cursor: text; counter-reset: list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0; padding: 0px; color: rgba(0, 0, 0, 0.9); font-family: 'Square Sans Text VF', 'Square Sans Text', helvetica, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cem\u003eThe quality that makes this mask unique is that it has no hinges holding it together. Instead, the two pieces are fit together, the way Hunt's ancestors would have done.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0px; cursor: text; counter-reset: list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0; padding: 0px; color: rgba(0, 0, 0, 0.9); font-family: 'Square Sans Text VF', 'Square Sans Text', helvetica, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cem\u003eThe mask would be used in the peace dance, Klasala.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0px; cursor: text; counter-reset: list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0; padding: 0px; color: rgba(0, 0, 0, 0.9); font-family: 'Square Sans Text VF', 'Square Sans Text', helvetica, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0px; cursor: text; counter-reset: list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0; padding: 0px; color: rgba(0, 0, 0, 0.9); font-family: 'Square Sans Text VF', 'Square Sans Text', helvetica, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eCollected by Winiford Faust, d. 2019;  Exon Chemical Engineer, Sailor, Navigator\u003c\/p\u003e\n\u003cp style=\"margin: 0px; cursor: text; counter-reset: list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0; padding: 0px; color: rgba(0, 0, 0, 0.9); font-family: 'Square Sans Text VF', 'Square Sans Text', helvetica, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0px; cursor: text; counter-reset: list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0; padding: 0px; color: rgba(0, 0, 0, 0.9); font-family: 'Square Sans Text VF', 'Square Sans Text', helvetica, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cem\u003e---- \u003c\/em\u003e\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877222637733,"sku":"190330-02","price":24000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p4474_i1_w1000.jpg?v=1757345645"},{"product_id":"5145-01-210207-01-nootka-totem-pole-subject-to-availability","title":"Nootka Totem Pole - Subject to availability","description":"","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877236596901,"sku":"210207-01","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p4812_i5_w567.jpg?v=1757348251"},{"product_id":"191223-22-pair-of-antique-northwest-coast-totems-from-old-seattle-collection","title":"Pair of Antique Northwest Coast Totems from Old Seattle Collection","description":"\u003cp\u003ePair of Antique Northwest Coast Totems; 7 1\/4\" and 5\" overall height\u003c\/p\u003e\n\n\u003cp\u003eMid 20th century.\u003c\/p\u003e \n\n\u003cp\u003eFrom a private old timer Seattle Estate Collection.\u003c\/p\u003e\n\n\u003cp\u003eExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877266284709,"sku":"191223-22","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p5142_i6_w869.jpg?v=1757345785"},{"product_id":"201229-03-kwakiutl-totem-pole-by-john-august","title":"Kwakiutl Totem Pole by  John August","description":"\u003cp\u003eKwakiutl Totem Pole by  John August, ; 10\" hx 3 1\/2\" w x 2 1\/4\" deep, plus 3\/4\" stand.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877376155813,"sku":"201229-03","price":378.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p6522_i18_w1600.jpg?v=1757346060"},{"product_id":"170626-12-abenaki-spirit-mask-by-gerard-anthony-tsonakwa-rancourt-jr","title":"Abenaki Spirit Mask by Gerard Anthony \"Tsonakwa\" Rancourt Jr.","description":"\u003cp\u003eLate 20th Century\u003c\/p\u003e\n\u003cp\u003eoverall size 22\"\" x 20; mask with hair approximately 13\"\" x 13\"\" incl. hair\u003c\/p\u003e\n\u003cp\u003eGerard Anthony \"Tsonakwa\" Rancourt Jr. (born 1943) is a woodcarver, mask-maker, sculptor, storyteller, and author known for his Abenaki-inspired spirit masks and sculptures.  Rancourt presents himself as an Abenaki (also spelled Abnaki) artist from central Quebec, Canada, with the name \"Tsonakwa\" translating roughly to \"Wild Man Waiting at the North\" or similar, given to great teachers in his narrative. He has described growing up on an Abenaki reservation, learning stories from family during hunts, and later becoming involved in Native advocacy, education, and arts. \u003c\/p\u003e\n\u003cp\u003eHe collaborated extensively with his wife, Marilyn Bernadet (née Sciolé), known artistically as Yolaikia Wapitaska (White Deer Woman). Together, they created masks, carvings, and storytelling performances that blend traditional themes with contemporary expression. \u003c\/p\u003e\n\u003cp\u003eRancourt is best known for carved wooden spirit masks that often feature animal motifs, horns, horsehair, feathers, beads, and vibrant polychrome paint. These draw on Abenaki and broader Algonquian spiritual traditions, depicting creatures like otters, trout, caribou, raccoons, or transformative shamanic beings. \u003c\/p\u003e\n\u003cp\u003eHis Art:\u003c\/p\u003e\n\u003cp\u003eMaterials: Pine or other woods, horsehair, leather, horns, mixed media.\u003cbr\u003eThemes: Supernatural stories, animal spirits, transformation, and the interconnectedness of humans, animals, and the natural world.\u003cbr\u003eExamples include the Trout Spirit Mask (in the National Museum of the American Indian collection) and various helmet-style or animal-inspired masks sold at auction or exhibited. \u003c\/p\u003e\n\u003cp\u003eHe worked as a storyteller, artist-in-residence (e.g., at UNC-Charlotte), museum programs coordinator, and presenter at planetariums and cultural events. He has performed and exhibited across the U.S. and Canada. \u003c\/p\u003e\n\u003cp\u003eExhibitions: Shows at places like the Field Museum of Natural History (with his wife), galleries in New London, CT, and other venues featuring his masks and carvings alongside explanatory panels on Abenaki legends. \u003c\/p\u003e\n\u003cp\u003ePublications: Co-author of books such as Seven Eyes, Seven Legs: Supernatural Stories of the Abenaki (with Yolaikia Wapitaska), Welcome the Caribou Man, and others that collect and illustrate traditional tales. \u003c\/p\u003e\n\u003cp\u003eHis pieces are held in museum collections (e.g., NMAI) and have appeared at auction. \u003c\/p\u003e\n\u003cp\u003eRancourt's spirit masks represent a modern continuation and interpretation of Northeastern Woodland masking traditions, often used in storytelling performances rather than strictly ceremonial contexts. Specific masks like the one referenced vary in design but typically embody powerful animal or spirit entities. His work remains available through galleries and has been collected by enthusiasts of Native American contemporary art.\u003cbr\u003e\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877467512997,"sku":"170626-12","price":1780.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p7109_i1_w750.jpg?v=1757345327"},{"product_id":"210727-132-makah-totem-pole-late-20th-century-by-frank-smith-1884-1992","title":"Makah Totem Pole, late 20th century by Frank Smith (1884-1992)","description":"\u003cp\u003eTotem Pole, late 20th century, 16 1\/2\" x 3\" Signed \"Made by Frankie Smith Patterned from Ralph Lachester 1. Thunderbird - Big 2. Wolf 3. Kidnapper (Wolf and Kidnapper \"Slaves to Thunderbird\") \"Whale\/thunderbird Symbols Macaw Neah bay Baby is medicine\".  \u003cbr\u003e\nFrank Smith Makah Tribe\u003c\/p\u003e\n\n\u003cp\u003eThis is Frank Smith enrolled member of the Makah Nation in his wood working shop at Neah Bay Washington. For many years Frank was known as the master carver and teacher for all the Makah\"s. He taught the students craving in the Makah high school, as well as earned his entire income from his work. Frank shared in detail with me, Paul Eubanks all about his methods of selecting Western Red Cedar. He would fall the tree deep in the forest and mill it on location for the wood he needed using a portable chain saw mill. He spoke with special emphasis about not wasting trees but to utilize every part of the tree he selected. Frank became known as a world famous Native American Carver of the Pacific Northwest. Today there are large totem poles standing in the city's of Port Orcherd, Bremerton, Neah Bay and Clallam Bay Washington and many other locations all around the world. He preferred to stand in the background and seldom spent time in the view of the public eye. Pictures of Frank were nearly forbidden. However he was a close friend of mine and that included photography of Frank and his art. Frank Smith a Makah elder who passed the gift from his ancestors to many young ones for the future generations to come. Paul Eubanks by Paul Eubanks\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877507588261,"sku":"210727-132","price":475.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8019_i1_w418.jpg?v=1757346298"},{"product_id":"220218-02-northwest-coast-totem-poll-attr-sam-williams-a-ditidaht-carver-c-1884-1979","title":"Northwest Coast Totem Poll attr. Sam Williams, a Ditidaht carver (c. 1884-1979)","description":"\u003cp\u003eNorthwest Coast Totem Poll; Mid 20th centiry; 13 1\/4\" x 12\" d; Ditidaht\/Nuu-chan-nulth\/Nootka, Ditidaht\/Nuu-chah-nulth artist Sam Williams, a Ditidaht carver (c. 1884-1979) who was the originator of the distinctive Williams family carving style.. This finely crafted model totem pole is by Ditidaht\/Nuu-chah-nulth master carver, father of Raymond, who was  the father of the current generation of Williams carvers.William Family ; Ditidaht (meaning “people along the way” or “people along the coast” in their language) is a Nuu-chah-nulth nation residing on the west coast of Vancouver Island.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877507850405,"sku":"220218-02","price":1350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/220218-02_1_2a9b2326-aa74-4554-9dc2-5842813a43bb.jpg?v=1773892413"},{"product_id":"220220-01-northwest-coast-totem-poll-john-williams-a-ditidaht-carver-c-1960-2010","title":"Northwest Coast Totem Poll John  Williams, a Ditidaht carver (c. 1960-2010)","description":"\u003cp\u003elate 20th century : 18\" x17\" + Stand 2\" = 20\" H Total\u003cbr\u003e22\"\u003cbr\u003eMinor chip on lower lip of bear figure as picture. Painted out. Can be restored but looks fine as is. Otherwise in Excellent Condition.\u003cbr\u003eA classic example of the Thunderbird Totems of Alert Bay.\u003cbr\u003eJohn T. Williams was born in February 27, 1960. He was a member of the Nuu-chah-nulth tribe First Nations, and during his childhood, lived in Seattle, and Victoria and Vancouver, British Columbia.[4]According to Williams' family, he was a seventh-generation woodcarver. Williams was an extremely talented artist. Williams had hearing difficulties, and had battled problems with alcohol much of his adult life. He was a well known carver and very well liked Master artist.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877507883173,"sku":"220220-01","price":1190.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/220220-01_1_87785162-a920-434b-9738-b6b06d0140fc.jpg?v=1773892653"},{"product_id":"5182-12-hopi-wooden-box-with-lid-sunface-by-rick-honyouti","title":"Hopi Pueblo Sunface Wooden Box with Lid By Rick Honyouti","description":"\u003cp\u003eLate 20th Century\u003c\/p\u003e\n\u003cp\u003e3.25\" H x 8\" L x 8\" W\u003c\/p\u003e\n\u003cp\u003eHand Carved Hardwood Inset and Stained Paneling with a Hopi Sun Motif with a Matching Lid \u003c\/p\u003e\n\u003cp\u003eIn Very Good Condition\u003c\/p\u003e\n\u003cp\u003eRick Honyouti is the brother of the well-known kachina carver, Ronald Honyouti. In fact, he comes from a family of talented carvers and artists and certainly has a gift of his own.\u003c\/p\u003e\n\u003cp\u003eRick travels all year long displaying his original Hopi inspired cedar chests and jewelry boxes at art fairs and markets around the country.\u003c\/p\u003e\n\u003cp\u003eHighly sought after, and hard to come by, Rick's boxes are popular with collectors. We are fortunate to show his work from time to time, and we're thrilled to have this beautiful example.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877523382437,"sku":"5182-12","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8360_i1_w1000.jpg?v=1757348294"},{"product_id":"210727-129-cedar-wood-man-mask-signed-vern-point-73-canadian-indian","title":"Cedar wood Man Mask signed \"Vern Point '73 Canadian Indian\"","description":"\u003cp\u003eCedar wood Man Mask signed \"Vern Point '73 Canadian Indian\" 11\" x 7 1\/2\"\u003c\/p\u003e\n\n\u003cp\u003eca 1973\u003c\/p\u003e\n\n\n\u003cp\u003eVern point is a master Seaman and Hull technician at Maritime Forces Pacific. He is a member of the Chehalis first Nations and a master Carver. He was seconded to the restoration project of the Mungo Martin totem pole in Victoria British Columbia in the spring of 2001 due to his skills and the navies commitment to the local community. The Mungo Martin totem was dedicated on July 2, 1956 in the Beacon Hill Park of Victoria BC. At 38.8 m tall it is the largest freestanding totem pole in the world. Due to weather elements in the natural decay of the cedar poor it was taken down in November 2000; master Seaman Point was working on the beak. The 8 foot cedar beak replaces the original one and will be re-inserted into the pole and painted in the original color scheme.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877524136101,"sku":"210727-129","price":645.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8381_i1_w706.jpg?v=1757346297"},{"product_id":"220613-28-vintage-ditidaht-nootka-model-totem-pole-williams-family","title":"Vintage Ditidaht \/ Nootka Model Totem Pole, Williams Family","description":"\u003cp\u003eDitidaht \/ Nootka, likely Williams Family; Model Totem Pole; Mid 20th century;  10 1\/4\" x 8 5\/8\"\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877529772197,"sku":"220613-28","price":255.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8624_i5_w778.jpg?v=1757347004"},{"product_id":"220613-29-vintage-ditidaht-nootka-model-totem-pole-williams-family","title":"Vintage Ditidaht \/ Nootka Model Totem Pole, Williams Family","description":"\u003cp\u003eVintage Ditidaht \/ Nootka Model Totem Pole, Williams Family 6 1\/4\" x 5\"\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877529804965,"sku":"220613-29","price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8625_i9_w756.jpg?v=1757347005"},{"product_id":"220613-31-vintage-ditidaht-nootka-model-totem-pole-williams-family","title":"Vintage Ditidaht \/ Nootka Model Totem Pole, Williams Family","description":"\u003cp\u003eVintage Ditidaht \/ Nootka Model Totem Pole, Williams Family 6 1\/2\" x 5 1\/2\" Marked on Back \"Real Indian Made From the World Famous Ye Olde Curiosity Shop, Seattle, WA\"\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877529837733,"sku":"220613-31","price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8627_i13_w801.jpg?v=1757347005"},{"product_id":"220613-32-vintage-model-totem-pole-by-chief-white-eagle-muckelshoot","title":"Vintage  Model Totem Pole, by Chief White Eagle - Muckelshoot","description":"\u003cp\u003eVintage  Model Totem Pole, by Chief White Eagle , mid 20th century; 8 1\/2\" x 7\"\u003c\/p\u003e\n\n\u003cp\u003e\"\u003cbr\u003e\nChief White Eagle, aka Basil Heath, 1917-2011, was beloved by many who attended the Trail of Courage from 1985 to 2009. A former movie actor and TV personality, he was the most famous person to participate in the Trail of Courage. He was in “Northwest Passage,” “Red River,” “She Wore a Yellow Ribbon” and other films. He traveled all over the U.S. giving programs on American Indians. He played the part of Grandpa in “The Best Man in Grass Creek” in 1996. He was declared a Living Legend of Fulton County in 2005. Born on the Iroquois Reservation in Canada in 1917, he served in World War II for both England and the United States. He and wife Bobbie Bear moved to Fulton County in 1987. He did a dedication ceremony for the new Trail of Courage site in 1985. He planted the Great Peace Tree in 1988. He continued to give speeches about Indian lore at the Trail of Courage, at the museum, and for Boy Scouts and other groups in Indiana and neighboring states.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877529870501,"sku":"220613-32","price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8628_i16_w762.jpg?v=1757347006"},{"product_id":"220613-36-vintage-ditidaht-nootka-model-thunderbird-totem-pole","title":"Vintage Ditidaht \/ Nootka Model Thunderbird Totem Pole","description":"\u003cp\u003eVintage Ditidaht \/ Nootka Model Totem Pole\u003cbr\u003e\nMid 20th century\u003cbr\u003e\n5 3\/4\" x 4 1\/2\"\u003cbr\u003e\nExcellent Condition\u003cbr\u003e\nPrivate Estate Collection\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877530099877,"sku":"220613-36","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8633_i19_w820.jpg?v=1757347007"},{"product_id":"220613-37-vintage-ditidaht-nootka-model-thunderbird-totem-pole","title":"Vintage Ditidaht \/ Nootka Model Thunderbird Totem Pole","description":"\u003cp\u003eVintage Ditidaht \/ Nootka Model Totem Pole\u003c\/p\u003e\n\n\u003cp\u003eMid to late 20th century\u003c\/p\u003e\n\n\u003cp\u003e3 1\/4\" x 3 1\/2\"\u003c\/p\u003e\n\n\u003cp\u003eExcellent Condition\u003cbr\u003e\nPrivate Estate Collection\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877530263717,"sku":"220613-37","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8634_i23_w945.jpg?v=1757347007"},{"product_id":"220613-39-vintage-northwest-coast-model-thunderbird-totem-pole","title":"Vintage Northwest Coast Model Thunderbird Totem Pole","description":"\u003cp\u003ePacific Northwest Indian Totem Pole 3 3\/4\"\" x 3 1\/4\"\" by Mike Thompson\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877530296485,"sku":"220613-39","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8635_i27_w666.jpg?v=1757347008"},{"product_id":"220613-40-vintage-ditidaht-nootka-model-thunderbird-totem-pole","title":"Vintage Ditidaht \/ Nootka Model Thunderbird Totem Pole","description":"\u003cp\u003ePacific Northwest Indian Totem Pole 4 1\/2\"\" x 4 1\/4\"\"\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877530755237,"sku":"220613-40","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8636_i35_w575.jpg?v=1757347008"},{"product_id":"220613-42-vintage-ditidaht-nootka-model-thunderbird-totem-pole","title":"Vintage Ditidaht \/ Nootka Model Thunderbird Totem Pole","description":"\u003cp\u003eVintage Ditidaht \/ Nootka Model Totem Pole\u003c\/p\u003e\n\n\u003cp\u003eMid 20th century\u003c\/p\u003e\n\n\u003cp\u003e2 7\/8\" h\u003c\/p\u003e\n\n\u003cp\u003eExcellent Condition\u003c\/p\u003e\n\n\u003cp\u003ePrivate Estate Collection\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877530788005,"sku":"220613-42","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8638_i39_w816.jpg?v=1757347009"},{"product_id":"170713-092-makah-totem-greede-mcquilhiv-sic","title":"Makah Totem Greede McQuilhiv (sic)","description":"\u003cp\u003eMakah Totem Greede McQuilhw  14\"\" x 1 1\/2\"\" x 4\"\"\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877549465765,"sku":"170713-092","price":295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8942_i1_w600.jpg?v=1757345360"},{"product_id":"210727-134-nootka-model-totem-thunderbird-bear-and-frog-by-jasper-peters","title":"Nootka Model Totem, thunderbird, Bear and Frog by Jasper Peters","description":"\u003cp\u003eNootka Model Totem, thunderbird, Bear and Frog by Jasper Peters\u003cbr\u003e\nca 1960-1970; 20.25\" x 19\" x 6\" deep\u003c\/p\u003e\n\n\u003cp\u003ePacific Northwest Indian Carved Wooden Totem Statue, Jasper Peters, Signed, Pacheedaht First Nations Tribe\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877553561765,"sku":"210727-134","price":545.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p8966_i6_w600.jpg?v=1757346299"},{"product_id":"170713-109-makah-totem-box-by-dan-smith","title":"Makah Totem Box by Dan Smith","description":"\u003cp\u003eMakah Totem Box by Dan Smith 1987; Signature \"DS '87\"\u003cbr\u003e\n 17\" overall height with box just over 3.5\" h x 4\" x 4\" ; with figure of Whaler on top of Whale.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877562081445,"sku":"170713-109","price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9150_i1_w621.jpg?v=1757345362"},{"product_id":"230131-29-heber-reece-tsimshian-mother-raven-moon","title":"Heber Reece Tsimshian \"Mother Raven Moon\"","description":"\u003cp\u003eHeber Reece Tsimshian \"Mother Raven Moon\" made 05\/07\/2014; 16 1\/2\" D Made of Alder Kitselas Tsimsyeen Nation \u003cbr\u003e\nHeber Reece was born in the village of Klemtu, near Bella Bella, British Columbia. When he was twelve his family moved to Hartly Bay. At this young age Heber began to explore carving in wood. He continued learning on his own until 1988 when he was enrolled in the Kasan School of Native Art where he studied mask carving with Vernon Stephens. Since then his teachers have included Victor Reece, Henry Greene, Art Sterritt and Earl Muldoe.\u003c\/p\u003e\n\n\u003cp\u003eHeber works exclusivly in wood, carving masks, totems and rattles in the Tsimshian style. He recently worked on a 180' totem pole, the tallest in the world, in Victoria. His work is on display in galleries across the northwest. He currently lives in Terrace, B.C.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877598584997,"sku":"230131-29","price":4800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/230131-29_1_b99b46fa-5bdb-4fdf-8165-64bf13df3831.jpg?v=1773287767"},{"product_id":"210728-142-zuni-rain-priest-mask-by-dak","title":"Hopi Pueblo Zuni Rain Priest Mask by DAK","description":"\u003cp\u003eLate 20th Century \u003c\/p\u003e\n\u003cp\u003e13.5\" H x 7\" W\u003c\/p\u003e\n\u003cp\u003eHand Crafted Mask with Leather and Feathers of a Zuni Rain Priest by DaKiai \"Kahina\" Signed DAK '91\u003c\/p\u003e\n\u003cp\u003eIn Very Good 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class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003eThe Zuni Rain Priest\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e (often linked to figures like Sayatasha\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e or the Rain Priest of the North \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003ein Zuni tradition, sometimes adopted or interpreted in Hopi contexts as well). It blends elements from Zuni\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e (kokko spirits) and Hopi\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e (katsina traditions), where rain priests and related beings are central to ceremonies invoking rain, fertility, and blessings in arid Southwestern Pueblo cultures.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877609332901,"sku":"210728-142","price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p9631_i4_w900.jpg?v=1757346331"},{"product_id":"doll-totem-dude-medicine-man-nw-doll-9-1-4-h","title":"Northwest Coast Totem Medicine Man Doll","description":"\u003cp\u003e\u003c!--StartFragment --\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eLate 20th Century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003e9.25\" H\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eDecorative Art Hand Carved from Cottonwood Root\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003ePrivate Estate Collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eExcellent Condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eNorthwest Coast Totem Medicine Man Doll is an artistic representations or collectible figurines inspired by the traditional totem poles and shamanic figures of Indigenous peoples from the Pacific Northwest Coast of North America. These include nations such as the Haida, Tlingit, Kwakwaka'wakw, and Nuu-chah-nulth. Totem poles themselves are not \"dolls\" but monumental cedar carvings symbolizing family histories, crests, myths, and spiritual narratives. However, smaller-scale replicas, model totems, or dolls depicting medicine men (shamans, known as \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eSkaga\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e in Haida) are commonly crafted as cultural artifacts, museum pieces, or souvenirs. These often incorporate totem elements like animal crests (e.g., eagle, raven, bear) to honor the medicine man's role as a healer and spiritual intermediary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--EndFragment --\u003e\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877613035685,"sku":"221107-072a","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/221107-72_1_ec0c112a-fd85-4564-8076-97e2307f34ee.jpg?v=1761774078"},{"product_id":"230322-01-tim-paul-west-coast-wild-man-mask","title":"Tim Paul \"West Coast Wild Man\" Mask","description":"\u003cp\u003eTim Paul \"Chief over the Wind\" Mask\u003cbr\u003e\nApproximately 11\" x 11\" x 6.5\" deep including the bark hair\u003cbr\u003e\nTim Paul\u003c\/p\u003e\n\n\u003cp\u003eCULTURAL GROUP:\u003cbr\u003e\nHesquiaht\/Nuu-chah-nulth\u003c\/p\u003e\n\n\u003cp\u003eBORN:\u003cbr\u003e\n1950\u003c\/p\u003e\n\n\u003cp\u003eBIRTHPLACE:\u003cbr\u003e\nExperanza Inlet (north of Tofino), BC\u003c\/p\u003e\n\n\u003cp\u003eTim Paul began to paint at the age of ten, and he began carving in 1975 at Arts of the Raven Gallery in Victoria, BC. At Arts of the Raven, Tim worked under the direction of Ben Andrews, and later under John Livingston. He assisted Richard Hunt in the carving program that the Royal BC Museum held at Thunderbird Park in Victoria in 1977. From 1984 to 1992, Tim was Senior Carver at the Royal BC Museum, and left that position to oversee a Native education program for Vancouver Island. Tim also worked on a Nuu-chah-nulth pole that was given by the People of British Columbia to the city of Auckland in celebration of the 1990 Commonwealth Games. As well as carving, Tim has released numerous limited edition silkscreen prints which portray various legends of Nuu-chah-nulth culture. 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He is equally skilled as a jeweller working in silver. Simon Dick's work is found in selected public and private collections worldwide.\u003cbr\u003e---\u003cbr\u003eFor Simon Dick, birds and flight, with both literal and metaphoric significance, have long been a great influence in his life and in his art. As a child Simon questioned everything, including why there was a man on the back of the raven rattle. When his elders told him that the raven carried the man on his back to far away places, Simon's fascination with flying began. Simon taught himself to, spiritually, fly away during difficult times in his life and soar in joy during the good times. Simon found his freedom in flight.\u003c\/p\u003e\n\u003cp\u003eBorn in 1951 of Kwicksutaineuk descent in Alert Bay on the northern tip of Vancouver Island, Simon Dick grew up in the nearby village of Kingcome Inlet where he was immersed in the ancient Kwakwaka'wakw culture. Like his ancestors Simon learned how to hunt and fish and to rely on the natural resources of the land and sea. In this quite culturally intact environment he was raised speaking the Kwakwala language, being taught specific cultural practices from his grandfathers, both hereditary chiefs. He was instructed in the proper protocol for the elaborate winter ceremonies and feasts. One of the earliest memories he recalls is curling up in a massive feast ladle that had been created for a celebration. In order to participate in these important cultural events, Simon was taught the ceremonial songs and dances that have belonged to his family for generations. As an adolescent, he was initiated into the Hamatsa society, the highest ranking secret society amongst the Kwakwaka'wakw people. Being a Hamatsa, Simon honed his dancing skills and his knowledge of the language and culture by participating in innumerable ceremonies. In 1983 he hosted his inaugural potlatch and in 1989, he spent a significant amount of time further studying the intricacies of the culture and language with the late chief Sam Henderson. Later, he apprenticed under Tony Hunt Sr. for four years and also worked with Bill Reid on the carving of a twenty-four-foot canoe.\u003c\/p\u003e\n\u003cp\u003eSimon Dick has traveled the world representing his people and educating others about the First Nations of the Northwest Coast. At home, he continues the tradition of apprenticing young carvers so that his wealth of cultural knowledge is passed on to the next generation.\u003cbr\u003eToday, Simon Dick is regarded as one of the Northwest Coast's premiere artists and the Inuit Gallery of Vancouver is honoured to host his first solo exhibition. In Flight is a small but powerful collection of masks illustrating some of the supernatural birds belonging to the rich mythology of the Kwakwaka'wakw people. Simon Dick does not separate his culture from his career as an artist so each work is informed by his knowledge of how a mask is used in ceremony. His signature painting style of applying washes of rich colour is unique in the art form and admired by collectors worldwide. 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class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eThe \u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-b88u0q r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eNootka Ridicule Mask\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e (also called a mockery mask or shaming mask) is a traditional form of ceremonial art from the \u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-b88u0q r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eNuu-chah-nulth\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e (Nootka) peoples of the west coast of Vancouver Island, British Columbia, Canada. These masks belong to a broader Northwest Coast Indigenous tradition of \u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-b88u0q r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eridicule masks\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e, used as a form of social sanction and public shaming.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eIn Nuu-chah-nulth and neighboring cultures (like Kwakwaka'wakw), ridicule masks served to publicly reprove someone for inappropriate behavior—such as greed, arrogance, stinginess, or failing to uphold community values like humility and generosity. Rather than direct confrontation, the community (or a chief) commissioned a carver to create a mask that exaggerated or mocked the person's flaws, often through distorted features, blackened or \"ruined\" halves symbolizing moral decay, asymmetrical designs, or elements referencing specific stories or misdeeds.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003eThe mask would be displayed prominently during potlatches, ceremonies, or gatherings until the person made amends (e.g., through restitution, apology, or hosting a feast to restore balance). In some cases, the mask might be intentionally damaged or \"destroyed\" as part of the reproof, emphasizing the high value of artwork and the seriousness of the sanction. Many modern ridicule masks carry teachings about humility, reminding viewers of the consequences of losing sight of community harmony.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1adg3ll r-1g7jtus r-1x3r274\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"\u003e\u003cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-1x3r274\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eArt Thompson (1948 – 2003)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArt Thompson was born in 1948 in the village of Whyac on the southern end of Nitinat Lake. He belonged to the Ditidaht Band of the Nuu-chah-nulth people.\u003c\/p\u003e\n\u003cp\u003eArt was fortunate to be immersed in the cultural life of his people from an early age, when he was initiated into the Tlukwalla society. As a small boy he showed great interest in artistic expression. This was encouraged by his paternal grandfather, from whom he learned the history, songs and dances of his people.\u003c\/p\u003e\n\u003cp\u003eArt graduated from a residential school in 1964, ending nine years of abuse. In subsequent years he became a powerful spokesman in pursuit of justice for others who have suffered similar experiences.\u003c\/p\u003e\n\u003cp\u003eOne of the key events in Art’s artistic life was perhaps his 1970 meeting with fellow Nuu-chah-nulth artists Joe David and Ron Hamilton, the latter possessing an encyclopedic knowledge of West Coast traditional art.\u003c\/p\u003e\n\u003cp\u003eFrom 1970 -1972 Art studied fine arts at Camosun College in Victoria. Subsequently, he enrolled at the Emily Carr Institute in Vancouver, working in both two and three dimensional forms. It was here that Art began printmaking and began to create the striking silkscreens for which he is now so renowned.\u003c\/p\u003e\n\u003cp\u003eWell-versed in many of the artistic styles of the coast, Art developed his own innovative and distinctive interpretation of Nuu-chah-nulth design. Art created a number of large dance screens, which, in turn became serigraphs, while other print images were drawn from drum heads.\u003c\/p\u003e\n\u003cp\u003eArt Thompson’s work can be found in many public collections including the Museum of Civilization in Hull, Quebec, the Royal British Columbia Museum in Victoria, The Canadian High Commission in Singapore, and Stanford University in the United States.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877852504229,"sku":"180816-100","price":2400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p12586_i10_w648.jpg?v=1757345583"},{"product_id":"210208-55-tlingit-man-mask-by-rich-lavalle","title":"Tlingit Man Mask by Rich Lavalle","description":"\u003cp\u003eLate 20th Century\u003c\/p\u003e\n\u003cp\u003e9 3\/4\" x 7\" \u003c\/p\u003e\n\u003cp\u003eRich LaValle considers being adopted by the George family of Angoon (Tlingit) to be the high point of his career. The highly regarded anglo carver, now a member of the Tlingit tribe, has wide recognition of his work done in the Native Northwest tradition.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877852536997,"sku":"210208-55","price":1275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p12588_i25_w792.jpg?v=1757346139"},{"product_id":"170713-036-makah-totem-by-dan-smith-6-28-76","title":"Makah Totem by Dan Smith 6-28-76","description":"\u003cp\u003eMakah Totem by Dan Smith\u003cbr\u003e\nSigned; Date 6-28-76\u003cbr\u003e\n12.5\"h x 7.5\" w x 4\" d\u003cbr\u003e\nExcellent Condition\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877856010405,"sku":"170713-036","price":435.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p12643_i1_w685.jpg?v=1757345352"},{"product_id":"240419-17-northwest-totem-pole-by-duane-pasco-may-14-1932-july-31-2024","title":"Northwest Totem Pole by Duane Pasco (May 14, 1932 - July 31, 2024)","description":"\u003cp\u003eLate 20th century\u003cbr\u003e35\"h x 6\" at base\u003cbr\u003eDuane used his own hair for this totem pole.\u003c\/p\u003e\n\u003cp\u003eThe pole evidently depicts carver and his \u003cspan\u003eSuquamish \u003c\/span\u003ewife. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eABOUT THE ARTIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDuane Pasco (born May 14, 1932) is an American artist. He is known for his indigenous-style work and as a teacher of Northwest Coast art, in particular as a key contributor to reviving the 'Ksan style.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was married to Betty Pasco, a Suquamish tribal elder and artist, and together they founded the JayHawk Institute to teach and preserve Pacific Northwest Native-style art and culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePasco was raised in Alaska and Seattle, and is of English and Irish descent. He has been professionally active since his first gallery showing in 1966, working in both carving and two-dimensional formats. In 1967, he took a leave of absence from his then-employment for a steel-construction company, in order to move beyond what he describes as making \"curios\" and pursue art education full-time. He again made a major change in approach in 1976. At both these times, he was heavily influenced in his artistic development by the writings and works of artist and historian Bill Holm. He has taught classes at many universities and schools in Washington, British Columbia, and Alaska, notably the Gitanmaax School of Northwest Coast Indian Art ('Ksan), where he influenced artists such as Walter Harris. He is a friend and associate of Nuu-Chah-Nulth artist Joe David. Pasco is a noted canoe carver, mentoring novice canoe carvers and actively assisting them in the steaming process.\u003c\/p\u003e\n\u003cp\u003eHis carved totems are publicly viewable in Seattle at Occidental Park and Seattle Center,and in Sitka, Alaska at Sitka National Historical Park.\u003c\/p\u003e\n\u003cp\u003eHe is a speaker and expounder of Chinook Jargon. In the early 1990s he published the bi-monthly Tenas Wawa newsletter in Poulsbo, Washington,where he continues to live.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom Artists Website\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eI spent my childhood in Alaska and my school years in Seattle, until being drafted in 1952. After two years serving with the army in Korea, I returned to Washington, and worked variously as a warehouseman, Boeing machinist, cabinet maker, house framer, and then structural iron worker.\u003c\/p\u003e\n\u003cp\u003eBy 1967, I had been carving curios part-time for a few years. I took a leave of absence from work and managed to eke out a living by producing and selling what I thought was “traditional” Northwest Coast Native Art.\u003c\/p\u003e\n\u003cp\u003eI was getting some pretty good commissions during the early 1970s thanks to a “renaissance” of sorts in this art form, but in 1976 I seriously considered moving on. A long-time interest in traditional Norwegian small boats took me to Norway, where I took lines of a few lap-strake boats, as well as many photographs. I was ready to embark on a new career. However, during the trip my wife and I visited the Sacred Circles exhibit at the Tate in London. This fantastic array of pre-twentieth century Native American art included a large number of which were chosen Northwest coast pieces. Captivated and inspired, I couldn’t wait to return home and launch myself onto a program of re-education.\u003c\/p\u003e\n\u003cp\u003eI literally put everything that I thought I knew into the trash and emptied it. I began visiting museums and their store rooms. Bill Holm, author of the extremely helpful Northwest Coast Indian Art, an Analysis of Form, was generous enough to allow me to make copies of his vast collection of slides and I began a serious examination of old pieces, trying to relate works to particular Native artists from the eighteenth and nineteenth centuries. I continue to learn about many regional and individual styles of this world-class art form, and it’s always exciting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE MATERIALS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo understand wood, the primary raw material for Northwest Coast Native Art, one must understand the forest.\u003c\/p\u003e\n\u003cp\u003eThe ecosystem of the Pacific Northwest forest offers a spectacular variety of coniferous and deciduous trees, numerous shrubs, mosses, lichens, and fungi, and innumerable large and small mammals, birds, reptiles, amphibians, insects, and more—all interdependent.\u003c\/p\u003e\n\u003cp\u003eThe Northwest Coast Natives knew their forests well because their existence depended on it. They understood which materials to use for houses, canoes, weaving, cordage, dyes or food, as well as where, when, and how to procure and process them.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE TOOLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eI like to say, “There’s no tool like an old tool” because the road to improved technology is often littered with simple but useful things that get the job done well. When I began carving, I automatically looked to commercial carving tools like chisels, gouges, mallets, and saws—in addition to my pocket knife. Then I read about the traditional tools used by the Northwest Coast Natives, and decided to make some facsimiles. I started with a “D” adze, a straight knife, and a couple of curved knives, with blades ground from old files. Years later I saw some examples of the “real” thing and headed back to the tool bench. My next set of tools was much improved as was my ability to carve more effectively.\u003c\/p\u003e\n\u003cp\u003eThe twenty-first century carver of Northwest Coast Native-style art takes advantage of any modern tool that is practical, such as factory-made chisels and gouges, hand saws, and the trusty chainsaw for larger work. But the bulk of the work is still done with the traditional adze and knife, which I make myself.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877856075941,"sku":"240419-17","price":9500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p12645_i1_w582.jpg?v=1757347627"},{"product_id":"241004-02-duane-pasco-1932-2024-washington-kwakiutl-tsonoqua-dzunukwa","title":"\"Kwakiutl Tsonoqua\" (Dzunukwa) by Duane Pasco (1932-2024 Washington)","description":"\u003cp\u003eca 1970's \u003cbr\u003e13\"x12\"x9\"\u003c\/p\u003e\n\u003cp\u003eKwakiutl style.\u003c\/p\u003e\n\u003cp\u003ePolychrome painted and carved u-form mask with applied fur. Burned in signature on verso. Overall excellent condition. Purchased Objects of Bright Pride Galleries, Seattle. Ex. Collection of Richard White founder of the Foster\/White Gallery,\u003cbr\u003eSeattle. Collection of Charles and Gayle Pancerzewski of Mukilteo, Washington State.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE ARTIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDuane Pasco (born May 14, 1932) is an American artist. He is known for his indigenous-style work and as a teacher of Northwest Coast art, in particular as a key contributor to reviving the 'Ksan style.\u003c\/p\u003e\n\u003cp\u003eHe was married to Betty Pasco, a Suquamish tribal elder and artist, and together they founded the JayHawk Institute to teach and preserve Pacific Northwest Native-style art and culture.\u003c\/p\u003e\n\u003cp\u003ePasco was raised in Alaska and Seattle, and is of English and Irish descent. He has been professionally active since his first gallery showing in 1966, working in both carving and two-dimensional formats. In 1967, he took a leave of absence from his then-employment for a steel-construction company, in order to move beyond what he describes as making \"curios\" and pursue art education full-time. He again made a major change in approach in 1976. At both these times, he was heavily influenced in his artistic development by the writings and works of artist and historian Bill Holm. He has taught classes at many universities and schools in Washington, British Columbia, and Alaska, notably the Gitanmaax School of Northwest Coast Indian Art ('Ksan), where he influenced artists such as Walter Harris. He is a friend and associate of Nuu-Chah-Nulth artist Joe David. Pasco is a noted canoe carver, mentoring novice canoe carvers and actively assisting them in the steaming process.\u003c\/p\u003e\n\u003cp\u003eHis carved totems are publicly viewable in Seattle at Occidental Park and Seattle Center, and in Sitka, Alaska at Sitka National Historical Park.\u003c\/p\u003e\n\u003cp\u003eHe is a speaker and expounder of Chinook Jargon. In the early 1990s he published the bi-monthly Tenas Wawa newsletter in Poulsbo, Washington, where he continues to live.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom Artists Website\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eI spent my childhood in Alaska and my school years in Seattle, until being drafted in 1952. After two years serving with the army in Korea, I returned to Washington, and worked variously as a warehouseman, Boeing machinist, cabinet maker, house framer, and then structural iron worker.\u003c\/p\u003e\n\u003cp\u003eBy 1967, I had been carving curios part-time for a few years. I took a leave of absence from work and managed to eke out a living by producing and selling what I thought was “traditional” Northwest Coast Native Art.\u003c\/p\u003e\n\u003cp\u003eI was getting some pretty good commissions during the early 1970s thanks to a “renaissance” of sorts in this art form, but in 1976 I seriously considered moving on. A long-time interest in traditional Norwegian small boats took me to Norway, where I took lines of a few lap-strake boats, as well as many photographs. I was ready to embark on a new career. However, during the trip my wife and I visited the Sacred Circles exhibit at the Tate in London. This fantastic array of pre-twentieth century Native American art included a large number of which were chosen Northwest coast pieces. Captivated and inspired, I couldn’t wait to return home and launch myself onto a program of re-education.\u003c\/p\u003e\n\u003cp\u003eI literally put everything that I thought I knew into the trash and emptied it. I began visiting museums and their store rooms. Bill Holm, author of the extremely helpful Northwest Coast Indian Art, an Analysis of Form, was generous enough to allow me to make copies of his vast collection of slides and I began a serious examination of old pieces, trying to relate works to particular Native artists from the eighteenth and nineteenth centuries. I continue to learn about many regional and individual styles of this world-class art form, and it’s always exciting.\u003c\/p\u003e\n\u003cp\u003eABOUT THE MATERIALS\u003c\/p\u003e\n\u003cp\u003eTo understand wood, the primary raw material for Northwest Coast Native Art, one must understand the forest.\u003c\/p\u003e\n\u003cp\u003eThe ecosystem of the Pacific Northwest forest offers a spectacular variety of coniferous and deciduous trees, numerous shrubs, mosses, lichens, and fungi, and innumerable large and small mammals, birds, reptiles, amphibians, insects, and more—all interdependent.\u003c\/p\u003e\n\u003cp\u003eThe Northwest Coast Natives knew their forests well because their existence depended on it. They understood which materials to use for houses, canoes, weaving, cordage, dyes or food, as well as where, when, and how to procure and process them.\u003c\/p\u003e\n\u003cp\u003eABOUT THE TOOLS\u003c\/p\u003e\n\u003cp\u003eI like to say, “There’s no tool like an old tool” because the road to improved technology is often littered with simple but useful things that get the job done well. When I began carving, I automatically looked to commercial carving tools like chisels, gouges, mallets, and saws—in addition to my pocket knife. Then I read about the traditional tools used by the Northwest Coast Natives, and decided to make some facsimiles. I started with a “D” adze, a straight knife, and a couple of curved knives, with blades ground from old files. Years later I saw some examples of the “real” thing and headed back to the tool bench. My next set of tools was much improved as was my ability to carve more effectively.\u003c\/p\u003e\n\u003cp\u003eThe twenty-first century carver of Northwest Coast Native-style art takes advantage of any modern tool that is practical, such as factory-made chisels and gouges, hand saws, and the trusty chainsaw for larger work. But the bulk of the work is still done with the traditional adze and knife, which I make myself.\u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877873737893,"sku":"241004-02","price":3950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p12809_i1_w1512.jpg?v=1757347725"},{"product_id":"241004-03-patrick-amos-b-1957-nuu-chah-nulth-sun-mask","title":"Patrick Amos (b.1957 Nuu-chah-nulth) \"Sun Mask\"","description":"\u003cp\u003eca2001 \u003cbr\u003e45\"x60\"x6\"\u003c\/p\u003e\n\u003cp\u003eHand carved from cedar. Exceptional carved and polychrome painted u-form mask with woven cedar bark rope edgework. Signed and dated on verso, executed with Hugh Sam. Excellent condition.\u003c\/p\u003e\n\u003cp\u003eThe Nuu-chah-nulth are Northwest Coast Indigenous peoples known for their sophisticated cedar wood carvings, including masks used in ceremonies, dances, potlatches, and winter rituals. Masks often represent animals, ancestors, supernatural beings, or celestial elements. Sun masks specifically symbolize the Sun — a powerful life-giving force associated with warmth, light, healing, abundance, and the daily journey across the sky (from east to west).In Nuu-chah-nulth and neighboring traditions (such as Kwakwaka'wakw), the Sun is sometimes viewed as a female being paired with the Moon (often male). It appears in origin stories, family crests, and dances that reenact cosmic movements or supernatural encounters.\u003cbr\u003eSun masks are typically worn or displayed during ceremonial performances. Some are part of transformation sequences or used with regalia like abalone-inlaid blankets or cedar bark elements to evoke the sun's rays and motion.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Antique American Indian Art","offers":[{"title":"Default Title","offer_id":45877873770661,"sku":"241004-03","price":6950.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/6071\/5685\/files\/s725348264778838518_p12810_i5_w857.jpg?v=1757347726"}],"url":"https:\/\/antiqueamericanindianart.com\/collections\/masks-totems-wood-artifacts.oembed?page=3","provider":"Antique American Indian Art","version":"1.0","type":"link"}